Review
		 by Hayley Avron
		Sun is the most rounded and accomplished album of Cat Power’s career.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		The sound of a woman refusing to kowtow to the pressures of the in-crowd and making the music that she hears in her heart.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		There are no templates. There’s a sense that Micachu’s songs aren’t written, but birthed; thrown at the wall like a Jackson Pollock painting; a collage of sound and ideas. Not as careless as that may sound, but rather: created with abandon and an utter disregard for your rules, Sir.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Pitched somewhere between physical pleasure and mental torture, is Oshin, dream-weaving, benevolent, sadistic puppet masters Diiv playing havoc with your sense of contentedness.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Piñata is an album of steady evolution, unveiling layers of sound and personality on each new pass. »
	 
 
	
	
		
		Review
		 by Hayley Avron
		Each track encapsulates a mood, tells a story and does so thoughtfully, deftly, with an artistry that is equal parts considered, eloquent and inspired.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Outfit are not desperate for your attention, though they are thoroughly deserving of it.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Stay+ don’t plunder any genre hard enough or deep enough to pin their colours to the wall; nor do they make enough inroads into defining a new sound of their own.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Memoryhouse’s songs are necessarily painted in watercolour; softened round the edges, bound and blurred by effect. Without that, they appear untethered and pithy.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		It’s pretty bog standard relationship fodder, but Oberhofer have a way of making each song sound like the world premiere of a new emotion.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Disgracefully brief, awE naturalE comes on like a fierce, warm wave and ebbs away before you can even figure out how which way round the surfboard goes.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Acousmatic Sorcery displays all the signs of an artist trying to pull in too many directions at once.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		You’ll need to leave your inhibitions at the door with this one, because beyond the stench of testosterone, just past the upturned tables, sticky with whiskey and blood, there’s a pretty fine album lurking here.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		The compilation serves as a pretty neat assessment of its own particular ilk of underground music.»
	 
 
	
	
		
		In Depth by Hayley Avron
		Blouse have emerged into a world in which the minutiae of life is blogged, micro-blogged and tweeted and re-tweeted to within an inch of its very existence. We’re one step away from a standard recording contract clause stating that band members must be fi»
	 
 
	
	
		
		Review
		 by Hayley Avron
		The guy that was searching for the Wrong-Eyed Jesus is no longer with us, though his soul remains.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		The best thing about Freedom of Speech is that Speech Debelle isn’t trying to be anything or anyone other than Speech Debelle, making the music she wants to make, acknowledging her faults and limitations but never apologising for them.  »
	 
 
	
	
		
		Review
		 by Hayley Avron
		BurnBabyBurn is comfort; it’s reliable, it’s exquisite, it’s kinda vital.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Although even the most studious of listener’s attention will wane momentarily throughout, Clay Class is nonetheless a class act. Understated, sloth-like and quick-witted all at once. An exercise in excellence, with one hand tied behind its back.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Tough Love is an addictive beast; 11 brutal songs that you could work your way through on the most meagre of lunch breaks.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Essentially though – it all comes back to Coldplay.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Whilst cassette tapes rattle about in decrepit motors and vinyl platters suffer motion sickness from repeated spins, one can only hope the band are working on a lengthier release, before hypnosis slowly grinds the nation to a halt.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Something of anomaly: indulging Patrick Wolf in his desire to release the closest thing such an ambitious artist will ever get to a Christmas album.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		For her debut release, it’s for the best that Lianne La Havas has keep it brief, until she finds her own identity and starts to carve her own path.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		There are no ups and downs with Blouse; it plays out like one slow slide from confusion to depression.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		As a collection of songs, Welcome to Condale has a strong identity and is easy to love; Elizabeth’s voice is enticing and the melodies are endearing. As individual tracks, though, they get a little lost amongst each other; overwhelmed by their own perkiness.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		Essentially, if you like the sound of men that sound like they drink a lot and make a lot of bad decisions in life, have people die around them and then like to sing about it, set to a raucous soundtrack of guitars, drums and piano… then Strange Boys are pretty adept at all of those things.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		All Things Will Unwind constitutes a parade of beautifully choreographed emotions.»
	 
 
	
	
		
		Review
		 by Hayley Avron
		So, listen up and here’s the sketch: Bright Eyes is dead, long live The Mystic Valley Band. I mean, no announcement has been made or anything. But that’s the way it would seem. For now, at least. And frankly, it doesn’t actually matter, does it? Really? It’s still Conor Oberst and that’s all that anyone gives a flying hoot about.»