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Grizzly Bear - Shields

Review by Sam Cleeve

It's the understated confidence about Shields that will win it its admirers.»

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Hey Sholay - ((o))

Review by Robert Cooke

There’s an optimism in Hey Sholay’s music that never comes close to getting on your nerves.»

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Cat Power - Sun

Review by Hayley Avron

Sun is the most rounded and accomplished album of Cat Power’s career.»

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Dan Deacon - America

Review by Neil Ashman

No one concept album, even one with the complexity of America, could ever hope to fully address the manifold problems of the USA, but in searching for his own answers Dan Deacon has crafted an unique testament to this fact and to his own inimitable, and ever increasing, talents.»

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Yeasayer - Fragrant World

Review by Andrzej Lukowski

This is a record of adventure and texture, an attempt, musically, to conjure up a future we may never actually have. Maybe that is kind of nerdy, but Yeasayer carry it off with style to spare.»

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Swans - The Seer

Review by Alexander Tudor

Michael Gira: “The Seer took 30 years to make. It’s the culmination of every previous Swans album, as well as any other music I’ve ever made…”»

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Bloc Party - Four

Review by Marc Burrows

Sometimes it's like Bloc Party have accidentally made a Biffy Clyro album, but for the most part it's good. Very good.»

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Purity Ring - Shrines

Review by Josh Suntharasivam

There is something so deft about this LP that you can’t help but feel that it is more than merely a by-product of its kooky genesis.»

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Frank Ocean - channel ORANGE

Review by Krystina Nellis

Musical storytelling in its purest form, demanding several listens and uncovering itself as perhaps one of the more individual takes on the great American dream.»

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Micachu and the Shapes - Never

Review by Hayley Avron

There are no templates. There’s a sense that Micachu’s songs aren’t written, but birthed; thrown at the wall like a Jackson Pollock painting; a collage of sound and ideas. Not as careless as that may sound, but rather: created with abandon and an utter disregard for your rules, Sir.»

twin shadow confess

Twin Shadow - Confess

Review by Al Horner

Confess is an album about love and lust behind the bleachers, in the dark of a multiplex, on the back of a motorcycle, in bathroom cubicles, under the neon glare of America’s bright lights - and it’s wholly, wholly brilliant.»

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Dirty Projectors - Swing Lo Magellan

Review by Dan Cooper-Gavin

Swing Lo Magellan is deadly serious even at its most eccentric, wilfully awkward even at its most accessible, dense and intricate even at its most freewheeling.»

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Paul Simon - Graceland: 25th Anniversary Edition

Review by James Skinner

There are moments on Paul Simon’s Graceland when it sounds transcendent, and there are others when it just sounds vibrant and alive, impervious to any wider concerns or political firestorms. This 25th Anniversary Edition, with accompanying documentary Under African Skies, does a fine job of chronicling the creation and controversy of a modern classic.»

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Echo Lake - Wild Peace

Review by David Edwards

Rarely in the past few years has mist and swirl seemed so gorgeously enticing, mystical and engaging.»

Hot Chip In Our Heads album art cover sleeve

Hot Chip - In Our Heads

Review by Sean Thomas

In Our Heads is arguably Hot Chips' most consistent record to date, but it is certainly their most fun.»

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Future Of The Left - The Plot Against Common Sense

Review by Kev Eddy

This is a misanthropic, outraged and often hilarious skewering of the early twenty-first century and its fascinations... The Mclusky/Future of the Left box of musical tricks is liberally mined here, though. You won't be disappointed if you're looking for ADHD punk in the style of 'Lightsaber Cocksucking Blues' ('Sheena is a T-Shirt Salesman') fun and games with keyboards ('Cosmo's Ladder' and 'A Guide to Men')... Thank you, Future of the Left – you've saved rock music. Now to make it pay.»

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The Walkmen - Heaven

Review by David Edwards

Heaven finds The Walkmen's beautiful, sweet melancholy crystallised into what could well be their finest record to date.»

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Japandroids - Celebration Rock

Review by Andrzej Lukowski

Perhaps the highest praise anyone can offer Japandroids is to say they make worrying about rock'n'roll sound like the most rock'n'roll thing, ever.»

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Liars - WIXIW

Review by J.R. Moores

It is a refreshing, sublime, and exciting work of art. WIXIW? Bless you, Liars. Bless you.»

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The Cribs - In the Belly of the Brazen Bull

Review by Didz Hammond

This is The Cribs' best yet and possibly the best of the year.»

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My Bloody Valentine - Loveless (remastered)

Review by Robert Leedham

To claim that My Bloody Valentine went in pursuit of perfection and found it betrays a fundamental misunderstanding of this immense band. It’s their flaws which make them so transcendent.»

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My Bloody Valentine - Isn't Anything (remastered)

Review by Len Lukowska

A case in point of how music can transcend language, just listen and that’s the only way to understand.»

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Actress - R.I.P.

Review by Philip Bloomfield

A review such as this can barely scratch the surface of something so simultaneously esoteric and enjoyable. To call R.I.P. album of the year at this stage wouldn’t so much be pre-emption as an actual understatement.»

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Chromatics - Kill for Love

Review by Sean Adams

Kill For Love is the perfect soundtrack for our ‘modern’ lives... This is a modern masterpiece, it’s as simple as that.»

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Death Grips - The Money Store

Review by Mike Diver

Death Grips' second album, and first for Epic, upsets expectations by transcending them entirely, comprising the kind of must-listen, genres-dashing experience that comes along so rarely. »

Polica - Give You the Ghost artwork album cover sleeve

Poliça - Give You The Ghost

Review by Sean Adams

Enter Poliça, slinking in from stage left. Six months ago their name barely registered on Google (unless you were looking for an Italian policeman) but The Blog Machine and ageing respect-mah-authority Rock Writers have been knocked for six by tracks from Give You The Ghost - some even going as far as naming them The Band of SXSW™. Driving all of this <3-ing is ‘Lay Your Cards Out’, an oblique pop ditty that starts off pirouetting in space, and as it begins to hurtle out the spaceship doors - whilst seeming motionless - the whole song soars and skitters along the crest of a double-drumming wave. »

Julia Holter - Ekstasis

Julia Holter - Ekstasis

Review by James Skinner

Julia Holter has produced a very fine, fiercely imaginative record in Ekstasis, rife with sonic experimentation and not lacking in heart.»

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Blood Red Shoes - In Time To Voices

Review by Ruth Singleton

All the passion and intimacy of the never ending stream of live shows that have been keeping the pair busy around the world since the release of Box of Secrets in 2008.»

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The Shins - Port of Morrow

Review by Krystina Nellis

It's to James Mercer's credit that Port of Morrow, which could have so easily veered off into soulless corporatism or self-indulgence, manages to remain nothing less than both a universal and personal joy to listen to.»

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Dirty Three - Toward the Low Sun

Review by Russell Warfield

Capturing three musicians of virtuosic ability at the (continued) height of their powers, Toward The Low Sun arrives as a return to form which the Dirty Three never actually lost - only a ‘return’ in the sense that we’ve had to wait seven long years since we last heard from them on record.»