- Artists:
- Joanna Newsom »
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It’s only very occasionally that I’ve come across an album that sounds so out of step with it's time that it's startling, even shocking, like a smouldering asteroid that crashes through the ceiling of your house.
Often it’s something so odd, so next level that it seems like it can only have come from the future. But _Ys_, the second full-length album by prodigious folk musician Joanna Newsom, sounds like it has come from some dimly remembered past. Like old wives’ tales, these autobiographical myths are built from grains of truth and wisdom, a vivid, living, textured account of a memory glimpsed or forgotten, like a dream upon waking or a fable from a faraway place written a long time ago.
Joanna’s voice itself is very different from her first EPs, and has notably changed since debut album The Milk Eyed Mender. It’s deeper, with more resonance; less grating and wild, and incredibly affecting. The bold intelligence of the album opener 'Emily' is dizzying. Adrenalizing. Powerful enough to set your nerves on fire and make you forget where you are, who you are, for a while. It’s almost scary how seductive and pungent this intriguing mythology is - from sitting skimming stones at the riverside, to the raging sea, or the vastness of a comet soaring through the heavens, this song is magnificent in its lyrical scope. For anyone who ever stared into a bruised evening sky and felt at once terrified, amazed, exhilarated, moved... just alive... Joanna Newsom with Ys has written the wonder of being into labyrinthine tangles of words and set it to music.
The stories continue throughout the five extended pieces that form Ys, weaving a gentle web around you, cocooning you in sweet chiming harp and wriggling flutes, groaning cello, layers of warmth and harmony, never settling but eddying and constantly evolving, deepening, unravelling around your ears. The string arrangements are sometimes genuinely surprising, even jaw-dropping. They swoop, stab and swoon around the harp and the wandering storytelling, guided, intelligent and precise; sometimes wistful, sometimes playful, lifting you vertically or falling away unexpectedly beneath your feet. The sensitivity of the composer with respect to how the strings fit around the music is apparent: a huge amount of care has been put into arrangement of the songs. Rather than being an embellishment thrown on to lend borrowed grandiosity to the proceedings, the instrumentation flits marvellously, clinging, hovering and breaking free from the thrust of the song, changing tack and tone as if blown by a sentient breeze.
_Ys_ is a truly special album that takes you gently by the hand and leads you through a distinctive magical landscape. Drift into it and you'll find your imagination dancing through wistful showers of falling leaves and kicking knee-deep through tangles of poppies, counting stars and wandering vast landscapes, lamenting a broken heart through abstract and taciturn poetry, or sinking back through the centuries to land gently back on your feet some time later.
It’s a vivid and beautiful painting that you can walk into; a magic window into another world that I'd be happy to get lost in, and never come back.
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Magnificent.
(see subject).
BRILLIANT review.
I was really hoping this'd score highly, and it fully deserves a 10.
Album of the year.
Breathtaking
A truly stupendous album, much more developed than her earlier work. How can 9+ minute songs be quite so compelling.
defo
worth a 10. i've never heard anything like it, and doubt i ever will again.
ALSO
the packaging. fuck. it's so incredible. gold lined! illustrations! drag city must have been bankrupted by this record.
this is the best review
I have ever read on DiS - nice one Mr Brainlove.
This album is a masterpiece and manages to somehow improve vastly with every listen.
I am gutted that I couldn't see or hear any of her performance at ATP last year. Maybe next time eh.
i must say
i found her 'baby voice' a little tiresome on her first album, though loved some of her songs.
i will certainly check this out though on the back of this excellently written review.
the best thing
is sitting down and listening, and reading through all the lyrics. consistently compelling, absolute beauty.
ps.
ace review
yup
great review...it conjures up exactly how I feel when I listen to it. I hope she does a decent sized tour to promote it
i knew this would be good
but every1 upon every1 is giving this 10.
must be good!
