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As brave and bewitching a record P J Harvey’s White Chalk is, a singles album it most definitely isn’t. 'The Piano' is a second, inwardly-fluttering release of corseted demons and sublimated desire, opening with the fantastically gory lines: "hit her with a hammer, teeth smashed in / red tongue’s twitching, look inside her skeleton".
And while 'The Devil' or even 'Grow Grow Grow' might have made for something vaguely more akin to conventional-sounding singles, this has a peculiar power all of its own; repressed and not a little unnerving.
'The Piano' could be a whispered voice you thought you heard on the wind, such is the song’s crepuscular slightness. It’s the sound of slippered feet across candlelit halls, the proverbial madwoman in the attic, and it’s a role Harvey inhabits with ghostly conviction.
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My second favourite track
but would have thought that White Chalk would be the next single, as it is brilliant and deserves to heard by more people.
.
Word, but would also agree with grow or the devil. when under ether was a poor choice for 1st single compared to the other tracks.
videos
i've been really disappointed with the videos for the 1st 2 singles, much and all as i like the songs. i expected a lot more, maybe PJ has lost interest in this medium, they have both been a bit lazy looking. love the album though.


PJ Harvey
In Photos: Royksopp @ Shepherds Bush Empire, London
In Photos: Grizzly Bear @ Leeds Metropolitan University
In Photos: Sinner's Day @ Ethias Arena, Belgium
In Photos: The Wave Pictures @ The Garage, London
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