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Keeping your powder dry: Five of the best from Neil Young

There’s no two ways about it: Neil Young is blazing a fearsome trail at the moment, offering his greatest work for some time and turning in some of his best shows ever according to many, while showing no sign of abating. Add in to that news of a new record, Toast - the latest in Young’s Archives series - and his first UK festival headline set for some time at the new Hop Farm Festival, and it seems a more than appropriate time to celebrate ol' Shakey with the cherry pickings from one of the most remarkably consistent oeuvres – ‘80s excepted – in the whole of rockdom. And no, we're not touching Trans with a 50-foot barge pole.

 

After The Goldrush, 1970

It always seems to be an eternal toss-up between After The Goldrush and Harvest for acoustic Young fans, but in the end …Goldrush wins out for its less-syrupy production, pure harmonies and stripped-bare honesty. Every song of its eleven-track body is nigh-on perfect, from the opening line of ‘Tell Me Why’ with its gorgeous ”sailing heart ships through broken harbours / out on the waves in the night” through the cracked piano-led beauty of ‘After The Goldrush’ itself and right on to the end of the 90-second closer ‘Cripple Creek Ferry’ that transports you out on to someone’s Mississippi porch. Really though, it's unfair to to pick highlights as the entire record is a beautifully-realised project from start to finish.

 

On The Beach, 1974

Long waxed lyrical of and held high due to its lack of availability for 25 years, On The Beach was an unloved record at the time of its release. History has served it well though; On The Beach is stretched, unfocused and rough, but at its core is a fine album that sounds like Young having fun, ignoring rather than being crushed under the weight of his recent success. There are still moments of spectral beauty within, like the Wurlitzer-led ‘See The Sky About To Rain’, but it’s the likes of ‘Revolution Blues’ that really capture the imagination, winding, clanging and tale-telling. A highly rewarding listen that improves each time.

 

Tonight’s The Night, 1975

Dark, introverted and stark, as well as being full of rock 'n' roll fury, Tonight’s The Night is a commentary on and tribute to the drug overdose of Crazy Horse guitarist Danny Whitten. Recorded largely as live with an array of extra players like Nils Lofgren, Tonight’s the Night is raw and rumpled, Young’s voice acting as a hoarse conduit for his pain. Best tracks are the likes of ‘Come on Baby Let’s Go Downtown’ and the rambling ‘Roll Another Number’. Part damning, part celebration, it’s an unrefined and powerful record.

 

Rust Never Sleeps, 1979

The only record that I have ever bought three times – the third time was an accident, for which we have to thank Young’s insistence on generic and uninteresting record covers for the most part of the seventies. The native American tale-telling ‘Powderfinger’ is one of the great plugged-in moments of his canon; hard-driving but laced with gorgeous key changes and sighing harmonies. The ever-iconic ‘Hey, Hey, My My’ needs no introduction, book-ending the record in both acoustic and electric forms – neatly summing up the mixed stripped and plugged elements of the album, which sees Young once more hook up with Crazy Horse, on suitably powerful form.

 

Ragged Glory, 1990

You dream of turning up to a Neil Young concert and seeing him and Crazy Horse in this form; visceral, amp busting, riff-roaring and just plain LOUD. You sense that every few years, Young dusts himself and his band off just to prove that they’re still the hardest-rocking motherfuckers in the business. This 1990 document of such an exercise consists of entirely new songs, the standouts being the rollicking ‘Country Home’, the sweet-chorused ‘Over and Over’ and the daddy of all white-noise blowouts, ‘F*!|n’ Up’. As live albums go, it’s pretty much perfect, as part of his extensive catalogue, it stands up as one of Young’s best discs full stop.

 

Toast is expected in June, shortly before Young plays his festival show in Britain.

July
6 Tonbridge Hop Farm Festival (tickets)

No 'Everybody Knows...'?

What a joke. Clearly his best album, the best meeting of his acoustic and electric sides. The first 4 up there are joint-second best in my book. Take out Ragged Glory and I'm happy.

Everybody Knows This Is Nowhere

is my favourite Neil Young album, with On The Beach second. Maybe.

Great choice.......but

would have to go with the Everybody Knows This Is Nowhere crowd over Ragged Glory but then I suppose you had to pick a more 'modern one' lest it just be a nostalgic trip back to his 60's/70's heyday.

Can you do a Tom Waits list now please.

Freedom

!

Trans is underrated and Freedom was a decent 80s effort

but otherwise the rest of that decade was garbage (i occasionally force myself to listen to Landing On Water, arguably his all-time low point)

Everybody Knows This Is Nowhere is the obvious starting point... though Ragged Glory was the first Shakey LP i bought (liked the title, does what it says on the tin)

small correction to your Ragged Glory album

it's not a live album, save for the final track Mother Earth (Natural Anthem):

http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:3sr67uw0h0jf
http://en.wikipedia.org/wiki/Ragged_Glory

the live album from that period was the following year's Weld

It was recorded "as live" though...

