- Artists:
- Interpol »
- Label:
- Parlophone »
As rulers of the austere and romantic underworld, Interpol’s proficiency in building luscious tension and sublime release has pervaded every one of their songs with devastating effect. Nigh on three years ago we were sat questioning how, exactly, the timelessly brittle post-punk paranoia the band created on 2002’s debut Turn On The Bright Lights could be followed. Follow-up, the broader Antics, was a different album. It turned the dimmer switch on the grim city streets and bleak lifestyles in the Big Apple and mixed stripped-back and funky-as-fuck disco-inspired basslines with clinical percussion and skilful guitar textures. By this point the rock star luxuries were firmly within the bands grasp, and the mystery of the female of the species fixated front man Paul Banks more than ever before. He had fallen in love and, in contrast to the pure despair displayed on the debut, now crooned with maudlin authority. How could the lyric “You make me want to pick up a guitar, and celebrate the myriad ways that I love you” (on ‘Slow Hands’) be forgotten? Likewise, “I am the scavenger between the sheets of union”, from ‘Take You On A Cruise’. The guile Banks displayed in such lyrical content whilst managing to avoid distasteful cliché when put to song was bloody miraculous. And now, with a title like Our Love To Admire, it’s largely business as usual on album number three.
Opening in an almost identical manner to Turn On The Bright Lights’ ‘Untitled’, standout track ‘Pioneer To The Falls’, complete with deft soundscapes and funereal trumpet, sets the experience up to be epic. The brighter and significantly muscular production quality lent to the record by Rich Costey (Muse, Franz Ferdinand) consciously reflects both their recently attained major label status and their importance as the stadium-filling musical force they have become. Rumours of a shift in direction, fuelled by certain member’s own musical side-projects, are ultimately proven to be without foundation here: with the exception of the two closing tracks, ‘Lighthouse’ and ‘Wrecking Ball’, the Interpol sound, style and lyrical themes of old are as potent as ever. But, as before, they’re updated to reflect where the band currently stands in life. Interspersed with that customary melange of romantic advances, Banks now opts for the ‘disillusioned rock star-model’. He’s had enough of the drugs: “I haven’t slept in two days / I’ve bathed in nothing but sweat / And I’ve made hallways scenes for things to regret / My friends they come and the lines they go by” is a lyrical treat on the five-minute-long ‘Rest My Chemistry’. And he’s had enough of the groupies, too: “You don’t have to be wound so tight / Smoking on the balcony / Women you have no self-control / You were known for insatiable needs / I don’t know a thing” he utters on the palatial and melodic ‘Pace Is The Trick’. Fortunately, though, they’ve not gone completely soft, as the rest is made up of crunching riffs and cryptic lyricism (‘The Scale’, for example) with some particularly darker moments to be found on ‘All Fired Up’ (“I dream of you draped in wires and leaning on the breaks”), classically interspersed with Banks’ attempts to convince his lover to spice things up and participate in a little ‘three-way action’. “Baby it’s time we give something new a try / alone we may fight / let us be three tonight” is the key line on the undisputed track title of the year, ‘No I In Threesome’. It’s a weird combination that, thanks to the songwriting skills Interpol continue to display, works.
The biggest development we see Interpol make comes at the end of this collection, where we find a significantly more experimental group take the place of the more ‘classic’ Interpol model. Save for the two final tracks, Our Love To Admire and its two predecessors are often interchangeable, but penultimate track ‘Wreaking Ball’ - a climatic, reverberated voyage - comes complete with reversed vocals and embellished grandeur. Frustratingly, it fades to a close just as the track takes upon a new lease of life as a cinematically orchestral piece, but closer ‘Lighthouse’ finds the New Yorkers at their most symphonic. With giant gyrating reverberated guitars and a grandiose brass section, this is the sound of a rock band attempting the sweeping gallantry of Sibelius or Tchaikovsky and getting away with it. It represents a smugly victorious ending to what is a phenomenally strong and well-polished album.
Interpol have raised the bar once again, something they’re making quite the habit of. The bastards.
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Looking forward to this...
... immensely. They were tight as on Monday night and the new songs sounded class. Top review too. Which is nice.
Nyyyyeeeeeehhhh
I'd give it a 7 right now...it works well cohesively but the tracks don't stand up too well on their own. I've given it about 10 plays through now, but I don't like Wrecking Ball much, and normally just stop and start again from there. 'Pioneer to the Falls' and 'No I in Threesome' and superb, though.
This review is
excellently excellent.
...
i was underwhelmed at first... but after a few listens it just seems to unfold and reveal itself.
'pioneer' is the best thing they've done thus far, in my opinion.
good review.. agree.
Good to hear
that it is another brilliant album. Looking forward to getting it and seeing them in birmingham and reading.
I saw them on monday
it was proper good. this album is also very good, as is this review. good stuff all round.
Can't wait to get hold of this!!
I'm gonna be all over it
excellent review
For me Interpol albums always tend to take many weeks, if not months to fully digest and appreciate.
Aside from the amazing "Pioneer" and "No I In Threesome" (which I loved straight away) the majority of the songs have only just started to come to life after repeated listens.
