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Primal Scream: responsible for My Bloody Valentine reformation?

DiS recently spoke to Primal Scream's Martin Duffy (pictured) ahead of the release of the band's new Beautiful Future album (out July 21), and we asked what he made of the reformation of shoegaze titans My Bloody Valentine.

Says Duffy:

"I think it’s great! He did loads of [live] gigs with us [before reforming MBV], so maybe we helped him want to play live again. Hopefully he’ll focus on new material, and continue to come out of his shell."

And just how did Shields playing live with Primal Scream come about?

"We just asked him. He'd been doing some mixing for us. It was that simple."

And what about Loveless, MBV's second album, which apparently almost broke the label you both shared at the time, Creation?

"I’ve heard the stories about it, but I don’t think it cost that much more than [Primal Scream's album of the same year, 1991] _Screamadelica. But [Creation boss] Alan McGee likes a story. I dunno, maybe it nearly broke the Creation bank. But I think I spoke to Kevin about it, and he’d said by that time, the time the stories were about, the label had signed Oasis and they had money. I remember Creation in those days – everything was on an expense account. They had all this money, it was crazy. So to complain about Loveless nearly breaking the bank, I’m not so sure about that."_

Our full Primal Scream feature - including comment on the relationship between music and fashion in light of Agyness Deyn's pop mutterings, opportunites for new bands today, and how Duffy would like Primal Scream to be remembered - will run tomorrow.

Shoot Speed / Kill Light

as well.

I think they should be remembered..

for XTRMNTR..

Good album

everything else after that? Primal fail. That whole rock 'n' roll garage band thing is so contrived I can't listen to it - Bobby Gillespie never will be Mick Jagger!

Evil Heat

was pretty good in places. Since then though - yep - pretty pretty poor.

Vanishing Point & XTRMNTR

were both ridiculously good and their live shows during that time were fucking phenomenal.

Should have called it a day after that though.

and Accelerator

Yep

as said Vanishing Point and (particularly) Xtrmntr are brilliant. Bits of Evil Heat is decent too. They have done some rubbish though. They've had a funny career. I quite like how unpredictable they are.

There are

a few top tunes on Evil Heat - especially 'Autobahn 66', that ranks right up there with 'Accelerator' for me. I'm glad they're still around; there's always a chance they'll come up with something mind-blowingly good, out of the blue. If you consider the quantum leaps they've made in the past between albums ('Primal Scream' to 'Screamadelica', 'Give Out...' to 'Vanishing Point'), they could well make another in the FOOOTAAAAAA.

WE ARE MEN FROM THE FOOOTAAAA.

Yes.

It's been said before

but they are a producer's band. They are willing to subvert their own instincts on occasion and put themselves entirely in the hands of others. So albums like Sceamedelica, Vanishing Point, EXTRMNTR and to a lesser extent Evil Heat don't even sound like each other, let alone the rotten faux Stones knock offs that they seem to revert to when left to their own devices.

And, lest we forget...

'Velocity Girl' is the greatest indie single ever released.

but that's great

having each album sound different. Why get stuck in a rut? It's all about a great band knowing who to work with to achieve the best poss results. The demo of Higher Than The Sun proves they had the idea prior to Weatherall/Orb coming on board. Agree about their default setting of trad rock though, esp on RCB (but GOBDGU I loved)

they should be remembered

as a bunch of chancers fronted by a twatty Emo Philips look-a-like doing a laughably bad Mick Jagger impression

I don't think that it is a bad thing.

In fact I wish they would do more of it.

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