- Artists:
- Super Furry Animals »
- Label:
- Rough Trade »
Lest we forget, it is a matter of record that Super Furry Animals spent the marketing budget for their first album on a tank. That it was then fitted with an impressive PA, given a lick of technicolour paint and toured around the festival circuit belching techno music from its pacified innards is remembered hazily by revellers who danced on its exoskeleton.
Even in 1996, a time in which huge sums were regularly spent on giving major releases the impetus demanded by boardrooms bloated on good times, it was considered at the very least, avant garde; to have come from a band fresh out of the blocks on an independent label, it was flat-out ballsy. More than a decade later, the memory of that dashing promotional stunt neatly impales the reasons as to why Super Furry Animals occupy the exclusive air towards the summit of their particular mountain: Their unnervingly keen instincts, coupled with the real need to make music outside of consideration to their work’s ultimate commodification has derived success on what essentially amounts to their own terms; eight albums in and there has been but a mere spattering of filler.
It seems in keeping with this tradition then, that Dark Days / Light Years marks a departure from the traditional songwriting and joyously lush orchestral swathes that typified SFA's last two albums. The glossy production and Dennis Wilson derived meoldies had been mined so thoroughly on Lovekraft and Hey Venus! that to remain within the dynamic would have yielded increasingly dimished returns. So with nary a backwards look the band has now rifled through the musings that by necessity were previously cut from sessions for reasons of continuity, and made an album that is shorn of much of the prior symphonic minature. Instead we have a work hot-wired with fizzing, highly-charged vignettes which when taken as a sum are likely to equate to either Super Furry Animals most or least-liked album - depending on individual taste.
For those who have enjoyed their brilliantly executed ballads since they first released 'If You Don't Want Me To Destroy You', enthusiasm might be slightly dampened by the knowledge that Dark Days / Light Years is shorn of all concessions to the craft; SFA’s seemingly under the impression (perhaps rightly) that there have been more than enough contributions to the form over recent releases.
What sets this album apart though is its sustained attempt at departure, the feeling that the reigns have been removed for the duration. ‘Crazy Naked Girls’ is a zeppellin-echoing freak-out; ‘Moped Eyes’, a funky reminder of what made peple so attracted to Gruff Rhyss' recent Neon Neon sideline; and ‘Inaugral Trams’ with it's germanic, Nick McCarthy-spoken monologue, is a mechanically efficient worker bee, ticking throughout its duration. Elsewhere, ‘Helium Hearts’ is the sole song that wouldn’t feel out of place on Hey Venus! and the riff-ridden ‘White Socks / Flip Flops’ contains the choice line, "Want to be a writer / And be a keen reader." It’s rapid-fire stuff but rather than being a musical progression, much of what is here contains echoes of SFA’s prior releases; ‘Inconvenience’, for example, is almost a carbon copy of their 2003 single, ‘Golden Retriever’.
That being the case, all is forgiven by the albums mid-point highlight: a shimmering paean to the band’s native Welsh capital, ‘Cardiff in the Sun’ stands out far and away as the finest song on the album and one of the best in Super Furry Animals’ entire catalogue. It builds from a twinkling refrain into a gleaming, revolving diamond. When ‘Lliwiau Llachar’ collides into closing track ‘Pric’, we are similarly treated to a spiralling, high-voltage locomotive-finish.
There's still something that lingers, and it might be going against the grain to say so but Dark Days / Light Years is chock-full of spirit whilst also lacking some of the soul that was always a necessary ingredient in SFA’s compelling brew. Be it the closing trio of tracks on Radiator, Rings Around the World's ‘Run Christian Run’, or Lovekraft’s ‘Cabin Fever’, Super Furry Animals have always engaged on a level beyond that of unbridled pop music and aside from perhaps ‘Cardiff In The Sun’ there’s not much here that gets under the skin in that way. Then again, if it’s their lighter side that appeals, they’ve never made such a consistent pop album, and I use the term with not the slightest hint of cynicism.
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Pitchfork didn't mention "Cardiff.."
in their review, it's obviously the highlight of the album, albeit with Pric. But you did, well done.
