- Artists:
- Muse »
Drowned in Sound reviews the new Muse album The Resistance in a first listen, track-by-track commentary stylee...
Uprising
A glam-rock 'Robot Rock' (Daft Punk) meets 'Stand and Deliver' (Adam Ant) synth throb, the combined effect of which is a little like Belgian band Millionaire. Or rather this is this album's 'Supermassive Black Hole' but with a riff a little like Battles' 'Atlas' but with intermittent Blondie 'Call Me' guitar squeals. Matt Bellamy's lyrics on this opening track kick things off in battle mode: "A fat cats had a heart attack...we've gotta unify and let the flag ascend....they will not control us, we will be victorious."
The Resistance
A tiny piano line, then drums like galloping the white horses of a tsunami. There's an odd nod to the Public Image Limited track 'Rise' with Bellamy pondering: "He could be wrong, could be wrong...couldn't be right?" However, this track is pretty much the album's concept summed up with the line "Love is our resistance..." but don't panic, this isn't an album free of sci-fi conspiracy, as Matt sings "our lips must always be sealed" before a thunder 'n' lightning-like Kate Bush 'Running Up That Hill' homage snaps and rumbles as the track ends.
Undisclosed Desires
With a skippity R&B rhythm, a hip-hop beat and mixed with a Dirty Projectors' soaring vocal melody (singing: "I want to reconcile the violence in your heart... I want to exorcise the demons from your past."), this track is an odd but interesting new feather to Muse's bow. Some reviewers will probably compare the chopped up samples to Thom Yorke's 'Harrowdown Hill' but it's much more kevlar coated and doused in 'Idioteque' head-nodability than that.
United States of Eurasia (+collateral damage)
The one you've probably already heard. An ode to Spielberg? Sounds like the opening of 'Radars of the Lost Ark' as played by Queen and Jeff Buckley. Fades into a Fellini cafe moment, followed by fighter plane flare and huge gong/drum-thud.
Guiding Light
A marching hymn-like anthem. Those giant robot footed bass-synths stomp all over it. Sort of like MCR's 'Black Parade' stripped right down but sort of not.
Unnatural Selection
The organ opening makes way for a pounding 'Agitated'/'New Born'-like riff. Not sure if it's the volume but this whole track (and most of the album this far) jitters like a beast with the shakes before making way for more of that gravity-defying floating off wonder that is Muse's trademark. Oddly, this is the first time I've noticed the lack of that compressed heavy breathing which rubs a lot of non-Muse fans up the wrong way.
MK Ultra
Soaring, swooping and then clattering, then soaring like a shuttle ride (or at least the Disney roller-coaster version). Then a fuck off neck-pissing down riff. This track is a glorious rock epic.
I Belong to You (+Mon Coeur S'Ourve A Ta Voix)
Like the heaviest boogie-piano line Elton John never dared write. Followed by a French (like, literally sung in French) waltz motionlessly racing through the house of flying daggers. Then the melody drops back in and grooves around the refrain "I travelled half the world to say I belong to you."
Exogenesis: Symphony Part i (Overture)
Ladies and Gentlemen we're floating in Planet of the Apes space, crossing jungles and getting howled at by the Mayans. Waterfalls of strings, guttural bass thundering beneath. [Insert obvious Pink Floyd comparison here.]
Exogenesis: Symphony Part ii (Cross Pollination)
Plinky piano builds to a Godzilla riff. It's fucking ridiculous but exhilaratingly and brilliantly indulgent. Bellamy howls "You must rescue us all!"
Exogenesis: Symphony Part iii (Redemption)
This is lovely. A sleepy-time music box swirls and graciously builds and builds with strings atop a wondrous drum line before the whole thing rises up like an army of yawning tigers. Flowers open and suns rise and fall in fast forward on far-off horizons.
Conclusion: Muse have clearly gone off and explored their own possibilities, and the result is an album that rarely relents and surprises you with what's around the next bend. Really can't tell after one listen whether there are any huge hits on this record or whether the album is just one big adventure from a band who are really hitting their stride and unafraid of taking the lazy rehash path. The singles released thus far certainly don't do the album justice but perhaps offer digestible clues to this albums grandeur and the ever more sophisticated mad-scientist-ness that we've come to know and love from this Teignmouth trio. The symphony on the end is perhaps a bit much but then Muse have never been a band afraid of being bewilderingly over the top. 9/10
- Spotifriday #18 - This Week on DiS as a playlist
- Muse discuss U2 US tour, The Resistance + more
- New 'Later...Live' CD compilation on the way featuring Lily Allen, Bon Iver, MGMT + more
- Muse take lip-syncing to new levels, surpass Nirvana
- Death Cab to release single from Vampire movie OST
- Win! A Guitar Hero bundle in our giveaway!