Brilliant review
of a brilliant record. I actually bought Ys having never heard anything by her before, based on how excited everyone was on the DiS boards. So, like, thankyou. :-)
absolute genius so far...
picked it up yesterday and only listened to the first two songs (all be it about 10 times each). there is just so much to this album that i'm having to break myself in gently in case i miss anything
listening to it right now, so good..
good review too
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re:CD WOW! Order Delay: Ys by JOANNA NEWSOM
:(
I don't like the strings
*runs away*
AFTER HIM EVERYONE!!!
I have dogs. who has pitchforks and petrol and lighters
and I prefer milk eyed mender
*cowers*
amazing amazing album
amazing
wow
On first listen of Emily, it's already the best think i've heard this year.
It is A M A Z I N G.
Cowering = good pposition for receiving a good kicking
joanna newsom has turned us into a flailing mob! who'd have thought.
it's
amazing
i think
there's a good chance that the Barbican gig will be the best concert like ever!
wow
this review and that comment are like some kind of dichotomous high and low point in my use of writen language. MOMENTOUS MOMENTS MY FRIENDS.
wow
wow I must be alone here. I think it's bloated, self indulgent and a waste of van dyke park's talents
such is life I guess.
I disagree
van dyke is the worst part of the album
which was which?
only joking good review
It's a good album
Will still take a lot more listens before I really decide whether it's really great, or just pretty good. It's going to be a 'cool' album to like and give glowing reviews though I think.
Nothing matches the pure brilliance of Peach, Plum, Pear though. Looking forward to the London gig though.
I wish I could 'get' this so much
But I can only take about two minutes maximum of a song before wanting to strangle her. I quite like those two minutes, but having that five times before a break? It's just cruel.
Can't she just 'ssh' for a minute?
I know, I'm obviously some intellectually inferior, tasteless listener...
it
made my day when i found out she had a song entitled emily.
I was even happier when i heard it.
great review
if that's your opinion
your opinion is WRONG.
good review John
I don't actually think this is a ten though. a nine definitely but not a ten. there are some small flaws that stop short of it being quite perfect. it's still fucking beautiful though - maybe I'm just too much of a fussy bastard.
A very challenging artist
I'm not a fan (yet), but I didn't "get" Sufjan at first either. Sometimes artists come along who force me to listen to music differently, go beyond the whole "yeah, that's a catchy riff" attitude and get all zazen for a moment. I'm always searching for something that's different. Well, this is different all right. I know she hates the "freak folk" label, but it's exactly this kind of radical departure that makes the genre so fascinating.
strings
I do strongly agree, after many listens, I do like the record a lot, but *despite* not because of Van Dyke Parks's contribution. 'Emily' and 'Sawdust and Diamonds' are practically perfect but those strings knock this down to an 8.5 for me.
I'm a believer in buying rather than illegally downloading...
...how old fashioned of me. So... is there anywhere I can preview this record online?
not alone
those who don't like it aren't alone. its been massively overhyped by the media.i've yet to see one sensible review of it. i listened to it because of van dyke parks (i could take or leave newsoms last album). i liked the strings but thought the album was a bit prepostorous. i'll give it a few more goes and hope to get some enjoyment out of it.... but come on lets be sensible nothing is worth 10 out of 10.
boomkat has a few samples
nothing like the real thing but still
Perfection is possible.
If you think it isn't I feel sorry for you.
I'll try and listen to this
So far I've found everything I've heard by her a bit too self-consciously "quirky" for my liking...
the problem is
the problem is, the IS a very ambitious effort, and I think a lot of it is *nice* but it often borders on ridiculous...the lyrics at times are laughable, and as someone mentioned, what I REALLY fault this album for is the relentless vocals. She gives ZERO time for the instruments to breathe, it's just one long sing a long , that reminds me of musical theater. There's a lot of reasons why people THINK this is such a masterpiece, but I'd wager it's because they haven't listened to that much music and to the general indie head ho hum dude/girl, this sounds REVOLUTIONARY...
Disagree
I don't think that you appreciate your contradiction. It's quirks like her stream of unrelenting singing which differ from your ho hum indie. Fancy relating her negatively to musical theater, I advice a crash course in Sondheim.
