- Artists:
- Does It Offend You Yeah? »
- Label:
- Virgin »
You mustn’t hate Does It Offend You, Yeah?. They want you to hate them; it’s a leading question.
Consider the facts: the Reading quartet's debut showcases a singular talent for annoying names - ‘We Are Rockstars’ and ‘Epic Last Song’ to name just a few - seemingly designed with the express intent of getting up your nose.
It seems reasonable to expect, therefore, a knowing bumfuck of a record, an aesthetically pukesome collision of the mad, the bad and the ugly. In fact, You’ve No Idea What You’re Getting Yourself Into isn’t so much offensive as it is vapid and dull, the kind of crass party music that tries to pass laziness off as fun by dint of its being consciously shallow.
Actually the more pertinent question posed on You've No Idea... would seem to be the rather more concise ‘will this do yeah’, opening as it does with the sound of feckless frat party revellers feeding pizza slices into Justice’s disk drive on ‘Battle Royale’.
The strident onslaught and cymbal splashes of ‘With A Heavy Heart (I Regret To Inform You)’ are a soulless echo of DFA 1979, while ‘Let’s Make Out’ sounds like an nth rate Cameo tribute act doing facile take-offs of !!! And ‘Doomed Now’ layers fatuous vocoder effects over a lumpen 4/4 gallop, sadly indicative of DIOYY?’s sweet tooth for redundant pastiche over anything of substance.
A shame, really, since there are couple of songs here displaying a melodic facility far in excess of the record’s dumbed-down intent. 'Dawn Of The Dead''s estuary-vowelled ‘80s pop channels the vogueish likes of Psychedelic Furs and Simple Minds into a satisfying whole that fairly sparkles next to the hollow excesses in evidence elsewhere. And ‘Weird Science’ reworks the same formula into a crystalline white-bred funk reminiscent of Foals doing Duran Duran.
But really, it’s not enough to paper over the gaping hole where DIOYY?’s soul should be; an absence that’s not so much worthy of our moral indignation, as a leading question of our own: does it sound like a mediocre record, yeah?
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Does It Offend You Yeah? - You Have No Idea What You're Getting Yourself Into
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Does It Offend You Yeah? - You Have No Idea What You're Getting Yourself Into
Spot on really
The older tracks lose any swagger they once had amongst the turgid, indie, commerical. bollocks that fills out the rest.
It's completely conflicting, they need to decide whether to be a straight out electro band like Digitalism, Justice, et al, or a samey indie band cashing in on a scene by adding some synths.
Seconded
When I first heard tracks like We Are Rockstars, Let's Make Out, Weird Science and Battle Royale on their myspace many moons ago I thought they were a very promising electro type outfit, if a little dull in places. I have since seen them live twice and my initial impression has been proved utterly wrong.
Their songs struggle to go anywhere interesting most of the time and there is a huge feeling of simply cashing in on a zeitgeist.
Hopefully future material will better know where it's going and the direction it takes will be more towards quality electronic music rather than synthy, ostentatious Topshop/NME rubbish.
Right…
…so you'd both rather the band committed to one sound, so as not to confuse you, and became really boring by making all their songs sound the same?
Why, exactly, do they need to decided whether to be a straight-out electro band like Digitalism or Justice? There are people already doing that. For my mind, no one's doing this kind of 'throw everything till something sticks', joyously all-over-the-place party nonsense, and I'd rather have that.
I knew people would hate this record. It falls between too many stalls – it's not 'credible' enough for the likes of Pitchfork, it doesn't take itself seriously enough for most musos (seemingly DiS included), it's not full-on dance enough for the DJ mags. But it's absolutely ace. I haven't been able to stop playing it since I was sent it about three months ago. And they replicate it perfectly live, and then some.
But then, no one took Pop Will Eat Itself seriously at the time either. History sometimes ends up being kind to those who fall down the cracks.
Joyous?
I am thankful to the reviewer for pointing out what I'd been thinking about them for yonks - that their music is totally and utterly joyless.
My favourite words in this review are 'lumpen' and 'soulless'. They have no imagination, no lightness of touch, they just think up one obnoxious hook and use it like a stick to repeatedly hit you on the head with. No joy in that.
Utterly Average
is the phrase i would use to describe this band.