- Muse - The Resistance
- Muse - The Resistance
More Muse
-
Muse - Absolution
-
Crocodile Hunter dead, Trouser Snake not: chart round-up
-
Muse - Time Is Running Out
Can't wait for this
I've been criticised on these boards before for liking Muse and I can never work out why. All of their albums have been uniformly brilliant and live they are the best in the world. I simply *cannot* wait to get my hands on this album, it's going to be amazing. Just like all of their other albums have been.
I couldnt agree more
I've loved Muse since pre-showbiz, seen them 20+ times live and just think they are utterly fantastic. But as always when a band is different, daring and gets 'big' they get slagged. Readers on this board, seem to instead tug off over bloodied images of Pete Doherty.
This album will be fantastic - fact.
Giggles with glee
Oooh, can't wait!! It's been a looong three years.
Hell I'm excited for this now
after initially being horrified by united states of eurasia and uprising, i've grown to really love them in a crikey-this-is-actually-a-lot-of-fun sort of way
THE PREVIEWS ON Itunes
sound utter bearshit. i'm willing to be proved wrong though
Nail. Head. It's FUN!
If you expect nothing more than 45 minutes of pomp then how can you be disappointed?
I'm mightily excited.
Yeah
I mean bands like Radiohead, Arctic Monkeys (with their latest album) - everyone hates them on DiS. And we all love Pete Doherty!
I agree that some people are a little harsh on Muse here, I wasn't crazy about the last album, but there was enough good stuff in the first half of it. But it's obvious that the direction they've headed in was always going to be somewhat polarising.
...
"The symphony on the end is perhaps a bit much..."
Which is exactly why I will be buying this. I'm not interested in artists who give a fuck. I could go out tomorrow and get 17 records that sound exactly like The XX, no problem. Who else makes music even remotely like Muse?
Sure, it could still be shit (I didn't really like the last one), but fuck it, let's do it anyway - which is what all good bands should be saying when they write their music.
afraid
I'm little bit afraid of this new album. I've grown up on Showbiz/Origin Of Symmetry, heavy riffs and pain, no poppy Queen meets R&B. Experimenting doesn't mean to try everything like Muse have probably thought. 'United States of Eurasia' is too kitschy and 'Uprising' is anti-inventive, so I'm afraid of the record. But I give them chance, they deserve it.
...
"Experimenting doesn't mean to try everything"
That's exactly what experiment means.
You think wrong.
this ^^
I really loved them since the start. Almost lost me with BHAR but this time I think its over
If this is at least better than BH&R I'll be happy
I'm going to get it just for Unnatural Selection which sounds like a belter. As stealthy says even thought there is a distinct posibility that this album could be utter wank it's still worth buying because who knows what it'll sound like, I'm actually excited by the prospect of not knowing what to expect, if that makes sense. It's nice to think that even though Muse have become such a huge band they're still prepared to do whatever they want, Biffy Clyro should take note...
Hells bells
I'm getting ridiculously excited for this album now. I hope the official review doesn't differ too much from the one here.
Resistance, Unnatural Selection and Undisclosed Desires
are all brilliant. They're the ones I've heard so far (plus Uprising and USoE, obviously). Brilliant live.
Resistance in particular has a killer chorus.
Doublewrong.
Nearly... Experiment does literally mean to try out... but i think what gloomy is getting at is that a band should have a specific idea of what they want to achieve, and then experiment in order to achieve that. Whereas muse just seem to flail around creatively in the hope of hitting something good... although i don't necessarily agree with that sentiment.
need this
album now the new songs they played on friday sound amazing and batshit mental just how i like muse songs
...
With due respect - you (or he) just pulled that out of the proverbial arse. Discounting that as a mere prole, you have no idea what processes led to the creation of this, or indeed ANY album you're not intimately involved in the creation of; you can however, see it's plausible that a group of musicians with the resources to spend large amounts of time in practise rooms and studios - with large orchestras, top tier producers, engineers and the like, all with a big record compant administering the process - can probably said to have planned their music out a bit before committing it to tape.
But that's just my conjecture...
And of course, 'experiment' does as you say, literally mean 'to try out'. So who here is doublewrong, again?