Anyone who thinks
the strings don't "fit" the rest of the music must be listening to a completely different album to me. I honestly don't understand that opinion at all. They couldn't be more perfect.
Unbelievable
This is easily the best thing I have heard all year. And a very good review as well.
Already...
..this album is overrated.
Just because Van Dyke Parks happened to write the string section doesn't make it better than it is.
The strings sound awkward and half the time the timing of the songs is lost because of it, making it sound awkward and odd (and not in: 1. a good way, or: 2. an intentional way).
The album is a GOOD album, but it is extremely pretentious and Joanna definitely thinks it is more clever and deeper than it actually is (and so do most people who review it, it seems).
I've tried to like it
but in the end I deem it unlistenable. Her voice man...eugh.
Fucking rubbish record.
I'm joking.
I'm gonna listen to her one day. I bet I'll like it.
Wow, thats very insightful of you.
Yes I like Keane. That might be because Tom Chaplin doesn't have a voice similar to Spanky from The Little Rascals.
Good album
not as good as the reviews suggest.
Well judging by the front cover of Ys...
...I would say his face is a definite improvement.
its so
very good, i love all the string arrangements. noice.
but the meteoroid is the source of the light...
*runs away*
u
r stupid
i totally agree.
unbelievably flat, boring. end of story.
I hated her at first too
stick with it
the brilliance
of emily can't be denied, but am I the only one struggling to get into the rest of the album?
haha
total obscurities there...
good album..
but i can't be the only one who absolutely despises the sickening way everyone wanks over joanna newsom. surely it's a bit early in her career for us all to be calling her a genius? all this sychophantic praise can really turn a person off, as well as being damaging for the artist to try to live up to as well. newsom is so going to burn out in the next few years because of it.
what do you want people to do?
lie and say it's bad?
:-(
Just played this album for the first time. Man, her voice is very irritating. I just can't get past it sorry.
god, you're a fucking cunt.
linking liking good music to a large IQ? gimme a break.
It's certainly a polarising voice
but I absolutely adore it. The way she sings certain words (like "call" at 0:38 in Emily) with this really unexpected intonation is just brilliant. Maybe you'll grow to like it with time - personally I think it's one of the most compelling singing voices I've ever heard.
.
i meant "called" of course
Perhaps a bit too much Joanna Newsom,
not quite enough song... I don't know though. A second listen was different from the first. You, the people seam to have taken Emily to your hearts but it really passed me by, Monkey and Bear, where the orchestration only drowns her sometimes was much more interesting and Only Skin a better song. Her and Van Dyke Parks have different ideas on emphasis, and this sometimes is detrimental, the first time i heard it i thought irrademably so, but maybe not.
There's deffinately a lot of extended word play for the sake of word play, almost resulting in nothing being said sometimes, but that's her way, always has been. Sometimes it does conjure something hard to find.
best thing
this is the first time in a while that ive heard an album and its actually sounded like "an album" to me... If that makes sense.
amazing.
+
if you dont like the voice, then you're, like, totally gay.
Given that your profile
reveals that you've previously posted such intellectual gems as "D-I-C-K", "F-A-G", and "G-A-Y", I think you'd do very well to stay quiet.
Yes but
no one could have saved Kasabian
well..
i got the milk eyed mender at the time, and absolutely adore it still, and got Ys for christmas from my brother, and he just copied me walnut whales, and yarn and glue, so i owe him :)
best music i've heard in years, so much better than almost anything else at the moment.
can't wait for new CocoRosie and the new arcade fire..xx
The new Arcade Fire album
is astonishing
no
but she's not that good.
Please excuse my extreme tardiness
This album is possibly the best thing I have EVER heard. Much as I love many of the current plethora of 9/10 albums (and the rest) but I would happily trade them all for this one album.
Thank you John Brainlove for highlighting this in the recent post of best of albums of the last decade. This sets the standard of 10/10 for me.



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