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49322
Type: Album Release date: 25/05/2009
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Any big Ed Harcourt fans out there? Anyone perturbed that Ed seemed to get it devastatingly, straightforwardly RIGHT with his “indie” album, Strangers shortly before deciding no-one was listening, and pretending to retire…?

Fanfarlo are similar fare, and that’s a perfectly fine thing to be. The band make pretty, guitar and organ-led indie, with discreet swirls, parps, and trills of brass and strings. In places, they bring out the wistful brass, singing saw, and woodwinds (e.g. at the coda to ‘Luna’ (track 3), or the intro to ‘Comets’ (track 4) which are two of the best moments here), but mostly adhere to well-constructed indie, such as ‘Ghosts’ (track 2), which has a ‘Lust for Life’ kick to it. That’s not to say they’re an inferior copy, just that Harcourt sometimes tried too hard to be a British balladeer in the mould of Tom Waits, and whilst Fanfarlo’s singer has an uncannily similar crown & drawl, the band pull him towards ensemble-playing, and anthemic writing.

Hmm. All these algebraic comparisons are an odd thing (X = Y minus Weirdness); fact is, though, as a mainstream music-consumer you might like this as much, if not more than Snow Patrol (who Fanfarlo have supported), even while you can say – quite objectively – that the arrangements lack the melodic surprises of Belle & Sebastian, or the epiphanous crescendos of Arcade Fire. For their arrangements, instrumentation, and dynamics, My Latest Novel could be Fanfarlo’s Scottish cousins, but Fanfarlo’s singer’s tone is that shade more attractive… or younger, more seductive. Your call.

You might have guessed by now that there’s not a huge amount to say about the lyrics. ‘Good Morning Midnight’ (track 11) takes its title from tragic drunk Jean Rhys, but the borrowing is just a prop, which makes me think someone needs to invent a journalistic catchphrase that can be thrown about like Shakespeare’s “All Sound and Fury, Signifying Nothing” – perhaps “All Slogans and Sighing, Signifying Nothing”? Consider these lines, from the album’s centrepiece: “the walls / the walls are coming down / the here and now is coming down / won’t someone let me down // the ships / the ships are coming in / the great ideas are wearing thin / and there is nothing left to do”. Oasis, it ain’t, but it falls short of making you want to buy their T-shirts and badges.

Hohum. I like this. It’s cheery. Who needs profundity, when you’ve got summer?

that's the worst journalism i've ever encountered

congratulations

Look:

I know it's easy to bash reviews but I write them myself and frankly this is a lazy, careless review, not particularly informative and almost unreadable at times. Sorry.

tis an, ah, unconventional review to say the least

but, funnily enough, it kinda conveys my level of enthusiasm for this album. At first I though it was rock solid, but it's started to slip in my estimation. When flipping through '09ers to play, I pause over this one and then carry on looking -- no rapture to be found here...

I have one or two Ed records

and have never listened to them.

And--to your point, AT--I seem to remember myspacing Fanfarlo and they sorta washed over me and now I canna remember. They're like characters in a John Le Carre novel: the non-descript spy of indie pop.

what?

these guys blow horses...

seen them live at the great escape the last two years running.....and while there were no equinines on stage, they blew in a big way. However I suspect they will be a moderate hit in the indie world who live pseudo-eccentric english bands- for me however boring and unmemorable

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