No doubt I will rate this album as highly as the first 2 in 6 months time.
Promising album from an awesome band.
urgh...
I wanted to love this album but I'd give it a six or seven at most. Kessler seems to be recycling his guitar lines; the drums are weak; Carlos' bass doesn't sound dangerous any more...
"well-polished album" sums it up, but that's not what I listen to Interpol for. Pioneer to the falls is the highpoint, but even that sounds a little bit contrived to my ears.
Very disappointing.
i've heard it quite a few times now
and i've gotta say, i'm really disappointed. why do my favourite bands always go crap?
Sounds like this is better than Antics
which was pretty rubbish
i've purposefully
not downloaded anything from this album so i can have an old fashioned treat of a listen - I love interpol, TOTBL one of my fav ever albums for sure, good review, i'm exited about this
9?!?!
Bloody hell, this album barely musters a 6. It's a turgid, repetitive rehashed collection of songs that completely ape Antics, with a pinch of added Danny Elfman on two songs. I love Interpol but seriously, this is silly. Pauk Banks could fart in a cave and all the critics would collectively praise his efforts.
..
dangerous bass?
On the whole, I think its a step backwards.
or perhaps sideways, but either way, Mammoth is fantastic.
Mountain lion fucking a deer?
Is this some kind of commentary on all the bands who put cutesy little forest animals on their album covers?
RstJ
It's nae bad
Decent album, nothing more nothing less. More of the same.
yeah
what the frick is the sound of a "dangerous" bass guitar?
no but
it's SO DIFFERENT!!!!
anyone else got the feeling that interpolhave got themselves way in over their
collective heads with a major label deal...the album (what i've heard of it)and circumstances of it just shout SPLIT/MUSICAL OBLIVION to me ... which would be a shame becasue there a good band
you
wot?
excellent review.
its an album that close to perfect.
I liked it at first
but it didn't grip me.
After several listens, I've now decided it's excellent. Some of the best stuff they've done is on there....and it's a vast improvement over Antics.
Totally agree.
I've been listening it to weeks now and every time something new unfolds. Simply brilliant.
Amazing album...
With the exception of 'Who do you think?', Our Love To Admire is almost perfect... more Carlos bass presence who also have been useful...
9/10 is the correct score... Great review...A major label deal allowed them to expand their sound. I can't accept it would prompt any kind of 'SPLIT/MUSICAL OBLIVION'.
good work
I didn't want to compare the two but it is irresistable, interpol piss all over editors.
without doubt
editors have spent ages trying not to be compared to interpol. mainly because they are no way near as good.
sodding great album. can't wait.
the lion's...
killing it not fucking it.
*tut*
Editors are
portentous. Antics is hot, just ask pitchfork, they liked it. They don't like anything. They won't like this. It's too new.
Editors
are an empty, soulless husk of a band compared to Interpol
Disagree
both totally seperate albums in scope and feel, compare and contrasting these bands is SO BORING.
Joy Division are ..............................................
Insert band name. I like both bands.
is there really an interpol song about having a threesome?
that's made my day
well
if the bass on not even jail isn't dangerous i don't know what is.
Editors
Are all pomp and grand gesture with no substance whatsoever.
The saddest thing he's ever seen is "smokers outside the hospital doors"?
Wow, that is, like, so poetic man.
Jesus, the art of subtlety is obviously lost on him.
That's what happens I suppose, when you get sponsored by a phone company, presented by a national radio station, in association with a soft drink and hosted by Alex Zane.
Souless.
Whereas Interpol do what Editors are trying to achieve with each album, bettering the one before.
???
do you not think that given the world that editors exist in their lyrics, substance, music, well everything about them is 10 billion times better than everything around them.
i mean in a world of ruby ruby rubys their achievment is astonishing. to have a number 1 album with a lead off single called smokers outside the hopsital doors is amazing i think.
you may not like the lyrics but i dont understand how you can hate the band so much.
i happen to think that an end has a start is far superior to our love. our love will not attract anyone else to the band's fanbase, i think their fanbase will actually get smaller which could result in them getting dropped from their new major label.
Anyway...
enough of this, when's that Paul Banks: Farting In A Cave EP out?
I preferred Antics ...
to Turn On The Bright Lights. Is that allowed?
No.
Please wait, the DiS taste police will come to get you.
New editors is brilliant
as I'm sure this is. Last time I listened to the editors album there was plenty of substance and it's certainly a very emotionally charged album - tug on my heart strings a few times anyway.
Getting dropped is a bit much...
Editors are in that fortunate position that they have substantial media exposure without having over-exposure(therefore maintaining a good level of credibility for the Jo Whileys of this world to bang on about)
Their achievements, such as the aforementioned No. 1 Album, are not to be ignored. Their album is an improvement on the last one. I agree with these points, i don't 'hate' Editors whatsoever.
What I'm saying is that whereas Interpol possess a subtle power Editors seem to want to remind everyone 'Hey, we're deep and meaningful' Like that's their 'thing'.
