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Release Reviews

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Guards - In Guards We Trust

Review by Alex Lee Thomson

A nicely vague idea of summer that most people would like.»

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Colin Stetson - New History Warfare Vol. 3 : To See More Light

Review by Alexander Tudor

Volume 3 is essential listening and another triumph.»

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Miss Kittin - Calling from the Stars

Review by Sean Thomas

Somewhere in these two discs there is a very good hour long album laying in wait. In it's current form though, it's merely a decent one in need of editing.»

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Crystal Shipsss - Crystal Shipsss

Review by Dom Gourlay

Crystal Shipsss resembles something of a stop-gap between albums one and two while the band continues to search for an identity of its own.»

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Sean Nicholas Savage - Other Life

Review by Jazz Monroe

Without remotely discrediting Sean Nicholas Savage’s frequently magical catalogue, you suspect and hope that better yet remains to come.»

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Halasan Bazar - Space Junk

Review by George Bass

Whatever Halasan Bazar’s intentions with Space Junk were, the end result keeps wavering.»

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David Grubbs - The Plain Where the Palace Stood

Review by Jon Falcone

A David Grubbs album is always a hugely rewarding listen and this is no different.»

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Born Ruffians - Birthmarks

Review by Jazz Monroe

Birthmarks is probably the most impressive Born Ruffians record to date, but it’s a shame they travelled so far without straying far from the middle of the road.»

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Sweet Baboo - Ships

Review by Russell Warfield

There’s an endearing sense of modesty to a line like “Daniel Johnston has hundreds of great tunes, and I’ve got six”, especially when it’s sung in the chorus of the first song of an 11-track album.»

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The Neighbourhood - I Love You

Review by Kat Rolle

It’s perfectly acceptable, unrevolutionary, and of course, entirely inauthentic. »

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Frank Turner - Tape Deck Heart

Review by Jon Clark

On Tape Deck Heart, we see a Frank Turner of extremes, he is at his most resilient, most opinionated and most human.»

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Ian McCulloch - Holy Ghosts

Review by Alex Lee Thomson

An intelligent, relevant British songsmith still worth listening to.»

Transient

Depth And Current - Transient

Review by Dom Gourlay

A concise lesson in controlled aggression...»

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At The Drive-In - Acrobatic Tenement/Relationship of Command (reissues)

Review by David Pott-Negrine

For a lot of people, particularly those in their mid to late twenties, and presumably a large portion of those that read this site, At The Drive-In are more than just a band.»

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Simian Mobile Disco - Live

Review by Russell Warfield

Live ultimately plays more like an accomplished mixtape than it does a live concert.»

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Mice Parade - Candela

Review by Jon Falcone

As an album Candela has everything.»

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Phoenix - Bankrupt!

Review by Krystina Nellis

It's only when you've got as internalised a knowledge of how pop music works as Phoenix do that you can make an album as frequently barking as this and not fly away completely.»

Killing Joke singles

Killing Joke - The Singles Collection 1979-2012

Review by Dom Gourlay

Thirty-four years and 15 albums after releasing their first EP, Killing Joke are still a force to be reckoned with...»

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The Besnard Lakes - Until In Excess, Imperceptible UFO

Review by Aaron Lavery

There are some great moments on Until In Excess, Imperceptible UFO, but by the end they’re lost under swathes of synths and looking for a sense of purpose. »

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Yeah Yeah Yeahs - Mosquito

Review by Andrzej Lukowski

A blazingly enjoyable record, the most purely fun album the Yeah Yeah Yeahs have made since Fever to Tell.»

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Fall Out Boy - Save Rock and Roll

Review by John Watt

Save Rock and Roll isn't life or game changing but it's probably the album Fall Out Boy needed to make.»

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Various - Arts & Crafts 2003-2013

Review by Jazz Monroe

Whereas some would hesitate before signing over their band to a commune of high school pals like Arts & Crafts, the couple of dozen friends making up the Broken Social Scene circle gave the pledge without second thought.»

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Iron & Wine - Ghost on Ghost

Review by Tim Peyton

In an attempt to not be typecast as just a creaky voiced troubadour, Sam Beam has produced such a musically and lyrically 'busy' record that it results in near sensory overload at times. »

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The Thermals - Desperate Ground

Review by Neil Ashman

You can only write so many hi-tempo, powerchord driven punk-pop songs before they all start blending into one in your consciousness.»