DiS meets Angel Olsen: "If nobody likes this record, I think it has been really fulfilling"
A lot has been made of Angel Olsen’s change in sound...»
RussWarf has written the following articles:
At its best, Party Jail shows us how interesting truly successful punk minimalism could be.»
An ambiguous mood piece from fragments of traditional Welsh music and contemporary tension.»
The most colourfully painted textures of Tune-Yards’ career.»
It’s an admirable attempt at maturity, but Diploid Love drains the energy from Brody Dalle's music, along with its heart.»
A lot has been made of Angel Olsen’s change in sound...»
This project is evidently a labour of love for Caroline Polachek, allowing her to capture moods and ideas in the immediacy of the moment.»
Avey Tare’s Slasher Flicks finds Dave Portner sounding more like himself than ever.»
Just two EPs into her career, Courtney has already become an unmistakable storyteller...»
A record every bit as spirited as Half Way Home, and possibly even more affecting.»
Keel Her struggles to salvage a bona fide record from admirably restless blogging.»
Small Sound preserves the core of Tennis’s charm, and it's savvy of the duo to (hopefully) consign their elements of feet-finding to a stop-gap EP.»
A combination of understatement and subtly is at the heart of Hospitality’s success on Trouble.»
Damien Jurado’s greatest strengths are found when he's at his most stripped back on Brothers and Sisters of the Eternal Son.»
The thrill of raw honesty invigorates these songs.»
"With these songs I can play them on stage and think 'I'm a decent person'...”»
Y Bardd Anfarwol is a lovely record which stands as a thrilling travel document, while fully transcending any accusations of gap-yah gimmickry.»
It’s quite surprising to learn that Ruban Neilson – driving force of Unknown Mortal Orchestra – only recently played acoustic guitar for the first time.»
A chat with the maker of one of the most musically and emotionally generous albums of the year.»
We always knew of Nils Frahm’s technical prowess, and we’ve already heard his luxurious command of melody. That’s still as strong as it ever has been. But with Spaces he goes one further.»
Her arrangements to turn soft lullabies into spiky, dissonant things.»
At this point in of Montreal’s career, their only remaining constants are their ever-changing nature, and Kevin Barnes himself. With the breakthrough Hissing Fauna, Are You The Destroyer? taking them out of the realm of twee indie pop into eccentric elect»
Shulamith dents the assured sense of identity which made Give You the Ghost so utterly enrapturing.»
A record as emotionally and musically rewarding as anything Cass McCombs has ever released.»
In taking strides towards fuller arrangements and bona fide song writing, Interiors finds itself lost and adrift.»
The Electric Lady cements Janelle Monáe as a genuinely formidable talent»
It's admirable to hear a follow up LP trying to push itself out of comfort zones but Invisible In Your City finds Gang Colours falling short of his peers.»
Russell Warfield meets the founder and some of the artists from Welsh-language label Recordiau Lliwgar.»
With Björk in the centre of the hall, surrounded 360° by the audience, Alexandra Palace has never sounded so good. »
Almost always, a move towards sincerity and maturity is to be applauded in a band, but with Summer Camp, it’s a move away from proven strengths.»
On An Object, No Age push their weakest attributes firmly into the spotlight»