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DiSection: Friendly Fires debut album track-by-track



In part one of this bands-eye-view of their debut albums, Late of the Pier revealed the mad genius that wriggles beneath the surface of Fantasy Black Channel. For part two we hand you over to Ed Macfarlane from Friendly Fires, whose debut album has replaced Cut Copy's In Ghost Colours as most played on the DiS office stereo 2008. Here, he talks us through their punk-funk-meets-dizzy-shoegaze-pop cocktail of a self-titled album, track-by-track.

 

'Jump in the Pool'

This was the last track recorded on the album and the only track in which we used a producer.  We recorded the track with Paul Epworth in a little shed in north west London. In similar surroundings to the rest of the album which was recorded in our garage. We spent two days looking at sporting injuries on YouTube but finally pulled ourselves together and finished the track in one day and a night.

'In the Hospital'

This is a song about being hospitalized by a lover. Its about desiring someone you know is absolutely no good for you. On a lighter note, when I hear the hook at the beginning it reminds me of 'Living in America' by James Brown, but maybe that's just me. Definitely one of our funkier numbers.

'Paris'

Written and recorded in one night, this is perhaps one of our best recordings. I think it perfectly blends thick, percussive drums with a euphoric wall of melody. If anyone is wondering, I don't actually want to live in Paris. I'm actually more of a Berlin person myself. Its cheaper and more techno.

'White Diamonds'

Influenced by Kompakt records and their off-kilter "schaffle" compilations. It was always our intention to write something that incorporated this kind of rhythm without sounding like a Gary Glitter hit. The chorus bass line is played on a Stylaphone, for those with a well trained ear.

'Strobe'

The goal was to write a lush, emotional ballad. The song is about being reunited with a lover on the dance-floor. It started off as a house track which I planned to release on Precinct Records but after some deliberation I turned it into a 3 minute romantic pop song. If you like compressed synths forcing their way through bass drum thuds, then this song is for you.

'On Board'

I was feeling a little left out singing on my own, so I forced the other band members to sing along with me. We wrote the vocal line "climbing on, climbing on board" and ever since then its been a constant struggle to remove the hook from our heads. Its also the only song I know of which contains the word "defibrilating". It was used on a Nintendo Wii advert. We still haven't received our complimentary Wiis.

'Skeleton Boy'

To me this song is about pure escapism. Its a song for you to zone out to in the corner of a packed club. If I'm perfectly honest, its my least favourite from the album but I have recently been informed that I am an idiot and that it is in fact one of our most anthemic songs.

'Lovesick'

This song was a complete pain to record. It took on about ten different forms before we ended up with the final piece. When producing it I heard myself sing the word "Lovesick" about 100,000,000,000 times. Despite the struggle I think we created a stripped down, sultry gem. The guitar parts are a direct nod to disco legends GQ.

'Photobooth'

Before this song we only wrote twelve minute post-rock instrumentals. We attempted to try and write a short song and discovered we could actually do a great job of it. The other members of the band forced me to sing and before we knew it we had ourselves a pop song. The song was two years old before it made it to record.

'Ex Lover'

This is one of my favourite tracks on the album. I wanted to write a really desperate song about trying to get over the death of a lover. I can't say I have any personal experience of this, but I felt that the subject matter would clash perfectly with the triumphant mood of the song. The guitar parts are intended to be a homage to My Bloody Valentine and the drum parts, Liquid Liquid.

Read more about Friendly Fires elsewhere on DiS:

Best. Album. Ever.

This record

sounds quite promising. They weren't very good live when I saw them though. I is confused.

+1

when was that?

i saw them last summer at latitude and they were great and was sure i'd seen them before and been a bit 'meh' about them.

Leeds Festival

I marked them down to watch but I just didn't see that much to be excited about. Yet whenever I hear the recorded versions of the songs I really do.

SO SO good

that live version of paris

is better than the album version

but SHOES AND NO SOCKS FAIL

Excellent

And very insightful. I've liked Friendly Fires ever since my old band played with them at the off-the-radar festival Farmfest in Somerset.

However - not meant as a cuss to the band, but has anyone noticed how similar the main vocal hook to the chorus in Skeleton Boy is to a certain You're Not Alone by Olive which came out in the mid-late nineties? I still like it though.

...

Farmfest 2007 that is, for anyone who gives a sheet

amazing live.

I'm going to see them in a smaller venue soon

I hope they are just as good.

my bestival costume...

was based on one of those in the 'on board' video. fantastic.

album is stunning...

one my favourties of this year

superb stuff.

fucking ace album

Just listened to both

I can see where you're coming from.

The Carnival

dancers and ticker-tape was an amazing touch.

meh

I fell in love with FF at Reading

and this album so doesn't dissapoint. Strobe is so beautiful and I spend half my day singing "climbing on climbing on board! giving it a little bit more"

And In the Hospital has a funky flute. I have decided an underrated instrumental choice

Sorry....

But this is shit.

Agreed

I really dislike this, nothing postitive to say at all. Kinda shocked at the extent of the love-in.

such a good record.

:)

Bloody brilliant

and I'm glad I'm not the only person who thinks the start of 'In the Hospital' sounds like 'Living in America'

Paris, Jump in the Pool, Strobe, Skeleton Boy and White Diamonds are my highlights

Not my album of the year, but definitely top 5

definitely

a grower of an album. i was initially a bit downheartened about it, possibly because i was waiting for a while to hear it but now after a few listens, love it. paris is near perfect, it's so lush sounding

I like this

feature.

This is really big in japan.

Or in hmv anyway. I don't see it but it does sound good on nice speakers.

Paris is getting a rerelease apparently..

possibly the only time ever that i've been pleased about a rerelease, i still haven't tired of it, amazing..

i must say.....

after reading the late of the pier track by track, then this one, late of the pier seem like a far more interesting band, musically and personality wise. i've still only listened to a few tracks off each though.....

and as someone who HAS experienced the death of a lover, the explanation for that last track makes him come off as really really fake.

Hmm

I kind of thought the whole album was meant to be a bit of a ha ha joke, I'm a bit perturbed to find everyone taking it so seriously... sort of sounds like a Cafe Del Mar compilation combined with Club Tropicana by Wham! to me. Possibly I should go back to it, but still...

IMHO

they have great songs.
they do not have a great debut album.

I would tend to agree.

Good but not great.

yeah

exactly, you're not alone (in thinking this!). i couldn't believe it wasn't credited on the liner notes, it's almost a direct lift, i thought it was a homage (an unwitting one perhaps?).

also the chorus to 'in the hospital' is just like 'crosseyed and painless' by talking heads.

what a little magpie!

i find the album a bit impersonal at times...but it has some lovely textures and production and 'paris' is a classic. overall a thumbs up from me.

late of the pier

do it for me too, seems a bit less considered.

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