Interpol are multi-layered whereas Editors just strike me a simply 'emotional' NB. NOT emo.
Maybe I just don't 'get' them?
..
"What I'm saying is that whereas Interpol possess a subtle power Editors seem to want to remind everyone 'Hey, we're deep and meaningful' Like that's their 'thing'."
but editors aren't "deep and meaningful". unless you consider - 'the saddest thing i ever saw, was smokers outside the hospital doors' profound.
one day
I'll be able to read an interpol article without a mention of Editors.
Can't wait to hear this, it had best be a lot better than antics
so much better
than antics, almost as good as TOTBL. Great review
About the whole Editors X Interpol dispute, am I the only one thinking that these two bands sound nothing alike, especially after their new albums?
Sounds like
The first day I read an Interpol review without a mention of Joy Division or The Chameleons. Which was today.
Oh, dear God, no.
Yet more dirgey, unutterably depressing shite from a band that totally misses the point of both Joy Division and the entire post-punk movement. And it gets 9/10? Fuck me. This is clearly a band for people who think Thom Yorke is just that little bit too happy-go-lucky these days.
If I wanted to listen to white, rich, middle-class Americans moaning about their supposedly 'miserable' lives I'd become a fucking shrink and charge $500 an hour for the 'privilege'. I certainly wouldn't pay £7.99 to listen to the wallowing tossers. 9/10, my arse.
No, You're Not...
... 'Cause I totally agree.
Apartment
Good review - on 4th listen and so far so good. I saw some discussion of the Editors below. They have their moments, but you know who sounds amazing like Interpol (at least musically)? Apartment. I always thought that about "Everyone Says I'm Paranoid," but some of the songs on the new album, if sung by Banks, could eaisly pass for some earlier interpol (listen to "Beyond my Control.") Apartment is like Interpol meets Tears for Fears. And, to be fair, there are some great songs on ther that are not so ... derivative, e.g., "My Brother Chris" and "Fall into Place" Definitely worth checking out.
If you'd actually listened...
To Interpol you'd realise that most of Paul Banks' lyrics aren't about how miserable his life is though are they.
hmm
Should an album which has animals raping each other on the cover be trusted? I'm not so sure.
Oh yeah that's judging a CD by its cover isn't it.
Shame on me.
They made Oxegen for me this weekend
That's 2 years in a row! (05 and 07, they didn't play 06.) Judging on the live tracks, this album is definitely worth the accolades here.
As for the ongoing 'Interpol sounds like someone else' debate... Rest My Chemistry is a standout track for me, but surely I'm not the only one who hears the Pixies in there?
I agree with you...
...I said that's what they want people to think of them. I didn't say I consider them deep and meaningful myself. They use awful lyrics like that to try and sound deep. Instead it just sounds forced.
outrageous...
sibelius and tchaikovsky gallants? you sir, are nought but a shameless dilletante.
I've ordered this after seeing a few good
reviews. But pitchfork have given it a 6.0 and stylus gives it a D! I shall have to make up my own mind, god forbid.
yes!
best band at oxegen for sure!
firstly
The Editors are shite, over rated, over played and seem to be aiming for that Coldplay stadium rock status crap. No substance at all.
Secondly the Interpol album is excellent, ok it takes a few plays but that the beauty of it. It creeps up on you unexpectedly, it grows on you like the previous 2 albums. Each time you listen you'll here something different. I my opinion if you want to hear an instantly good album go and buy Kaiser Chiefs, only difference is you'll be bored with them in 2 weeks.
yes
I really like this record. Pioneer, Mammoth, Pace is the Trick, Rest My Chemistry, Wrecking Ball. Very very nice.
"Bright Lights" is probably unbeatable, but still, I think Antics and OLTA are really great records.
i can't comment much about the rest of the songs on the new album
cause i seem to be stuck on "the Scale". i make no apologies for replaying such a cryptic yet eye-opening song over & over again.
"It's too late but today I can define the lack"
now i can only imagine it being Paul Bank's answer to all you critics who criticize his voice, his influences, the joy division & chameleon references, the major label signing, and the anticipated comparison to the gem that was TOTBL (dan azmie from singapore)
Agree on
multiple listens being needed.
Was actually bitterly disappointed with the album (as opposed to live versions of new tracks) but gave it a few days to breathe and am now really liking it. Was a little worried after reading some comments here, but all is well in Interpol world, hurrah.
Better than Antics, I think.
A month on...
and this review is more and more relevant...definitly a 9 in my opinion..
amazing
album, I especially love 'all fired up' and 'rest my chemistry'
barely deserves a 2
Why do people get excited about this rubbish? Do they ever actually listen to the music? or just name drop what they think makes them look 'cool' and 'indie'? I feel the latter. This is a band that has clearly run out of any creative ideas if they ever had more than one to start with.
I'd
put it down to people likiing/appreciating/enjoying different music. You think it barely deserves a 2.
If someone else thinks it's a great album, (shock horror) - it might, just might be because they actually really enjoy it?! Ever think that might be a possibility?


Interpol
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In Photos: Sinner's Day @ Ethias Arena, Belgium
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