- Artists:
- Jamie T »
- Label:
- Virgin »
Of all the doubts raised over the work of Jamie T, by far the most frequent questions the credibility of his throat. Some say it plain - they think he's a fake, a white boy phoney. Some say that a middle-class 20-year-old from Wimbledon shouldn't drop so many of his vowels and consonants like hot potato prints. Some say he shouldn't sound so much like Daffy Duck.
Some should think about what it is they really want from music - Queen's English and whining, pining, indie-ghetto sincerity? Nah c'mon, his only claims to 'urban' are the same sort that most kids growing up at the end of a tube line will make; given a choice between the familiarities of your hometown and the sprawling, hectic slab of concrete that is London, it's strangely natural for boys and girls to gravitate towards the city. The city, after all, is a man-made territory - and you can, if you know when to press hard and when to press light enough for luck to take a shine to you, leave your dent on it (unlike the suburbs, which are an environment created by adults looking to escape the chaos of the metropolis). Jamie T has done this, working his way into London's consciousness from the outside in rather than rippling out across the provinces - a benefit arriving, perhaps, as music finds its place on the internet, even if the tag 'MySpace phenomenon' is ridiculously hyperbolic.
I'm glad that's out the way. Now I can talk about the tunes.
I've been with these tunes for a year now, thanks to live shows, internet forums (many, many thanks), and a smattering of vinyl releases. So, to be honest, it's highly unlikely that you're gonna get anything objective from this review. The songs on this album have, in their demo form, sound-tracked the last 15 or so months of my life - my iTunes play count and my nearest and dearest can attest to that. What you will get is a highly considered, comprehensive and - dare I say it - impassioned appraisal of Panic Prevention, the debut album from Wimbledon’s brightest light.
One minute 51 seconds: 'Brand New Bass Guitar' builds to a crescendo and Jamie skibs off a "pow! hey!" excitedly... 3:45: "Well issa bang bang, Anglo-Saxons at the disco" before 'Salvador' slinks away, the undercurrent to a million sex-and-violence Friday nights... 6:49: "So we're here now, we will be gone soon, but not today, not tomorrow, not the next two"; a drizzle of relief over the gut-pulling paranoia of coke-binge single 'Calm Down Dearest'... 13:44: the final chorus of 'So Lonely Was The Ballad', when it chimes back in with doubled-up vocals and an overwhelming sense of suburban avenues and Saturday lawns, as seen by late schoolboys from the windows of the bus into town... the whole of 'Back In The Game', but especially the part in the second bridge when a throat cracks through "cos now you come down and it's for who the bell tolls - oh - olls"... sick... 15 minutes 57 seconds.
I think what gets me, mainly, is that I know these songs. I know them inside out, through the layers of the lining, and I have done since I first laid ears on them - the music, which stumbles drunkenly through wicked and un-cool revival punk like Rancid and into the drive-by-night, shot-eyed thrills of hip-hop and jungle, spilling out across the doomed, sepia-tinged English love affair that was The Libertines, maps my obsessions from nothingness 'til the present day. Before that - Johnny Cash, Billy Bragg, The Clash, Squeeze - it's all there, on the mixtapes he makes for his fans and in the radius of his bitter-sweet wideboy swagger.
Then there are the words. Not much you may think, but the detail wrapped in spat-out rhymes and veiled, polyintentional wordplay means that there is just so much more to relate to than the average 'spokesman-of-the-middle-class-indie-band' can provide. Thick clouds of familiarity come pouring off of Panic Prevention, vivid as dead relatives hidden behind the clear plastic of photo albums, or wayward friends still walking the same, dark hometown streets from old haunt to new haunt, ready with the drinks when you come home for the weekend. I drank with them, I fought with them, I cried with laughter with them and all of this comes flooding back through these songs and all of this is what keeps me sane. You can see it's helpful, then, that the songs are rather special when taken on their own, too.
So, after the longest paragraph of all time, we amble back in, dazed and dizzy.
18:20: "I ain't no abacus, but you can count on me, love." 'Operation' gets clever... 24:28: John Betjeman's The Cockney Amorist floats above 'Sheila'... 28:21: girls "ooh la la" over 'Pacemaker'... 34:14: 'Dry Off Your Cheeks' buries one of the best chats on the album in layers of processed synth... 42:24: 'Ike and Tina' eases the worries of errant sons everywhere - "As you ever, your mother said you're late bloom"... 44:07: late nights are countered with the assertion that "mumma still wants you home for supper"... 49:27: it's all over, with a "ciao bella".