I'm desperately hoping it's a case of 'still waters run deep'
because as of a few listens so far, it's possibly their weakest album to my ears. There's a serious dearth of SFA grade stand-out melody and a worrying crutch of leaning on a groove that's barely there. The less said about the dischordant duel guitar riffs that pop their unwelcome heads up the better, frankly. That the album is built from some of the remainder tracks from Love Kraft and Hey Venus! isn't terribly surprising to me - several of the better songs on the album sound familiarly like SFA's B-side back catalogue, but in the attempt to sidestep what some people call careerist idiosyncrasy, it feels like their most pedestrian album to date.
Crazy Naked Girls is an initially thrilling then wholly tiresome pastiche that goes on far too long, but saved by Mt. as a followup which is vintage SFA psych-stomp with a great idiot-savant lyric. Moped Eyes takes a while to get into itself and the verses are so sedated you find yourself willing the song to just loop its significantly lovelier chorus.
Inaugural Trams is... I don't know. I want to like it, its bounce is charming, but its lyrics are head-thumpingly fascile and the german rap is willfully odd and out of place and sadly, not in a good way. Certainly wouldn't have been my first choice for a single.
I don't want to just focus on the negative, because despite my reservations, there are moments of pure SFA genius that shine like diamonds in the rough - Cardiff in the Sun would have best served as the outro in my opinion, it feels like a classic SFA slow-build epic album finisher, spacious, caught mid-orbit, struck between the wonder of the earth and the awe of the universe, tumbling over and over.
The Very Best of Neil Diamond (certainly taking 'Best SFA Song Title' of the album) is a definite grower, I was initially unfussed but it has started to win me over, much as I'm still hoping the rest of the album will. Its faintly eastern chord structure, distant train-track clatter percussion and post-rock menacing middle eight mark it out as one of the highlights.
Helium Hearts is so achingly reminiscent of Rings Around the Era b-side goodness that it's more than welcome if brief. It subtley loops into White Socks/Flip Flops, arguably the last straight and memorable track on the album before the muted 3 song finale. There's a fair bit of divided opinion on Bunf-penned SFA tracks, but it's fair to say this is probably his best.
As for the final act, so to speak, while I like how Where Do You Wanna Go? segues into Mwng-era aping Lliwiau Llachar but it's not really a patch on anything from that album. Pric is a misstep for an album finisher, and to be honest I really can't think of where it would belong on the album, what with its bafflingly low in the mix synth wobble fade out.
It's a 6/10 album for me (the lowest mark I've ever given an SFA album), in recognition of the obviously great tracks, but let down by some of the least enthralling songmaking in SFA's ludicrously high-bar setting history. I'll keep listening.
I like this ^
You make some good points, and for me too this is probably my least favorite SFA album for exactly your reasons. But I've lived with it for about a month now and it definitely gets better.
As I said, people who love those epic slow burners and melody-soaked moments may be disappointed here.
i hate their artwork.
only band i can think of that make my eyes hurt.
I loved their album artwork
when it was Pete Fowler doing it, it's since they got the Japanese guy in it's become so godawful.
It's "Crazy Naked Girls"
Not Grazy.
I quite like both the reviews on here
And I fall inbetween them. Crazy Naked Girls is awful, and the rest of the album is dreadfully uneven- maybe they're trying a bit too hard after the straightforward (ish) Hey Venus- but there's still plenty to like. Cardiff in the sun is awesome, and I really like Inaugral Trams. 7/10 (the devil's own fence-sitting mark, I know).
long running band = long running labour of love
i am very supportive of SFA but could pick holes in every piece of work they have done, but i do not believe they are the type of band that you analyse as they are not seeking some sort of perfection, they can write a great pop tune and are not scared of experimenting and continue to do so very well...
go analyse Radiohead and really give Oasis a well deserved slating
An Inconvenient Truth
I think it's a bit lazy to call "Inconvenience" an "almost a carbon copy of their 2003 single, ‘Golden Retriever’" simply because it has the same beat.



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