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Type: Album Release date: 20/03/2006
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John Brainlove spends a good few months with The Knife's third effort, Silent Shout, and reports back, somewhat moved by the whole experience.

The Knife are a band who court an unusual kind of privacy. Interviews are sparse, their website is almost empty of any content other than a factual list of releases and updates. Their videos are bright animations or dark swirls and eddies of light and colour. Live, they are masked and silhouetted against a dizzyingly inventive backdrop of projected imagery. They seem purposefully absent from the process, as individuals - as if their music and the surrounding productions should speak for itself. Their success has been of the slowly accumulating kind - the impact of 'Heartbeats' (an anthemic, unforgettable pop song that's oddly incongruous with the rest of their output) brought them an audience - and now this, their stunning third full-length album, seems destined to finally take The Knife overground for good.

And any mainstream success that comes to them will be entirely deserved. Because Silent Shout transcends 90% of post-millennial electronic music with a rare combination invention and humanism. The combination of elements they've come up with is like some kind of rare and powerful alignment of the planets.

This is heartbreak that slips in through the window, svelte and subtle. Lean, minimal, late-night torch songs that resonate like ringing glass; elusive, tricky beats that flutter and pop like raindrops hitting the ground or rattle like train tracks beneath your feet; extended synth buildups and pitch-shifted vocal octaves that feel like cold liquid running down your insides. It's a ride from a deep pink sunset to the inky darkness of midnight, punctuated with abstract flashing neon; a tokyo train ride; a night spent shivering in a shoebox hotel room stacked high against an unfamiliar skyline.

Silent Shout is an album of intense, pungent evocations; macabre dreams, naked loneliness, risk, safety and loss; desperation, disconnection and yearning. From seeming at first inaccessible, repeated listening reveals a hidden fortune of lyricism and musical texture nestled away in every song. This is electronically created music that has a beating heart at it's core.

This is one of the most rich and accomplished albums of recent times. Essential.

spanker

this is one of my favorite albums in ages... see you at truck m'boy.

Two tens in two days

I've no opinion on that, but I'm pointing it out anyway

Good time for music

innit.

This deserves a 10.

I think you've literally hit this one right on the head, John.

This album is absolutely stunning.

You're right about the lyrics though, you don't really notice them until repeated listens, since her voice is just used more as an instrument and the words just kind of get lost under all the layers of sound. But when you do pick up on them they add a whole other dimension to the album.

still leaves me cold

after about 10 listens.

i'll return to it in a couple of months maybe.

two tens in two days

but three months between the albums ;)

I know you don't want to mention it

but I think a certain cover of Heartbeats, rather than the quality of this album, is what's going to bring The Knife overground.

Not that this takes anything from the music, or this review. It's just a fact. Ask Katie Melua.

Nah.

Most people don't even know Jose's version is a cover, and those that do think 'some dance band' covered it. Word of mouth about this record and their frankly amazing live show is going to take them pretty far. I can see them headlining festival second stages and such if they keep going at this rate.

I don't think this review

really scrutinises or examines the details that make the album so good.

Not one song track is highlighted for explanation of its qualities. It's just a list of generic comparisons.

Ace album though.

I like this record

but I just can't get with the pitch-shifter on the vocals... can anyone help?

I don't do song list reviews.

I dislike those kind of reviews.
I think it's more relevant to evoke the music in words than to create some kind of tedious checklist.

The fourth and fifth paragraphs

are pretty difficult to read all the way through :S they give me a headache.

10/10?

I don't think so.
my washing machine makes more interesting noises.

fair enough JB,

I see your point. I just thought that as the album is packed full of such a diverse range of styles and sounds that it might warrant inclusion to maybe note some of the highlights down.

Still, you're the reviewer and I'm not.

Hott

You can get it on Amazon, it's my birthday in a week and I'll order it then when I have some money. It best be as good as you say Brainlove or you will ruin my birthday.

most people I play hearbeats to

think its a CrAzY cover of Gonzalez

I'm not good with the words.

But I like it. I like it a lot.

i

cant believe i had the chance to see them and missed them, since they hardly ever perform live as well. apparently they were amazing. :/

they were.

and they were selling tickets on the door. GUTTED! (was only 45 minutes though it didn't seem to matter)

almost 4 months

yeh

i mean at a festival. me and a friend underestimated how long itd take to que to get in :(. did they play london?

heh

just read the review to the right ^^up there.

Wow

10 for the album. 10 for the gig. This must be perfect. Will people be rating this as the best album of all time in 10 years? No? Hmmmmmm........

Nice. Very. Although am fucked off that I can't get a copy of the vinyl 12"

of WE SHARE OUR MOTHER'S HEALTH (fucking ace song - it's so.... 'elastic') as really want the remix by Trentmoller... so if anyone knows where I can get a copy, then let me know. I could almost cry as it's a fabulous remix.

Yeah.

I mean if it's album of the year, and it looks like for a lot of people it will be, it's one of the ten albums of decade.

TRUE FACT.

i PMd you about this

but the 12" is 'in the shops" on July 24th, for those who are interested.

*raises hand*

true it

is a good album, it took a while for me to realise how good it was though. its infinitely better than the Hot Chip record(which could well be put in the top 10 of the year by some people.)

*claps*

pah

pft
LOL
nite.

HOt Chip is a good party record

But it's very ... light. And flimsy. No substance.

the silent shout deluxe edition

is even even better! the live re-working of their tracks is amazing, especially, in my opinion, Marble House.

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