With his debut record Jamie T has - whether he meant to or not – sound-tracked perfectly the condition of being, as described in Michael Bracewell's book England Is Mine, today's ‘suburban dandy’. Caught between the aspiration of the city and the sentimental suburbs, Jamie T aligns himself with countless others - Bowie, Strummer, Weller, Smith, Doherty - who have felt that pull, and have written about it. And it's for this reason that you shouldn't doubt his credibility, 'cause whether he's covered in roses and praise or sovereign ring imprints and dried-up blood, you can be sure he'd be making the same songs.
Bravo son, bravo.
- Spotifriday #21 - This Week on DiS as a playlist
- Watch: Jamie T - 'The Man's Machine'
- Jamie T postpones UK tour due to illness
- Jamie T - Kings And Queens
- This Week's Singles: 31/08/2009
- DiS' 20 Must-See Acts at Reading & Leeds 2009
- In Photos: iTunes Festival, London
- Jamie T, Flashguns at The Rescue Rooms, Nottingham, Nottinghamshire, Sun 14 Jun
More Jamie T
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Jamie T - Sheila
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Chart round-up: who is buying Mika singles, and can they stop, please?
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Spotifriday #21 - This Week on DiS as a playlist
10!!!??
Whaaaaaaaaaaat???
This is a 5/6 out of 10 album for me.
no way
never thought i'd see 10 pink numbers at the bottom of this article.
It's not that incredible.
A 7/8 I'd say.
jesus
thought id be seeing a 6
its an 8 for me
10 out of 10 is a joke
It's one of the most repetitive albums I've heard. His voice gets headache inducing after only two tracks. 10 out of 10, mercy me.
10????
Now, I've only heard the first 6 tracks so far, but this review wants me to go and listen again, to see what the fuck this review is trying to say.
Hardly an objective review
This seems to be an album that people either love or hate...I listened to it all on his myspace site and hated it. Thought some of it was pretty much unlistenable.I thought something in The Guardian's review summed it up for me..'like being trapped on the top deck of a bus as the schools chuck out'.
Still...maybe I'm getting old..haha
Aaaaaaaaargh.
:(
:(
:(
:(
i'm a massive fan
of the boy, but i wasn't expecting a 10. could there ever be an objective review of somebody so opinion-splitting?
This amazed me too
Now I admit that I have only listened to the singles but never in a million years would I have bet money on seeing a 'pink 10' at the bottom of the article.
I think the singles were OK, just that. His voice begins to grate at times and there's an air of juvenile about the guy, which is not something I subscribe to. I hope, like another poster before me mentioned, I am not becoming too old.
I've nothing against the review though, if you're going to hand a perfect mark to the guy then fair enough.
I love DiS
I was expecting a 9; tho I'm pleased and agree with a 10.
I can not get enough Jamie T at the moment. I'm almost certain he'll be my favourite music thing for the year 2007.
Oh
for heavens sake, ANOTHER. 10.
I wonder how many underhand transactions are coming DIS's way these days? alot i suspect.
Wut?
DiS rarely gives a 10 to anything...
In
The past two weeks Jamie T, Bloc Party and Field Music have all received 10's. Granted, each of the records have their moments but i assumed a 10 was handed out only for a piece of timeless perfection.
Excuse me if your message was one of sarcasm.
Bloc Party got a 9
Field Music did indeed get a 10, but generally, things rarely get a 10 on this site. :)
Kev seemed to back up his points for the 10 in the review, so I don't see why he should give it an 8 or 9 just because something else was awarded it this month.
so what if he thinks it's a 10
big deal. it's not some big conspiracy with dis taking backhanders in car park basements from shady label bosses
Point taken
and well made.
I'm just a little bit aggravated by the Bloc Party record receiving a higher score than Of Montreal's effort, that's all.
I just can't see a 'Jamie T 10' standing up to genre-defining record of past, and potentially, future?
but is that the
'definition' of a ten? i don't see one anywhere on the site. the new of montreal is better than the new bloc party, but those were two seperate reviews by two different writers, it doesn't mean dis' official position is that one is better than the other, just that it respects its writers opinions. or something.
Haha,
fair enough then.
I have no fucking idea as to how my opinions have been momentarily altered.
Touché.
this record is rubbish
HI BRIAN MAY
THE ONE THING
About Jamie T is that you either love him or loathe him, there is no in between!