They aren't bad but not particularly good either. I agree with the review in that its the type of music you could lazily play at a party in the hope of not offending anyone.
In leu of that i would've given it 5\10 but thats just me nit-picking.
they named...
three of the songs (mentioned in the review) on film titles.
Post-modern!
*sigh*
This is typical of a lot that happened last year.
1. Band writes good demo posts on myspace
2. Band gets given money
3. Band stops writing songs
4. Band releases album anyway
5. Album universally panned by all
An emotional and psychological double bluff.
They want you to hate them, so you musn't hate them, but i'm going to hate them.
Does it offend me...yeah. Yeah it does.
A 4/10 is generous AD...that's, like, almost average. Otherwise, spot on.
This band are getting a kicking all over the place
But to be honest there's only one track I don't like on the record (track 8). There does seem to be some inverted snobbery going on in certain quarters because they're UK "lads" and not Gallic sophisticates. I'm not saying that happened here - you clearly just didn't like it - but I'm enjoying this as much as any of the other "crunchy" electronic stuff currently doing the rounds. Sue me.
I'm all for bands mixing styles
but only when it seems natural, here it just seems contrite, like 2 different bands merged onto a CD, leaving it an unfocused mess.
Why did their sound change so much? Change of direction or record company pressure to sell records and justify early hype?
I don't think there's too much snobbery going on, I just think people have seen through the record for what it is; average at best. I don't think it has anything to do with them being 'UK lads', Simian Mobile Disco never got stick for it.
Compare these lumpen shitcocks
to Pop Will Eat Itself again and I will hunt you down, nail you to a table and pour glowstick juice over your whimpering face until it dissolves.
Oh, the humanity.
"Why did their sound change…
…so much? Change of direction or record company pressure to sell records and justify early hype?"
I think this pinpoints many people's problem with them, however subconsciously. They signed for a major. For many, there's no way back for them, and people dress it up as constructive criticism.
To me it sounds like a mixtape of all the best bits of last year. Picking them up on missing the boat and no longer being relevant is fair enough, but I really don't understand people saying it isn't a good listen.
Oh, wasn't sure
if it was lads (football, beer, girls) or just lads (a collective of males).
I'm not hating the fact they were on a major, I remember first reading about them in Music Week when they signed to Virgin, so I've never known any different.
It's FUN
thats all it is
Subconscious problem
Is there anything more irritating than someone telling you that the problem you have with a band isn't the problem you thought you had - usually that you don't like the music - but actually because you have a big big problem with them signing to a major label? I don't think you can presume to know why someone dislikes a band if it's not something they've stated outright.
I don't like them,
and I had no idea who they were signed to.
harsh
4/10 is still very harsh the album does have some very good songs (even if they have been heard before) and With A Heavy Heart [I Regret To Inform You] isn't a bad new song either. I'd give it a 6/10. And they are amazing live still.
Agreed…
Although I've heard the name for a while, I've only just got round to listening to their music, and I like this album. I'm not saying it deserves anything more than a 6 or 7 as there are a few absolute chaff songs, but the majority are pretty good. 'With A Heavy Heart…' and We Are Rockstars' certainly wake me up when I need it.
I don't even mind…
the fact that they've overused the vocoder… the single most annoying thing invented.
Haha.
Howard Stern plays these guys every time JD comes into the studio as his theme song. They ripped on this band for awhile a couple weeks ago.
For a guy that....
...listens to hardcore and punk on a regular basis (the most unoriginal and samey genre out there) any time I come across a band that plays something different, like electro or indie or whatever you want to call it, and manages to catch me by surprise is a good band in my opinion and DIOYY seem to have done that. Yeah, good for you 'musophiles' and self-professed experts on every single genre of music, if you want to talk shit on every band that doesn't conform to your idea of perfect music then go ahead, no one is stopping you, we'll just sit in our corner listening to the tunes like the ones on this album that make us happy while you make yourself look like fucking dickheads, yeah?


In Photos: Mew @ The Academy, Manchester
In Photos: Kap Bambino @ The Old Blue Last, London
In Photos: DiS presents BLK JKS @ The Harley, Sheffield
In Photos: Royksopp @ Shepherds Bush Empire, London
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