Why 2018 Has Been A Great Year For New Old Music
Keeping up with the latest artists can be exhausting, so it’s easy to understand why some people simply don’t bother»
MarcBurrows has written the following articles:
Keeping up with the latest artists can be exhausting, so it’s easy to understand why some people simply don’t bother»
It’s unsentimental and unfussy, but still radiates a simple joy in celebrating a special time of the year»
One of the quiet highlights of the year»
The musician talks us through her new band, her time away from music, and why she still thinks fondly of The Fall»
Better known as a film critic, Kermode is also a true musical obsessive»
The darkest and most swooningly elegiac Suede album since Dog Man Star»
The introversion and the melancholia is only half the story»
Once she took on a piece of music it belonged to her»
A celebration of Pumpkindom, a grand-scale reminder of everything that made this band so meaningful»
Never forget that under all the polish is authentic Hollywood dirt»
Robert Smith gives us the most perfect distillation of everything that makes The Cure, well, The Cure»
They’re no longer a shadow of themselves, but the genuine article»
As one half of twee-core-folk-turned-shiny-pop-turned-soul-rock balladeers Slow Club, Charles Watson has spent the last decade learning lessons: how to collaborate, how to take your influences and process them into something that’s very much your own, how»
A new Ash album is always a treasure»
Fourth albums are supposed to be game changers; that’s true of Beyondless»
This is a rich and complex record which rewards patience»
A rich, unique and deeply special album that could only have been made by this band at that exact moment»
Black Foxxes are a special band. The kind that deserves to have their logo written on pencil cases, and their posters bluetacked to walls»
They wield their sound like a lemonade sledgehammer»
You’ll just be glad it exists. If, that is, it exists at all»
This isn’t a gold-standard Sia album by any stretch, but it works»
An interesting curio in an always-compelling career»
It’s business as usual, but after a decade of disappointment, it’s good to know business is doing wel»
Retired indie singers in their fifties aren’t suppose to pick up a guitar for the first time in a decade and write some of the best melodies of their career»
The slogans feel thin, but the music itself is substantive»
It’s like James Brown in a tweepop sheep skin»
Marc Burrows on Kate Tempest's Let Them Eat Chaos»
Arguably the 2017 Fall is the purest version of the band there has ever been»
Chuck Berry was really fucking good at being Chuck Berry. It’s all we ever wanted him to be»
So charming it makes Belle & Sebastian sound like Slayer»