No real flow
This album just doesn't...feel like an album, more a collection (or mish-mash) of songs. There's far too many ideas which means the really good ones get drowned in the mediocre ones. Bellamy's lyrics are poor, once again, and because the band self-produced this album it's heavy-handed in some places and short in others eg. Unnatural Selection sounds nowhere near the rock behemoth it should be, and in Exogenesis I the violins feel too high in the mix as it builds to the crescendo.
There are massive Pink Floyd moments on this record, including the middle section of Unnatural Selection, and oddly those are the bits of this record where Muse sound best, and have a swagger to their rhythms. Otherwise it feels forced. 5/10 from me.
Track-by-track review of The Resistance
...in more detail than here...
just heard the album
Absolutely brilliant stuff, miles better than BHAR.
MK Ultra is the standout track for me, and while the 3-part symphony may be seriously over the top, it fucking works.
Story
Steve_K: no flow
I'm surprised to hear you say that the album had no flow. I gave it a full listen today and could immediately envision a story combining 1984 and Les Miserables. Give it another listen with those thoughts in mind.
NickN
There is no flow to it whatsoever. Just listen at the worst possible track combination on this album of MK Ultra, followed by I Belong To You, then Exogenesis. Completely mismatched, and ruins the flow of this album. Muse do not suit the stylings of Undisclosed Desires, or I Belong To You. Those two moments disrupt a reasonable album and turn it into something that is unlistenable as a whole. It doesn't help that the production is far too brash on some songs, whilst being flat and limp on others. Bands that don't have any proper production training should not self-produce. Listen to Elbow's Seldom Seen Kid. That is a perfect example of how good a self-produced album can be, but Guy Garvey has had years of training and practice to get that good.
more of the same rubbish
Same overrated worthless rubbish from a band that are only marginally more pretentious than their deluded fans (who must be slightly deranged if they can put up the horrendous sound of this guy's voice for more than a few seconds and make boy band fandom seem thoughtful, measured and not at all brainwashed by comparison) As one expects they are a band trying far too hard to be 'creative' and ending up with an album full of trite money spinning nonsense. Never has a band tried so hard to be so average and dull.
You lost this argument the moment you called them pretentious
That comment alone shows you know absolutely nothing about them or their music.
To be fair, I think you've just proved his point. What is it about Muse fans that puts them so on the defensive when someone doesn't think the sun shines out of Bellamy's rear end?
Muse need to get back to what they're good at which is purely metal riffs and the odd piano track. All this other stuff they're trying to do is rubbish and does not suit them in the slightest. This album is boring, it's bland, and it's aimed at America. That's why it's shit.
How does it?
It's a fact, Muse are not pretentious. Anyone with any sense knows this, they're one of the least serious bands around and clearly don't give a toss about appearances. It has nothing to do with how good or shit this guy thinks their music is and I'm not here to defend them from that point of view.
.......
i like them but they've become a bit pretentious, starting with supermassive b.h. album. lyrically and musically, this album is only a shade of what they used to offer before.
This album is brilliant.
I had doubts at first but after couple of listens it simply unleased its brilliant quality. It has no flow? Oh yes, it has. Throughout each and very track I can sense that unique atmosphere of conspiracies, travels, unrest and various other hints to modern world. It flows perfectly and it's definitely better and more coherent than Black Holes and Revelations. I adore Origin of Symmetry and this album is nothing near but The Resistance is almost as good in its own way. 9 out of 10 as for now.
High and Low
Exogenesis was pure genius,
but i absolutely HATE Undisclosed Desires.
When I say it doesn't flow, I mean musically. There are too many different musical stylings here for any flow to be possible. One of my favourite analogies of this album is about being at a restaurant. I'd order a tuna steak, on a bed of salsa, with rocket and new potatoes, and perhaps a nice glass of wine. All those things complement each other in the course of the meal. But I wouldn't go to a restaurant and order a pizza with ice-cream, tomato ketchup, chocolate brownies and chips on top. With coffee to wash it down. All of those things are ok on their own, but they're not meant to be together. That's how I feel about this album. It's a pizza with chocolate ice cream on top.
When you talk about the atmosphere of conspiracies, that's a linking theme, not something that makes the album flow.

Muse discuss U2 US tour, The Resistance + more
This Week's Singles: 07/09/2009
The Tuesday DiScussion: Are Muse the most important band of our generation?
Muse
In Photos: Arctic Monkeys @ Wembley Arena, London
In Photos: The Flaming Lips @ The Academy, Manchester
In Photos: Moby @ The Palace Theatre, London
In Photos: Tegan & Sara @ Shepherds Bush Empire, London
Comments
- Post a new comment on this article