armchair dancefloor 024 incl Danny Saul mix
This month's look at the best electronic and open-tuned electric guitar releases. Plus an exclusive, femur-shatteringly good mix from Mancunian experimentalist Danny Saul. »
chrispower has written the following articles:
This month's look at the best electronic and open-tuned electric guitar releases. Plus an exclusive, femur-shatteringly good mix from Mancunian experimentalist Danny Saul. »
In this month's look at the best electronic releases: three arks, one oval, an eagle, a Leek and the future. All in roundabout 100 words or less per release.»
In this month's look at the best electronic releases: travelling with Shed, working up a gloomy sweat with Kassem Mosse, DJ Nate's dizzying footwork and Hildur Gudnadottir's inimitably European brand of misery.»
armchair dancefloor is a monthly look at the best electronic releases. This month: praise for the witchy doings of Demdike Stare, Macc & dgoHn's whipsmart drum & bass assault, Max Richter, Peverelist's latest conundrum, and gridskipping in Aix. »
This month's electronic music round-up fetures Robert Hood's soundtrack to The Omega Man, the retro-futurist synth odysseys of Oneohtrix Point Never, divisive keyboard studies from Gas-man Wolfgang Voigt, a long-awaited return from the inventor of glitch,»
The essential releases from the recent electronic crop, and a deep, dark techno mix from Japanese DJ/producer Iori. »
If this space opera doesn’t quite make it all the way to the stars, we still get to visit some pretty extraordinary places before the phat lady sings.»
The March electronic releases it's most worth taking a byte out of. (Sorry.) Featuring an exclusive mix from Klimek spanning drum & bass, post-punk, C86 indie, shoegaze, dub-house and baggy.»
DiS' Chris Power gets a first listen to LCD Soundsystem's forthcoming untitled album.»
armchair dancefloor details the recent electronic releases it's most worth hunting down. In our opinion, that is. We're not god. This time we're also proud to include a mix from 10-20, who's sequenced a half-hour of his inimitable abstract techno solely for your enjoyment. »
On top of your regular round-up of the electronic releases it's worth directing your purchasing power at, Camden Town's Blue Daisy contributes the next installment in the armchair dancefloor mix series. He produced one of last year's most noteworthy debuts with his Space Ex/The Fall 12 (see ad008), and here he moves between tech house, dubstep, jazz-steeped beats and some extraordinary, exclusive Blue Daisy material. Enjoy it.»
Armchair Dancefloor collates the final and finest electronic moppings from the end of last year, and slouches weirdly into 2010 with a superbly off-kilter mix from Belgium's foremost dealer in menacing atmospherics, Kreng. Plus, your chance to win a DJ slot at the BLOC Weekend.»
If you were there you’ll be prompted to bask in the memory, and if you weren’t you’ll be wishing like hell that you had been. »
Every year we ask our staff to submit their records of the year and every year, writers put records in their lists that seem to have been somewhat overlooked both within the realm of DiS and/or across the board. Rather than leave these records as forgotten footnotes, last year we launched our imaginatively titled Lost 8 of '08 (see the 8 highlighted records here) and this year it returns, one year older 'n' wiser, as the Lost 9 of '09. Once again this little list intends to do much the same neck-out-sticking for some of our staff's personal favourites. »
Gloriously ragged, The Raincoats are among the better adverts for the DIY empowerment of punk. »
The best electronic releases of recent times (well, last month) and a new and exclusive deep, sleek house mix from DJ and producer Lee Curtiss.»
By the time the respirator-led ‘O God Protect Me’ begins it’s difficult to tell if that’s the track’s title or a suggestion as to what you should be begging for. »
To mark the end of Kraftwerkweek we've put together a Spotify playlist of music that owes its existence to Ralf, Florian, Wolfgang and Karl. »
Kraftwerweek's series of album reviews culminates in a sprint finish with the tour de force Tour de France. »
Kraftwerkweek continues with The Mix, Kraftwerk's controversial 1991 reappraisal and overhauling of their own back catalogue. »
Kraftwerk week continues with a review of the remastered edition of Techno Pop, by reputation Kraftwerk's most disappointing album.»
Kraftwerkweek reaches its mid-point with a look at the remastered edition of the last of Kraftwerk's classic late-Seventiess, early-Eighties trilogy.»
Kraftwerkweek moves on to the perfect union of man and machine, synthpop style, and the best remastering job of the project. »
Kraftwerkweek continues with a look at the album that invented the future of music. Thanks for that, Kraftwerk.»
Kraftwerkweek continues with Kraftwerk's fifth LP, which saw them shed their last remaining rock vestiges and bid a long farewell to their avant-garde background. »
Kraftwerkweek on DiS commences with a review of the German legends' fourth album, 1974's Autobahn, which changed the course of popular music. »
Chris Power's fortnightly round-up of electronic releases, featuring Mary Anne Hobbs' new Planet Mu compilation, Japanese psychedelia on DFA and one of the biggest tunes of the year from a certain J. Orbison »
Download Bristol wunderkind Julio Bashmore's exclusive Armchair Dancefloor mix, and read reviews of new releases from Zomby, Vladislav Delay, Hauntologists, Neil Landstrumm, Rebolledo and more.»
Chris Power's roundup of the best in techno, dubstep, house, IDM, Balkan skronkcore (not really) and Nintendo DS-constructed rave anthems (really). Plus, win yourself a triple-vinyl pack of Voodeux's The Paranormal. AD010 is all heart. »
Chris Power's fortnightly harvest of the best of the electronic music crop. This time around there's batty-winding pressure from Hyperdub, undersea unease from On, Technicolor dubstep from Hyetal, trippy longfrom techno from Rome's Gorgio Gigli and lots, lots more.»