If you're being really picky, they weren't all new songs...

Personally Im pleased to see Ragged Glory mentioned

Its obviously not as good as Everybody Knows This Is Nowhere or perhaps Zuma. but if it had not been on the list it would have all been 70's.

The 90's were Neil best decade after the 70's with Ragged Glory, Weld and Sleeps With Angels.

However I also am a big fan of Trans it's a very good record

Trans is brilliant

and Sleeps With Angels shits on Ragged Glory. otherwise; fine.

^^ yep

Sleeps with Angels, best thing he did in the 90s.

Although saying that, the first three tracks on Broken Arrow are excellent.

I love Neil Young

Anyone see him at Hammersmith?

I saw him at Hammersmith

and I also saw him a few years back when he did the Greendale tour. I was pissed off that it had cost a helluva lot of money (the Greendale tour) and he'd played this weird concept album that no one had ever heard. But then I realised after - that's the beauty of Neil Young - he doesn't give a fuck. He doesn't give a fuck what the crowd thinks, what his record company thinks - or what it will do for his reputation.

It's art, what Neil does - he tranmits his feelings and emotions through his music without pandering to any commercial guidelines. Like with his 80's albums - it was him trying to communicate with his sons. And then Geffen tried to sue him for 'producing music that was unrepresentative of Neil Young'. They completely missed the point.... doing Trans etc... was precisely what Neil is about - doing whatever the hell he likes.

I am always reminded of his comments after the Ditch trilogy - 'Harvest was successful, and took me to the middle of the road - but I found it a bore travelling there, so I headed for the ditch. It was a rougher ride, but I met some more interesting people there'.

Neil Young is becoming a real DiS fave...

Don't think i haven't noticed.

(it's a good thing of course)

bye bye ragged glory.

hello live rust.

i was in the front row

and seeing neil young play After the Goldrush on a piano a few feet away from me is a memory that will stay with me forever. Unbelievably special night.

Also other than Everybody Knows this is Nowhere

and Zuma,

I'd also make a very real shout for Greendale - still probably my favourite Neil album and his most underrated by some distance.

Also - On the Beach: fun?! Have you even heard Ambulance Blues??? It's bleak as anything.

Sleeps With Angels

is an awesome set of songs. Safeway Cart is just beautiful, and Change Your Mind is an epic NY/CH work out. I've been buying every NY album religously the week they come out since Freedom. Melody Maker sort of single handedly in the late 80s started the NY re-appraisal when he released this weird ep called Eldorado in Japan. Some songs turned up on Freedom. He did an acoustic tour which landed up in the UK at Hammersmith and they gave it rave reviews. Freedom of course spawned Rocking In The Free World which MTV played a lot in 1990 which was pre-Grunge explosion /pre-Pearl Jam cover/pre-Mirror Ball album which strabgely folks hardly mention... It's not that bad.. even though it features PJ!
I personally think Zuma is ace too. But Harvest and After The Goldrush totally soundtracked me turning 18 in 1990. What a year that was...those records are just golden. They glow. But saying that On The Beach is probably in my top 3 albums of all time. Tonights The Night is not far behind. One day I reckon we'll get the 'real' Tonights The Night sessions album as part of the archive.
Can't wait for Toast...
Oh and NYs Unplugged album is amazing! Stringman!! He's off-cuts are better than 99% of other musicians careers!
The film of the Weld tour as well....The crowds reaction. Neils the best innee.

This is brilliant

It's fun to see someone who offers comments passionately, and not just offering a single line "yeah that's good" or even worse just going " ^this". You're a rare find indeed. I'll add that I think Sleeps With Angels shits on Ragged Glory too, and since nobody's mentioned much of his post-2000 output, that Chrome Dream II is really, really good, although the songs might be reworked from the vault, 'Ordinar People' is worth the entrance price alone. I still have a soft spot for Freedom though, it's almost his 'Born to Run' only he's obviously Neil Young, not Springsteen, so it's marginally more nuts. Each album's so different though, it's hard comparing each one. I mean, I really like Harvest Moon, although a lot of people disregard that, to which I say "Such a Woman" which ends arguments from time to time. The only albums of his I've never fallen for are Mirrorball, and Ragged Glory, funnily enough, and both for different reasons. I didn't get that into Prairie Wind either, although the documentary/live film is excellent.

Can't skip over Harvest just because it was a commercial success

Just too many of his best songs on it. And while it's hip to like On the Beach, he does the same thing much better on Tonight's or Time Fades Away.

