Girl is not a genre... they say. However, if you’ve been paying attention to the critics' picks for 2009, you will no doubt be aware that female soloists are the overriding theme set to dominate the year ahead. The first two #1 singles of the year have belonged to girls, and every magazine is currently emblazoned with feminine front covers.
DiS takes a (relatively) light-hearted look at the three prime candidates for the fictitious Girl Of 2009 crown and attempts to separate the MGMT mega successes from the Bravery-style stinkers...
Florence & The Machine
Sound- Raucous tales of violence, freedom, love and loss. Florence Welsh has a voice to rival anyone in modern music - if she can get the songs to match then the sky is the limit. 9
Personality- Flitting effortlessly between frivolous and fun to anarchic and wild, Florence is an interviewer’s dream with her tales of partying at Donatella Versace’s house and her parents who were friends with Andy Warhol. Perceived kookiness may well annoy some quarters. 7
Live Show- Lots of fun and a chance to hear that voice in its purest form. A full headline tour last year followed an MGMT support slot. 'The Machine will soon be opening the NME Awards tour, the legendary slot has been occupied in previous years by Coldplay and The Ting Tings. 8
Producers- Is currently working on her debut album with Simian Mobile Disco’s James Ford who is best known for his work with Arctic Monkeys. Also recording with Silent Alarm knob-twiddler Paul Epworth. Points lost however for writing songs with Alex James and rent-a-twat Johnny Borrell. 8
Covers- Performed an astounding cover of ‘Hospital Beds’ by Cold War Kids throughout the duration of her live shows in 2008. Other covers floating around the internet include tracks by Beirut, Mystery Jets and a whole EP of Green Day covers with Lightspeed Champion. 9
Indie Credibility- Depends on your criteria. She is managed by Queens Of Noize and is friendly with the guys behind Merok records and the aforementioned Dev Hynes. Last year's ‘Kiss With A Fist’ was released via the Moshi Moshi Singles Club. 7
Media Love- Big. Was on the cover of NME in their Tips for 2009 issue and will be awarded with the Critics' Choice Award at the Brit Awards in February, last year's winner was Adele. However, she was also tipped in 2007 as one of the mini Lily Allens. 9
Total = *57* / 70
Video: Florence & The Machine 'Dog Days Are Over'
La Roux
Sound- The modern face of 80s electro pop. Think less of the cold atmospheric synth music and more of the big-hearted dance floor classics. Will get the cool kids dancing quicker than you can say Crystal Castles remix. 8
Personality- Has done very little in the way of interviews or TV. One short video clip accompanying her appearance on the BBC Critics Poll shows her as intelligent and passionate with a clear, if slightly naive, view of what she is doing. 7
Live Show- Has played very few dates thus far but has a busy schedule facing her in 2009. As well as a residency at her label boss Seb Chew’s Yo-Yo Club in Notting Hill, La Roux is on the road supporting Lily Allen on her nationwide tour. 8
Producers- No information is available as to who La Roux is working with, however her music lends itself well to remixes and a fine AutoKratz mix of ‘Quicksand’ is already doing the blog rounds. 7
Covers- None that we could find but then this isn’t Jo Whiley’s Live Lounge. Full marks for spending time on her own songs. *10*
Indie Credibility- Plus: released ‘Quicksand’ on the French Kitsuné label who then featured the track on their latest compilation. Minus: managed by the people behind Snow Patrol and Klaxons. 6
Media Love- Is tipped as an outsider in terms of unit shifting success but has support from Popjustice amongst others. Didn't come across particularly well in this Guardian interview. 6
Total = *52* / 70
Video: La Roux 'Quicksand'
Little Boots
Sound- Heralded by many as ‘The Future Of Pop’. That remains to be seen, but the Little Boots sound has a big FM straddling pop aesthetic, i.e. what Kylie Minogue is/was and what Annie should have been. In fact, she's quoted as saying she only started making music again to write songs for Kylie. 7
Personality- As an ex-member of now defunct Leeds trio Dead Disco, Little Boots a.k.a. Victoria Hesketh is clearly a survivor and determined to give this her best shot. Recent interviews have seen her talk of the time she auditioned for Pop Idol, and her belief that Little Boots is exactly who she is as opposed to what she thinks people want. 7
Live Show- Has not properly toured Britain yet besides a few dates with hipster also-rans Heartbreak at the tail end of 2008. Guardian writer Alexis Petridis recently spoke of a six song set in Berlin where every song sounded “suspiciously like a hit single” 7
