"Twenty years just seems like a natural point of reflection": DiS Meets Kula Shaker
Crispian Mills talks about the tour and re-issue of their seminal debut album»
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An APTBS-shaped void in our collective hearts where the unapologetically, unforgivingly brutal band once was»
Crispian Mills talks about the tour and re-issue of their seminal debut album»
Musically it's 4 am in the Hacienda. Emotionally, it's dawn on the last day of your life»
It's not flawless and it's not a masterpiece - but few souls are»
A six-hour-vortex into the best the Verve have ever been»
You'd be forgiven for believing, on your first listen, that Blush is the same track repeated ten times over»
Nothing shine a stark white light on reality. As they always have»
Welcome home, The Veldt»
An album that wouldn't be out of place if it had come out 30 years ago»
You could listen to their heartbroken exhalation indefinitely.»
Got Your Love radiates the present and remains refreshingly nostalgia-free.»
Close to the Glass isn't quite the luxurious auditory and emotional jacuzzi The Notwist's albums have been in the past. It's more a wading pool made of obligation and diffidence.»
God is an Astronaut is the most human post-rock has ever been.»
Medicine have created an album for their listeners. They should have done it for themselves.»
Walls suffers the same fate as the bands it ends up honoring - it can never be called 'beautiful'. But it gives you nothing to complain about. It's a capable, though not expert, guide leading you through a time that you never forgot.»
The album is called I Want You To Destroy Me and all it wants to do is live.»
No-wave, drone, shoegaze, lo-fi, post-metal - the something-for-everyone Ghost Mountain is difficult not to like. But that’s also the reason it’s difficult to love.»
Chaudelande is what it is - it asks questions and doesn't expect answers.»
'Leaving Tomorrow' with its companions from the beginning of the album - 'Alone', 'Mind Control' and, most significantly, 'You Are The One' are the ones that still serve to act as reminders of how there's music in almost any object.»
A snip here, a clip there – you’ll be left with a far more enjoyable recording.»
It is unmistakeably A Place To Bury Strangers and they're giving us what we want.»
Plays as if it were a storybook.»
The familiar frosty, somewhat feminine charms of past efforts have been drastically abandoned. Vessels is stereotypically masculine - but not brutishly so.»
Rocket Girl is a label that adheres so steadfastly to the OG concept of 'independent' that it may well be just one person putting out whimsical mixtapes for no selfish purpose aside from having us share with her her treasures. »
There is not a single wasted note on the record.»
Where Future Perfect knocked us right off our feet, Transit Transit doesn't seem to have the energy to even push us slightly to the left. »
Pilgrims Progress is an album with a plan. »
Puffed up with an assortment of psychoactives, it lies semi-stupefied and mumbles incoherently for most of its duration, waking up just in time to shuffle dazedly out the door leaving half its belongings behind.»
Ignore S-M 2's cliquey aura, for it is more a facade than anything. Make your way past the defensive drone it puts up and you will be rewarded with warm, welcoming fuzz. Abyss in B-Minor isn't elitist or an acquired taste, it's just a little guarded. Put your trust in Serena Maneesh and they will reward you by making you feel powerful - nearly omnipotent - yet simultaneously sedate. »
O how you vex me, Dayve Hawke. You vex me because I know you are just one person, yet two of your three alter egos have names in t»