Trans: His Best Album of the 80's

I agree that the 80's were probably his weakest decade but I think Trans is actually a very underrated album. Not only does is contain some very good non-vocoder songs like "Little Thing Called Love" and the absolutely spectacular "Like an Inca" (Download it now if you haven't heard it before, it's a classic), the vocoder songs themselves really aren't unlistenable as we were led to believe. "We R In Control" is very cool robotic paranoid disco funk, "Sample and Hold" sounds like Crazy Horse covering Kraftwerk and "Transformer Man", a very sweet song Neil wrote for his son, sounds perfect as an electronic pop ballad.

Trans isn't his best album, but I'd go as far to say it was the best he made in the decade. It's an interesting experiment that pays off with a few really great song and it should be owned by anyone who considers them a Neil Young fan.

i love Greendale too

and Zuma obviously

agree about Trans

songwise it's very good and i actually think the vocoder experiments are really poignant: it was Neil's attempt to communicate with his son Ben who has cerebral palsy

it's slightly DiSappointing that the author won't touch it with a bargepole - surely part of the fun of being a Young fan is following his odd little detours? - though i appreciate that this is meant to be an introductory article

and i'd second all the votes for Sleeps With Angels too

cortez

he has done so many great records, i love what birminghamskasounds says above too, he doesnt compromise.

i love weld, it has all the great big old live anthems on it, cortez the killer, powderfinger, rocking in the free world.

i really enjoyed chrome dreams 2, he is still putting it together.

The thing is

when I first got into Neil Young in the late 80s or whenever he was seen as a 'heritage artist' (though I'm not sure that term had yet to be coined) and somewhat past it.. He's what - early 60s now? So he would have been in his early 40s then! Younger than Nick Cave is now. Sorry my point is... folks should just check him out! Yes Chrome Dreams II is great. I have to admit to struggling with Greendale, Prairie Wind, Living With War etc. I'm sure there time will come though. I've just had to check to see if I have Trans! I don't! You see after nearly 20 years of listening to the dude and I'm still missing 'key' albums... Who other than Dylan can you compare him to? Springsteen? I think not.
Oh and The Bridge- the covers album - feat. Loop (LOOP!!!!), Sonic Youth, Flaming Lips, Psychic TV, Victoria Williams, Nikki Sudden etc is THE BEST covers album.
Neil Young. Bloody hell:)

agree with you.

start listening neil young is like diving in deep waters. i just discovered an unreleased gem called "grey riders" (brilliant!), there are more songs to discover.

Try and find

the original unreleased Chrome Dreams. There are a few songs on there that were released on subsequent albums but on this they have different versions. As an album it really works and is really good.

The recent archive stuff has been brilliant, can't wait for more

Living With War

is awesome, a real bolt from the blue after Prairie Wind: political yet hilarious ("Flip flop! Flip flop!"), refreshingly specific - the Obama namecheck was well before the latter announced he was running for President - and muically like a brick to the face, loud as hell with a 100 piece choir on top

re: hard to find releases, worth tracking down Time Fades Away too

Greendale and Living With War

are way underrated, Prairie Wind and Silver & Gold are growing on me... think i have all Neil's official albums including the long lost Time Fades Away but there's still stuff out there like that Eldorado EP you mentioned that i need to eBay

Mirror Ball

was unfairly slated because it's with Pearl Jam - i love PJ, sue me, i don't care - but it's quite spectacular in places especially the epic I'm The Ocean

neil young on trans:

"oh trans am... dont remember it. i have to google on that one."

:-)

The writs in the post Manish:)

But you're right - I'm The Oceans a great track.
Maybe I'm just bitter... I went to Reading Fest for the day in 1995 (?) to see PJ and NY and had to leave after Soundgarden and missed 'em....
Bummer.
Regrets.
I've had a few.
Interesting interview ith NY in this months Mojo.

NEIL AT APOLLO

I was lucky to get a ticket to his recent London show. It was an amazing night, and 3 and a half hours long. Great acoustic set and a stonking electric set. I was blown away. The man is now 62 years old and still an amazing performer. You can keep yer Pete Dohertys and million rubbish Indie bands of today!! I'd rather have just 2 minutes of Neil than listen to mosta the music on offer today. (yeah, i'm grumpy!)
Regarding his albums...After The Goldrush still has power and emotion, after all these years...I first heard it in the mid-70s.
I'm also rather partial to Weld, it's full of great riffs and lyrics.
Yeah, the Mojo interview/feature is pretty good. There's a small piece on him in Uncut too.

Ok Im going to make a shout for Re-ac-tor

I might regret this but surely you got to get this album just for Southern Pacific - Roll on

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