"There’s no point getting anyone else to play": DiS meets Gaz Coombes
I’m talking to Gaz Coombes on the phone, meaning I can’t see him. But that’s okay, because my imagination has handily sorted me out with an image. »
MarcBurrows has written the following articles:
I’m talking to Gaz Coombes on the phone, meaning I can’t see him. But that’s okay, because my imagination has handily sorted me out with an image. »
Good rather than great, and enjoyable if rarely fully captivating, what’s clear is that Jon Barthmus has a talent both as a producer, arranger and writer that could well pay dividends a couple of records down the line, in the meantime we have Soft Fall and things could be a whole lot worse.»
A beautifully constructed, wintery heart-stopper of a record.»
All We Love We Leave Behind stands toe-to-toe with the best of Converge's canon, and that means the best of modern metal.»
There are no bad songs on Inner Classics,, no painful moments, no dodgy production or misjudged directions. But there’s not much else either. »
An enjoyable offering from a genuine treasure.»
It’s a shame John Hughes isn’t around anymore, because most songs here could easily fit the smarter end of his output.»
Mirage Rock’ll probably sell by the bucketload but that doesn’t mean we have to love it.»
Gallows (the album) is the one we’ve been waiting for Gallows (the band) to make since their earliest shows. »
Sometimes it's like Bloc Party have accidentally made a Biffy Clyro album, but for the most part it's good. Very good.»
Away from the Battle-of-Britpop hype on the one hand, and post-Gallagherisation whitewash on the other, The Great Escape reveals itself as flawed, melancholy, occasionally stunning and utterly bonkers.»