Bored of playing with his cross fader Paul Oakenfold decides he can do this dance pop crossover thing all the kids seem so keen on at the moment. The result is a laid back summery affair based on a hypnotic sample looped continuously, sharing the same kind of vibes as Mint Royale's 'Don't Falter»
The first time I heard Kosheen it was with their drum'n' bass spectacular, 'Slip N Slide Suicide'. At that point they were raw and vibrant with their closest contemporaries living their lives on the UK underground. Since then quite a lot has changed. 'Hide U' put them on TOTP, 'Hungry' su»
Right then. Anyone reckon that Raging Speedhorn are, like, for pussies? Or of the opinion that anything not shouted, screamed and generally ripped out at over 4000 decibels is kinda pointless? Ah good, this is for you. Labrat (see what they’ve done with that clever ol’ squashing two words into one?»
Veteran producer John Parish has one of the most enviable CVs in music, but chances are you don’t recognise his name. If he’s known at all it’s for his work as long-term helmsman for PJ Harvey, but the quiet West Country man can also claim credits on Eels’ ‘Souljacker’, Sparklehors»
If you blinked last month, the chances are you will have missed the triumphant return of Supergrass. Such as it was. The limited-edition, seven inch-only ‘Never Done Nothing Like That Before’ lasted just 90 seconds and barely registered with anybody, but it was an unpolished gem that suggested the »
David Gedge has a hard-on.
A hard-on for fast guitars, for enormous tunes.
But most of all he has a hard-on for sex. Curious cove that Gedge fellow. The image of him as a mild-mannered, indie stalwart remains. A past-it Peel favourite. A relic from the ‘C-86’ scene. A musical coelacanth who has »
What are the odds that when Interpol looks in the mirror they see the members of Joy Division in the reflection?
That’s the impression most people are getting upon first listen. The thick baritone delivery of singer Paul Banks could pass him off as an Ian Curtis impersonator, but upon furth»
Releasing their second EP for Hut Recordings, The Music are back with the new re-recorded release of ‘Take The Long Road and Walk it’; the EP soundtrack to a brilliant night. The opening riff repeats to fade in, the bass drum dramatically lands and off sets another characteristic somewhere-b»
If I didn't know any better I would've sworn The Vessels were from Glasgow, rather than Surrey. This breezy Teenage Fanclub type pop can be deceiving sometimes. It's not totally Teenage Fanclub, but I'm guessing both bands own similar record collections. And Travis. And maybe even A»
The Coral. Love them or hate them, those NME endorsed scouse potheads have already had a bit of an impact this year. Top of The Pops, Top Five album and all. Here we have our first example of a ‘sub‘-Coral band. The Bandits. Yep, they're from Liverpool. Yep, they make an adventurous mix of pr»
Alas, the list of stars involved in the making of ‘Strung Out’ far outweigh any excitement of this single from the angel-throated Scot perhaps best known for her associations with Death In Vegas. Fitting then that DIV duo Tim Holmes and Richard Fearless should head the celebrity cast (Fe»
Conor Oberst is a 22-year-old tortured soul who bleeds heartbreak and sweets emotion. With his Bright Eyes band, Conor creates works that are as close to music poetry as one will ever hear. His voice is like an off centered painting, a shaky off key collage of poetic words that looks good despite»
Yeah, lets get what we know out of the way. The band are formed with part of the remminance of The Yo-Yo's and are signed to Changes One. But did you know they have made one of the best little rocking 6 track (7 actually but we will get to that later) mini-albums released in the past few years? I didn't t»
Sounding somewhere between PiL, Fugazi, Can, Einstürzende Neubauten and dEUS, this is abstract craziness at it’s finest, for once an experimental record that really is like one long sonic laboratory. It begins with the jagged obliqueness of ’Traffix’ and ’All I have In My Pocket’, takes us on a rid»
Before I go any further I would like to state that previous to this single, I had never even heard of Rosco and although I had heard of the Spaceman 3, I was never a massive fan. Now, with that cleared up... Roscos' latest incarnation is as Sterling Roswell and if this debut single is an indi»
You musta heard of them by now, surely! The Icelandic 4 some are hailing as one of the 'most likely to succeed' (I hear they even got reviewed in Smash Hits!) and this is their new single. With more then a passing flirtation with Richard Ashcroft's classic 'A Song For The Lovers', I can see 'Catc»
Three good tunes from young Essex upstarts InMe, but nothing that wildly deviates from the others in the UK metal posse, no rough edges and no real risks. We're always told that we should be blown away by the incredible youth of every new band, and that, though a new band might sound much the same as all the oth»
There are some bands ho can leave tears in my eyes no matter what my mood. Low, for example; hopelessly tragic, too beautiful, yet ultimately glorious. The sorts of bands who you feel privileged to listen too, unworthy of, yet blushingly special to have been introduced too. Errol’s Compilation »
Sadistically low-slung and brutally instant: 1995 was the year we got a shot of ‘Adrenaline’. This was Deftones at their straightest. There were no frills and there was no pissing around with acoustic guitars or samples and effects: metal - frank and forthright. Involved was a bitter air of candour and»
People talk to me about the Sugababes. I'll sit in the grimy, grey pubs I sadly inhabit, and friend after friends of mine will wax lyrical for hours detailing the precise reasons why the Sugababes are SO much better than all other manufactured pop were force fed. But then I look at them. Three faceless, m»
With At The Drive-In’s fire still not officially put out rising from its still hot ashes comes Sparta. Sparta is a rebirth of sorts as well as a continuation of it’s previous self, consisting of three-fifths of At The Drive-In. Their debut album 'Wiretap Scars' creates a veil of gentle melody whi»