We Start Fires Tour UK with debut LP
Grrl-pop guitar heroines We Start Fires set the UK ablaze this month in the wake of the release of their andrenaline-frazzled debut 'Caught Redhanded', out on Head Girl Records.»
nmcbay has written the following articles:
The true artist creates art for herself. What lassos the hoodlums on Rip Off Your Labels into some semi-coherent (anti) philosophy is their refusenik spirit and more simply, that they have tickled the listening ears and pounding hearts of Angular honchos Joe D and Joe M.»
Grrl-pop guitar heroines We Start Fires set the UK ablaze this month in the wake of the release of their andrenaline-frazzled debut 'Caught Redhanded', out on Head Girl Records.»
Belle & Sebastian’s Stuart Murdoch talks to Nadine McBay about School's Out, funktastic new single 'Your Cover's Blown' and his transition from shadowy indie svengali to self-proclaimed 'media ho'.»
For over a decade I’ve dreamt of a time when to be a Morrissey fan was not to feel shameful, racist or downright stupid for investing such determined faith in ever decreasing returns. You Are The Quarry may be his first release in seven long years, but de facto it’s Steven Patrick’s first in ten.»
“Yeah, they’ve kinda returned to their old ‘Red Line’chuggy stuff” muses a beard at the bar. “Thank God”. Aww. Why did no one like 'TA' Trans Am’s 2002 rattle through ‘80’s cheese? Planes had flown into buildings, George W had unleashed his Holy War and an LP which sounded like Har Mar Superstar minus the sleazoid wit and slick dance moves seemed frivolous as well as disappointingly anaemic, that’s why, pardner.»
Iain Archer has been a long time coming. Traversing the Irish Sea from his native Bognor to Glasgow in the early nineties, he earned a clutch of support slots with maestro of the bobbing head, David Gray. Disillusioned with the poisoned chalice of “40-something audiences out for a bit of light entertainment”, he escaped to London and considered jacking it all in.»
Who does Thomas Hansen think he is – Neil Sedaka? Subtitling his fourth LP in as many years with ‘The Comeback’ is apparently a means to distance the Norwegian from the aftermath of last year’s ‘Hey Harmony’.»
It’s nipple-stingingly bitter, it’s way after DiS’s bedtime and the front of the queue can only be spied with Hubble-strength magnification. America's finest pop-busting indie-toting paradox, might just be the icon we've been waiting for...»