Producers- Last summer’s underground smash hit ‘Stuck On Repeat’ was mixed by Hot Chip’s Joe Goddard and written with Greg Kurstin who has worked with Beck, Ladyhawke and Britney Spears. Recent recording sessions in LA have seen Hesketh working with Dr Luke, the man behind Katy Perry’s ‘I Kissed A Girl’ and ‘Since U Been Gone’ by Kelly Clarkson. Still, nowhere near as many co-writers as Ladyhwake. 9
Covers- On Little Boots’ YouTube channel are a host of lo-fi cover versions recorded in Hesketh’s bedroom. These range from Human League and Madonna to Wiley and Metronomy. Her use of the lesser spotted stylophone and Tenori-On will have the music geek’s attention, diverting away from her often weak voice. 5
Indie Credibility- Has been signed to Warners imprint 679 since the demise of Dead Disco. Rumour has it the label dropped Mystery Jets and Cut Off Your Hands last year in order to focus solely on Little Boots. Looks set to spend 2009 trying to balance between The Hype Machine and Radio One's A-List. 6
Media Love- Unparalleled. Has already topped this years BBC Sound Of... poll joining the list of previous winners alongside Adele, Mika and 50 Cent. Most major broadsheets and tabloids have carried features on Little Boots in recent weeks. 9
TOTAL = *50* / 70
Video: Little Boots 'Time To Pretend' (MGMT cover)
So there you have it: a narrow win for Florence & The Machine.
- How do you rate these three acts? Does Florence make your blood boil or do you think she could produce one of the albums of the year? There are plenty of alternatives here, too, including the likes of Micachu (& The Shapes), Telepathe, Rose Eleanor Dougall, Catherine A.D., Pens and Alessi’s Ark. Who are the female acts you feel should be garnering attention in 2009?
- New 'Later...Live' CD compilation on the way featuring Lily Allen, Bon Iver, MGMT + more
- In Photos: Reading Festival 2009 - Day 1
- In Photos: Pukkelpop 2009 - Day Three
- This Week's Singles: 17/08/2009
- Spotifriday #7 - This Week on DiS as a Playlist
- Little Boots - Hands
- Listen to Esser's remix of Little Boots' 'Remedy'
- This Week's Singles: 18/05/2009
From the archive
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Grizzly Bear's Ed Droste reveals Yellow House follow-up
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Venn Festival Preview
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End Of The Road 2008: The Review
Ikonika & Cooly G
Ikonika makes some amazing bleepy rolling and catchy dubstep, I'm so in love with her sound.
http://www.myspace.com/ikonika
Cooly G
Taking funky in a new smooth and deep direction Cooly G makes soulful, sexy, smooth yet grimey grooves.
Those two are both on Hyperdub at the moment and Cooly G is also releasing stuff on her own pretty often.
Those are my top female tips, I really really don't like any of the ones you mentioned at all.
This 'female revolution' things is already tiresome
Didn't we have exactly the same thing two years ago, with Lily Allen, Kate Nash, Laura Marling and Sandi Thom? That didn't exactly prevent a torrent of regurgitated, T4 on the Beach friendly, indie-by-numbers shite from soundtracking the past twelve months
Cynicism aside, Little Boots looks quite cool from the little I've heard. Anything other than Lady GaGa is alright by me
Theoretical Girl
She (they?) supported The Joy Formidable and It Hugs Back on Weds and was / were excellent.
Apparently an album is due out this year on Memphi Industries and she sounds very good to me!
Florence and the Machine's singles have both been decent, not sure what to think of the others up there yet...
for anyone reading this awaiting the new Uffie album
have a listen to this :)
http://www.myspace.com/xslutttx
and this: http://www.myspace.com/goldielocksmusic
love george
Couldn't agree more with what she says in that article. There is no such thing as the female revolution in music, not in my lifetime anyway. Those "women in rock" issues run every so often by major magazines are embarrassing - especially Rolling Stone and NME. It's not an anomaly. Women have always been there making interesting, challenging music.
The way I see it, the industry works in the same way regardless of gender. Every breakthrough act leads to a flurry of signings of countless followers, usually with diminishing returns, until the media move on to a 'new' sound, and it goes in cycles. It's obvious with male indie bands, but, I don't know, some people seem to be less aware of the fact when it comes to women. This so-called revolution is no more 'new' than the rise of women in Britpop, the post-Alanis Lilith era etc. There's much more interesting music to look at outside of all that.
