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Every year we ask our staff to submit their records of the year and every year, writers put records in their lists that seem to have been somewhat overlooked both within the realm of DiS and/or across the board. Rather than leave these records as forgotten footnotes, last year we launched our imaginatively titled Lost 8 of '08 (see the 8 highlighted records here) and this year it returns, one year older 'n' wiser, as the Lost 9 of '09. Once again this little list intends to do much the same neck-out-sticking for some of our staff's personal favourites.

Glasgow is typically characterised as a dreich, dank and violent city, but much of its musical heritage seems to be centred around the light, graceful and romantic: Orange Juice, the Fannies, Belle & Seb, and Camera Obscura. Butcher Boy need to be added to that list, and not just because of their similar style; their continuing low-profile, even in their home city, is perplexing considering the strength of both their albums so far. If debut Profit In Your Poetry was hugely promising, React Or Die fulfils that promise, with ten achingly pretty, perfectly paced and impeccably produced songs in thirty fatless minutes.
In opener 'When I'm Asleep', singer John Blaine Hunt pointedly insists that his night-times are sterile: "I never dream, I never feel anything" he sings over a trilling mandolin melody. His vocal control is important: he doesn't hold a note for an instant more than necessary; it's only when the song swells, when the strings and mandolin combine into a gorgeous melancholy, that his vocals allow for breath, his emotion seeping through. It's as if his stoicism is stolen by the song.
This whole record does that to me. I struggle to stay composed. I've tried to pinpoint why the keyboard outro of 'You're Only Crying For Yourself' draws my eyebrows into an arch and teases my tear ducts to stir, every time I hear it, like Pavlov's bell. But, well, my attempt at critical detachment is stolen by that song, by all of them, by their exquisite arrangements, by Hunt's romantic lyrics. I'm convinced React Or Die will one day be recognised as an equal of any of its hometown's indie-pop classics. For now, it's either "just too beautiful and bright for these times"; or I'm finally going batty.
React Or Die is streaming in full on Butcher Boy's MySpace, and on Spotify.
More...
- Spotifriday #105 - This week on DiS as a playlist ft. St. Vincent, Beirut, Guided By Voices
- Butcher Boy - Helping Hands
- DiS meets Butcher Boy
- Indietracks 2011: The DiS Review
- DiS meets Stuart Mackay, founder and organiser of Indietracks
- Lost 9 of '09 - #6 Butcher Boy React Or Die
- Indietracks 2009: The DiS Review
- Label Focus #24: How Does It Feel To Be Loved
Butcher Boy - A class act
Yes, no complaints here. This is a great release. There's something about this album where after the first two or three listens it grabs your attention and it doesn't let go.
Beautifully crafted and worthy of the acclaim it has received.
This is TKASG's album of the year.

A Month In Records: March 2007
DiS meets Stuart Mackay, founder and organiser of Indietracks
Label Focus #24: How Does It Feel To Be Loved
Butcher Boy
DiS meets John Lydon - Part 1: The Man
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DiS Does Singles 13.05.13: Swim Deep, These New Puritans, The National
Darkstar, Ed Harcourt, Halls, Wall +more for 3 DiS-curated nights at Great Escape 2013
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