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20252
Type: Single Release date: 22/01/2007
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If points were scored for ironically titled songs, The Hours would probably be on minus 10 by now. Co-pilot Antony Genn's previous track record of playing with Pulp and Elastica (all good so far) reads like an encyclopaedia of the best bits of Britpop, until you realise that his spells with the former were at both the outset (i.e. before they became good) and demise (i.e. when they'd lost the plot) of Jarvis Cocker's most celebrated collective. Likewise with Elastica, where Genn was part of their line-up in what has historically come to be known as Justine and co's crack and smack years.

But why drag up the past, when it's now that matters? Fortunately, Genn has gone onto produce some interesting records since then. Now, alongside ex-Black Grapeist Martin Slattery, he's back as part of The Hours, and 'Back When You Were Good' sounds like a million and one things you may have heard before - mostly good, nonetheless - all rolled into something that could be labelled half-ballad, half-autobiographical, but ultimately never dull.

Emanating from the same good times reminiscence of The Farm's 'Altogether Now' mixed with a smattering of Wayne Coyne-style eerie ruefulness, 'Back When You Were Good' is delightfully radiant and a welcome change from the automated production line of [INSERT POPULAR BAND OF CHOICE] sound-alikes and wannabees.

"When they lost the plot"

... are you a deaf buffoon? "We Love Life" is a staggering record of poise and beauty; one of the finest released so far this Millennium.

Almost as good as "His 'n' Hers".

We Love Life?

You Love Shite more like.

Not in the same league as His n Hers.
Not in the same league as Different Class (pun unintended).
Not in the same league as This Is Hardcore.
Not in the same league as Intro.

End of.

ha, textbook

Dom wins arguement owing to the subject line/first line punderful one-two there.

Saw this band at the Waterrats the other month

In all fairness they were having some tech issues so its hard to judge but the songs I did get a good listen to were pretty meh.

Then again a band called big linda came on after and blew them out the water !! Kaapooow!

that's a terrible cover

it's like an eye-straining version of Knightmare.

Bah!

A half-decent pun cannot disguise the sheer wrongheadedness of your point.

It's a cracking record.

Better than "Different Class", which let down by the vapid "Disco 2000" and "Something Changed", and the not-very-good "FEELING CALLED LOVE". Why didn't they put "P.T.A." on the album? WHY?

And better than "This is Hardcore", because the songs are better.

Yeah but

'Intro' is an ace album. 'Babies', 'Sheffield Sex City', 'Razzamatazz' and the awesome 'O.U.', plus 'Styloroc'.

Hmm...I dunno, never really got 'We Love Life', but yeah 'Different Class' probably is a little overrated and not as good as the other 3.

Intro ...

... is wicked, don't get me wrong.

I think "Different Class" suffers from the status it has. It makes it harder to love. Whereas "We Love Life" is a much deeper, denser record. It's still bitter and dark and angry, but stuffed with images of natural decay and an awareness that the passage of time renders everything, ultimately, futile. And this is tempered by an awareness that, since we're all cosmically fucked, somehow this makes life easier.

Plus "Wickerman" and "Sunrise" are simply staggering songs.

"His 'n' Hers" is still the best, though. "Happy Endings" will be my wedding song.

I absolutely cannot wait for the album

which John Earls of Planet Sound has labelled as "the first classic lp of 2007". I've heard four tracks from it and so far I agree with him.

If this lot

Are the band I saw on Jools Holland, the ones responsible for the line "Ludwig Van, how I loved that man, the guy went deaf and he didn't give a damn" then they should be shot, Britpop royalty or not.

History

you mentioned their work with pulp etc, but left out the fact they were in the Mescaleros with Joe Stummer.

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