Review
by Kat Waplington
The Sunshine Underground suffers from muddled ideas and rampant over-ambition.»
Review
by Kat Waplington
There’s no doubt that SBTRKT is moving into gripping new territory.»
Review
by Kat Waplington
One for those searching out unconventional grooves, Beacons is certainly an impressive calling card for Werkha.»
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by Kat Waplington
Dancing is awesome. It’s sexy, it’s fun - we can stand to do more dancing!»
Review
by Kat Waplington
Breton make electronic music with indie overtones, not the other way around, and in so doing, still manage to stand out from the crowd.»
Review
by Kat Waplington
Fair is perfect listening for lucid dreaming or dope-fuelled naps.»
Review
by Kat Waplington
By transplanting his work into another language, and into songs written by somebody else, Dan Bejar takes the oblique lyrics and “I write poetry for myself” Kaputt-approach even further.»
Review
by Kat Waplington
This is Eminem’s best record in a decade – and one of the most impressive, entertaining and addictive hip-hop albums of the year.»
Review
by Kat Waplington
Next time, scrap the cod-philosophy and concentrate on the tunes.»
Review
by Kat Waplington
Paul Haig has never been a conformist, so it’s unsurprising that he continues to stretch himself while his contemporaries dwell on former glories.»
Review
by Kat Waplington
With Dynamics, Holy Ghost! have struck a careful balance between revisiting their mid-Noughties origins and playing with new ideas within a similar arena.»
Review
by Kat Waplington
Not just for dinner parties and Eminem disses after all.»
Review
by Kat Waplington
To the casual ear, this could be any of Placebo's other albums. But with such a consistent sound, it becomes harder for individual songs to stand out.»
Review
by Kat Waplington
Too much laurel-resting and too little innovation. »
In Depth by Kat Waplington
With two new stages dedicated to dance and urban music and a hip-hop superstar headlining is the heyday of NME-indie drawing to a close, just like Kerrang-rock before it? Kat Rolle investigates. Plus BBC footage of some of this year's highlights.»
Review
by Kat Waplington
Mixed outside under the Wirral’s threatening skies, Engravings has an undeniable visual quality to it, invoking a grim, elemental nature.»
Review
by Kat Waplington
The best tracks are excellent, and you can always uncheck the rest.»
In Depth by Kat Waplington
Amongst the Guadí and the rollerbladers, the lost tourists and the omnipresent Catalonian flags, lurks an utterly incredible festival. Festivals are always about euphoria; but Sónar does it best.»
Review
by Kat Waplington
You’ll be too busy dancing and yelling to question the originality.»
Review
by Kat Waplington
For those who like their disco slightly darker, there’s a lot to enjoy to here.»
Review
by Kat Waplington
At a time when many electronic albums sound more like mixed sets than collections of songs, this expansive double album is all the more impressive, with its 33 abruptly separated songs holding the listener captive within Zomby’s edgy world for well over an hour.»
Review
by Kat Waplington
Undoubtedly this is serious music – you can dance, but Lescop also wants you to think.»
Review
by Kat Waplington
If Tribes concentrated on what they’re good at – catchy, no-frills rock – they’d fare much better.»
Review
by Kat Waplington
The Way Things Fall is nasty as electro can get whilst maintaining a remnant of a reassuring pop edge.»
Review
by Kat Waplington
For all its glitz and shine, Dungeonesse feels slightly disingenuous – a rather contrived leap onto the 'summer of disco' bandwagon.»
Review
by Kat Waplington
This is the sound of a band full of ideas and successfully realising all of them.»
Review
by Kat Waplington
It’s perfectly acceptable, unrevolutionary, and of course, entirely inauthentic. »
Review
by Kat Waplington
Though Parisian goliaths Daft Punk return this summer, it seems unlikely that this Wolverhampton duo will be lost in their shadows.»