Review
by Alexander Tudor
For the uninitiated, Harmonia were one of those legendary collaborations from the fertile period of Krautrock without which no Electro, Techno, or Post-Rock, as we know them. Comprised of Michael Rother (from Neu!), and Moebius & Roedelius (better known as Cluster), the trio were re-united by Eno on a break between two of his best records, Another Green World (1975) and Before and After Science (1977).»
In Depth by Alexander Tudor
With the UK leg of Sunset Rubdown’s tour beginning this week, DiS caught up with the band to talk about the new record… NB Some of Spencer's answers (on the phone from Sweden) have been run together with the band's, by e-mail. »
In Depth by Alexander Tudor
With the UK leg of Sunset Rubdown’s tour beginning next week, DiS caught up with the band to talk about the new record.»
Review
by Alexander Tudor
Peasant is Damien DeRose, a close sonic cousin of Elliott Smith, with a similar style of snatching at his guitar-strings, two-chor»
In Depth by Alexander Tudor
With Daniel Johnston's first album in six years coming soon, his own label have put out a fine selection of re-issues: his first album-proper (from 1983), his first with a band (from 1985), and the definitive compilation. Finally, DiS is converted... »
In Depth by Alexander Tudor
DiS delves into the Radiohead re-issues for a re-appraisal of three of the bands finest albums. »
Review
by Alexander Tudor
Does the grey area between (guitar-led, crescendo-prone) post-rock and instrumental electronica actually have a name we can agree »
Review
by Alexander Tudor
Plenty of things have been aggravating about the praise heaped on this year’s New Young Industry Puppets – too many to get into, here – but one thing that’s been bemusing, rather than aggravating, is the way Kate Bush has been everywhere in the comparisons elephant-gunned at pop performers»
Review
by Alexander Tudor
Even if the voice of Interpol’s Paul Banks weren’t the most easily recognisable in indiedom, not much effort has gone into disguising the identity of Julian Plenti. After the disappointment of Our Love to Admire, the best tracks here let you hope for a return-to-form…or even a cure for the frustration of music by committee...»
Review
by Alexander Tudor
Quick plug for one of the great lost albums of the decade: I first heard Amber Webber singing on Early Day Miners’ Offshore (2006)»
Review
by Alexander Tudor
Last year, Grouper’s Dragging a Dead Deer Up a Hill only made it into the DiS Lost of ’08 round-up, at the very end of the year. I»
Review
by Alexander Tudor
Solo, or as Songs:Ohia, Jason Molina has put out stunning records every years since 1996. The death of a Magnolia Electric Co. member threw Molina and his band, though, but after a respectful year of silence, they've carried on, with Josephine as the first result. »
Review
by Alexander Tudor
You gotta love the fact that the new TRIPLE album from long-serving rhythm-centric psychonauts Oneida is merely the second part of»
In Depth by Alexander Tudor
Following on from the profiles of Silver Jews, Palace Brothers, and Magnolia Electric Co., DiS picks four more of the best Alt Country artists, not yet discussed. »
In Depth by Alexander Tudor
Thanks for reading! A DrownedInSound Alt Country Playlist is available on Spotify, and right here we've compiled some readers' and writers' choices, for your visual pleasure.»
In Depth by Alexander Tudor
A Drowned-Up of the old, the new, and the upcoming in Alt Country & Alt Folk, featuring a re-release from Red Red Meat, a rarities collection from Royal City, the latest Cass McCombs, and new artists from the US & Canada. »
In Depth by Alexander Tudor
Why does Alt Country have to be country mixed with rock or punk? Even before No Depression magazine came along, and well before Sparklehorse, The Magnetic Fields already seemed to have made an Alt.Country classic, in the form of The Charm of the Highway Strip (1994). »
In Depth by Alexander Tudor
Reluctant though he may be, Jason Molina has been hailed as one of the pivotal figures in Alt. Country, since the term was cut free from its associations with the No Depression scene»
In Depth by Alexander Tudor
Celebrating their new album, Honeymoon, Bret and Rennie Sparks (The Handsome Family) offer a selection of their favourite love-songs, for your delectation. »
In Depth by Alexander Tudor
Ahead of her performance as Fever Ray at the Loop festival in a few weeks time, DiS' Alexander Tudor got on the phone with Karin Dreijer Anderssen about various things including the commercialization of music, identity and an upcoming Opera about Darwin?!»
In Depth by Alexander Tudor
Sorry to disappoint you: this is not a collection of slash fiction starring The Prince of Alt Country, but it is a tour through his more erotic moments that reveals them inseparable from his soul-searching, even soul-lifting moments.»
Review
by Alexander Tudor
Foreign Born make jingling-jangling, African-tinged, and lightly-orchestrated indie that sounds more crafted, more fully realized, than many bands on their debut.»
In Depth by Alexander Tudor
It's been a dramatic year for the Artists Problematically Known as Alt Country - Bonnie Billy's self-proclaimed "big" record, new albums from Wilco, Bill (Smog) Callahan, Magnolia Electric Co, Handsome Family, and even a follow-up to Nick Cave's classic novel "And the Ass Saw the Angel". Following on from our reappraisals of Shoegaze and Slowcore, DiS takes a look at Alt Country. »
Review
by Alexander Tudor
Bike for Three! are Richard Terfry (AKA Buck 65), taking a break from recording for Warner, and diving straight into a new collaboration with synth programmer Joelle Phuong Minh Le (AKA Greetings from Tuskan). »
Review
by Alexander Tudor
With Wolf Parade and Sunset Rubdown, Spencer Krug's been knocking-out albums that are instant album-of-the-year contenders. His heaviest - and most gorgeous - yet, Dragonslayer sounds like Warm Jets-era Eno pleasuring Bowie & Fripp to a fire-breathing climax. No, really... »
Review
by Alexander Tudor
At the height of grunge, Sonic Youth awed me tremendously with a dismissive guest singles round-up for a now defunct UK music-monthly. “I’ve heard this riff a few times before…” sneered Thurston, or maybe Lee, and finally chose some now-forgotten band (60 Foot Dolls?) as the pick of the litter. Who are these walking riff-encyclopaedias? I wondered, at the time. Do they have riffs I’ve never heard before? Unsure where to start with The Youth, I did what thousands of other teens did, circa grunge, and grabbed their current record Experimental, JetSet, Trash and No Star as my first purchase… which wouldn’t make sense until I heard it seven years later under the influence of extraordinarily potent skunk. »
Review
by Alexander Tudor
Caralee may have left Xiu Xiu, but a solo Jamie Stewart is a special, life-affirming, and profoundly weird thing. Tonight's set of "new and favourite Xiu Xiu songs" manages to have all the heartbreak and candour you'd expect of a Morrissey gig... but also the intimacy. »
Review
by Alexander Tudor
Anyone perturbed that Ed Harcourt seemed to get it totally RIGHT with his “indie” album, Strangers not long before deciding no-one was listening, and pretending to retire…? Fanfarlo are similar fare, and that’s a perfectly fine thing to be. »
Review
by Alexander Tudor
In any given year, the idea of a literary Scottish indie group (especially with strings or chamber-orchestration) is going to be a»
Review
by Alexander Tudor
If the Union Chapel isn’t one of your favourite venues in London, if not the UK, the world, then you have no soul. »