You might have heard this song before. Probably last Saturday morning, played on the BBC1 Saturday Show programme. Although you can't fault anyone trying to earn a quick buck by exploiting children, you can certainly disagree with it. Especially when it's such turgid, laughable garbage as this. Be fair to Suga»
Solid boned skeleton key, opens the most intricate locks...squergle!werk!bleurgh!clatter! This is odd. Very odd. The Coral appear to have ripped the guts out of a sea shanty and broken the locking nut on their guitar. There are verses and a chorus but it's more a selection of completely opposing mo»
Alec is better known as the frontman of gabbajungleindustrialrockpunks Atari Teenage Riot. However, Addicted To You has neither the white noise nor breakneck pace of earlier material. In fact, it seems that DHR noticed that Marilyn Manson was about to have a big hit on his hands and saw the »
Now as much as I love the Moldy Peaches, I don't really see the point of this single. Neither these songs are featured on their self-titled debut album, and I can't really see how this is going to help the Moldys. It’s not likely to gain them new fans and is hardly their best work to date. 'County Fair»
Over the past few weeks, I have acquired some of the most stunning demo/self released CDs possibly imaginable, and this exquisite little 2-track created by Derby based Plans and Apologies is right on the top of the pile. ‘Close Your Eyes and Wish You Were…’ and ‘Ginger Jimmy Jackson’ manage to fill»
Garage Scuzz Punk. Not the catchiest name for a genre, I grant you, but with bands like The Bellrays at it's forefront, it seems destined to succeed. Because Garage Scuzz Punk is what The Bellrays do, and my God they do it well. Debut British single "Fire On The Moon" knocks the stuffing out »
Who the fuck is James Yorkston?? And what about his Athletes?? Who are these people?? And why do they make such brilliant records??? James Yorkston, so they tell me, is a Scottish singer-songwriter (in the loosest sense) who went to school with some of The Beta Band. Their bizarre gen»
Night time in the city. The streets are crawling with people looking for a good time, looking to escape their lives. People just like you.
Down the steps and through the door, you push past the freaks and wind your way into the club. The walls black and sweaty, the low ceiling bristling with flashing, bright disco»
"Destiny won't speak in slogans" It's been 10 years since Alec Empire's band Atari Teenage Riot burst from the Berlin underground, spawning a record label which offered freedom for many like minded artists who were fed up with the a mucic scene on the verge of an monotonous implosion. Digital Hardco»
More incomprehensible mayhem as our ‘hero’ - the taciturn, unsmiling, shades sporting, kung-fu half-vampire, Blade (Wesley Snipes) - returns to kick more ass and shoot guns.
Good. But this time he teams up with the bad guys (who call themselves The Bloodpack, cos they too are vampires, see?) in order to de»
And so the world domination of Damon Gough begins. This is the first single to be given a full release from the Badly Drawn one's 'Stop-Gap' album. Some stop-gap the soundtrack to a Nick Hornby adaptation starring Hugh Grant is!
With the curse of the Mercury Music Prize hanging over hi»
How I long for those days! The days when Kelly and Co. used to release half decent indie-rock records!! Come back! 'Vegas Two Times' is the Black Crowes - like one that opened last year's hideous 'J.E.E.P.' album. It's alright, in a Steve Lamacq kinda way. Nowhere near as affecting as 'Tra»
All hail Atlanta, Georgia. Why? Because they spawned Outkast and you need no other reason. The bands latest single carries on from where their last album, Stankonia, finished off. Featuring Killer Mike, the duo of Big Boi & Dre again pull out all the stops for what will surely b»
Ask anyone to name their Top Ten songs about Jesus and they'd stare blankly at you and turn up their Seafood album in the hope you'd go away. But Sunderland's newest indie stars, Electronic Eye Machine have come up with a definite contender for that list. Should it ever be made. 'Jesus Song' »
There are two points to consider when listening to this album. (a) Req is infamous for two things. His unconventional and pioneering approach to spray can art and very average hip-hop production. (b) Hip-hop is one of the only genres in which the experiments of the underground don’t coax the mainstream to catch »
Like the creature from the black lagoon The Jon Spencer Blues Explosion emerge from rock’s marshy swamps with a renewed thirst to rock and a taste for blood. 'She Said' sounds as if was recorded under the light of the full moon. The howling vocals of Mr. Spencer, the black magic guitar of J»
Comebacks this year from The Chemical Brothers and Oasis have both been greeted with the question of relevancy. Are these two bands that made some of the most important music of the 90s any use in today's age of retro American guitar bands and sarf larndarn garage? This is a situation that affords Gomez<»
Hmm… where to start…? This is a pretty impossible single to review – Scarlet Soho play the kind of music that sounds completely different every time you hear it. On this one particular play through, this is what I hear… Three out of the ordinary pop-rock outbursts with a digitised modern twist that glam-r»
2002 is turning out to be the year of the landmark record. While Electric Soft Parade are making indie records that excite, Hundred Reasons are re-defining British Rock. And then, of course, there's The Streets. For as landmark records go, this is up there with the best of them. Mike Skinner »
If Richard.D.James took a long, long holiday to South America, became slightly delirious with sunstroke, developed a strong love for the trumpet and then, in his cerebrally incoherent state, decided to make an album...it might have sounded something like this... Ruisort's biography is eclectic to say »
After about half an hour into the film, two girls a few rows in front of me walked out. Then again, some bloke behind me sat guffawing all the way through. F’sho’, ‘The Royal Tenenbaums’ is one of those ‘You’ll either love it or hate it’ deals.
Me? I thought it was alright. Wes Anderson caught »
“I hear a new world
So strange and so real
Rod Freeman & The Blue Men ~ ‘I Hear a New World’ 1960. Beep-beep bweeep tshck-tshck-tshck-tshck dum-TEESH! Hear that? That’s the sound of the future. Or, to be more precise, electronica, and ‘Electronic 01‘»