I'm skeptical that Little Boots has anything that substantial to offer from what I've heard, and so far La Roux leaves me fairly cold. Florence has potential (don't fuck it up), but I don't think we've necessarily heard from the 'Girl of 2009' yet. But then I think my criteria might be different.
see also
Tokyo Dragons and Towers of London who failed to follow in the Darkness' wake.
This really isn't being seen as a guitar year, is it?
It's interesting that Emmy's album (outside DiS), Alela Diane and Laura Groves (now trading as Blue Roses and signed to XL) have been almost completely overlooked in Women Will Rule This Year pieces, when you'd think they'd be looking for a quick and easy New Marling. I wonder if it's because they've been around for a couple of years, which might explain why out of all the female acoustic wielders the as far as we're concerned out here newly minted Catherine AD is getting the most press attention, and even that's not a lot.
what do you mean by Catherine A.D.'s newly minted?
she's still unsigned or do you mean the slight name change?
I hadn't heard of
any of those before this article, so I gave them a shot (generous of me). La Roux is taking this one - the others just ain't my cup of tea with milk and one sugar, all indieish for Florence with "that" guitar tone and a bit nothing-y for Little Boots but OBVIOUSLY, whatever that instrument is, it's grabbing my geeky attention.
I'm sure there's a whole bunch more I could check out, but I very much doubt that any of them can surpass the excitement I've got for the new Bat For Lashes this year.
Are there no true female songwriters?
Why do they all work with "co-writers"? Did successful male acts from last year, MGMT and the like, all work with co-writers too? Is it just the way that things are done these days?
re: co-writers... and a tangent on this "LadyPop" invention
partly co-writing is "the way things are done" - it does make for a safer bet to co-write, unless you're a once-in-a-decade juno/genius like Joanna Newsom, Tori Amos, et alia, and sales are all-or-nothing
obviously, it's preferable for record companies (and female artists themselves?) to maximize catchiness across a whole record, given the (sexist-but-pragmatist) tendency to assume a shorter shelf-life for females unless you can attract repeat-sales in advance. This goes without saying...
...but there is a semi-formal rule (on major labels) that you can do what you want with most of your album if you've got a handful of strong singles. MGMT seems a prime example of this: 3 stunning singles, and an album so uneven, i'm still not sure whether i want it to be more weird overall, or more slick... in which case, why not get them to co-write?
why: because male consumers actually do look at the credits, and co-writes would dent alternative cachet? because co-writing would somehow be castrating for male artists? it would be useful to know what proportion of female songwriters on indies do actually co-write, by comparison with those on "fake-indies", and actual majors; we assume a gender gap even on the majors, but how big is it? Note 8 writers on recent Beyonce album... and similar on Ladyhawke (with a fraction of the sales), but only three official guest writers on Hole's "Celebrity Skin", when they made the jump from an indie-label, having had one (rumoured) guest-writer on "Live Through This" (...a sexist rumour in itself, that I wouldn't care to repeat had I not heard it from two different, female, sources)
MEANWHILE...
it doesn't help the unnecessarily embattled position of the genders (musicians & listeners alike) to have shockingly ignorant journalists like Miranda Sawyer (OMM) pilfering articles (namely the Sunday Times' own female-dominated Class of 2009 feature), and then drawing absurd conclusions that "LadyPop" [yes, really] will rid the world of "Male Angst", as inflicted on us by Radiohead... as if the symptoms (guitars, workclothes, misery) are somehow an aberration from the purpose of art (i.e. entertainment: how very gynonormative, and reactionary!), and as if it weren't the case that half the male bands out there look like extras from The Mighty Boosh, including the young-Radiohead. Stupidity aside, the argument betrays additional bigotry by picking a fight with a safe middleclass target rather than anyone genuinely turgid and sartorially challenged whose targeting might lead to cries of class-prejudice...
La Roux's Guardian interview
What do you mean, "she didn't come across very well"? I saw that interview, I thought she came across pretty charmingly. She even went on to unashamedly reveal the similarities between Quicksand and When Doves Cry, something which most other chicken shit plaguarists would avoid like the plague, only to be revealed as the imposters they are. At least she picks them to the post. And rightly so.
Dunces.

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In Photos: NME Awards Tour 2009 @ Sheffield Academy
2009: Ten Writers' Tips
Little Boots
Catherine A.D.
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In Photos: Tegan & Sara @ Shepherds Bush Empire, London
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