10?! Why not!?
Album practically has no weak moment/song. It maybe doesn't deserve 10 for its contribution to music history, but it's definitly quality stuff and thats not all that often nowdays. Those who complain about verdict probably don't listen to this genre so who cares.
Too many records to get 10 though
10 is a perfect album, a world-changing album - a Queen is Dead, a Loveless, a A Nation of Millions...
Not Jamie T.
music history...
How do you know what the album's contribution to music history will even be? Album only just came out! It might well spawn hundreds of artists who change the music world as we know it. Could happen. Ha.
David Tandy
Yeah, what a prick.
10!!! Amazed
I love this album start to finish and would give it a ten myself. I couldn't even find fault with the booklet.
This is an album of half finished cockney dross
I'm utterly amazed that you've given it ten.
I'm also utterly amazed that you were given the review in the first place, having confessed to having loved him for FIFTEEN MONTHS?! How can you be objective then?
I respect your right to hand out 10s but, please, for the sake of the kids, don't hand them out willy nilly and as utterly predictably as this. From DiS I want objective reviews, not fanboys drooling. If I want that I'll read blogs. Yadda yadda but it's a good album yadda yadda.
I guess my argument is that Kev shouldn't have been given this album to review because, great writer that he is, he can't be objective if he's obsessed over the tracks for fifteen months. What else is he going to give it? Five? A fresh ear would have given birth to a much fairer review than the one here, and if the album was still given a high mark, the review would carry more credibility than a 10 from a devoted fan.
My point? It's a hard one. To what extent should fans of bands review them? Obviously if you only review all your favorite bands, you'll get them all given 10, but if you sent Kev to review a Mastodon gig or some shit (I don't know what your taste is like) he'd give it 2 or 3 no matter how good he does, because he simply doesn't get it. Then there's a whole spectrum in the middle.
Toughie, isn't it?
This album is a six or seven in my opinion. One or two really, really good songs surrounded by garbage filler.
And yes, my title to above post is a bit harsh
Call it "backlash" I guess.
I describe
this as a bit like you imagine Jamie's life before he got big: A bit shit but you want to be his mate anyway.
I like it.
Kid gets a 10 for channeling the Artful Dodger
singing Tutti Frutti. I've been reading a while, and DiS reviewers are pretty damn stingy with the "10s." Obviously, this Jamie T kid has gotten someone's attention.
I was playing this the other day
And my mum asked 'Is this 50 cent?'
but
Fear of a Black Planet is better than Nation of Millions....fact.
my point being that any review is a personal opinion, not a definitive, applies-to-everybody assessment.
and as somebody already said, how do you know this won't be a world-changing album?
Tis a good record
but I wouldn't go so far as givinbg it "classic" status.
Jesus Christ
ten?! Jamie T is literally the worst thing i have had the misfortune to hear in the past ten months.
and NOONE TALKS LIKE THAT. When you're portraying yourself as the 'voice of the streets', authenticity is important, surely? Else it's just a public school kid dressing up as one of the 'poor people' he drives past in his parent's beemer on his way to some scenester club. Load of shit.
Now I like this album don't get me wrong.
But when someone says to me "10 out of 10" then I take that as "it doesn't get much better than this!"
Now if that IS the case then new music really is in a bad way.
For me this gets more like a 7 or 8.
this isn't really a review is it?
aren't reviews meant to have some level of objectivity? This is a jamie T fan raving about what is and was always going to be a top ten album to them. Bit pointless really.
Surely the barometer of a 10 out of 10 album is giving it to someone who is either not too aware or just not bothered about the artist, and it blowing them away?
Obviously biased reviews are a waste of time. "I think what gets me, mainly, is that I know these songs." Right. Well let someone that doesn't give a reasoned opinion on them.
no
reviews are meant to have no objectivity. It is the opinion of the reviewer, not a complete judgement that must be obeyed and is the law. Do you see? You may think that this a 'biased' review, but then I might think you were giving me a biased review if you told me it was shit (because you don't like it). Do you see?
Please show me an objective review and I will tell you it is a description, not a review.
Sheesh!
also
in the same post you asked for an objective review, and for someone to give a 'reasoned' opinion on it. What are you asking for?
Somoene who isn't a devoted jamie T fan to review the record
because then it's pointless.
Get a Mika fan to review the Mika record.
See what that gets then.
what he (scarfo) said
the way I phrased it was cack handed, yes, but it's a simple point..
The reviewer spends a lot of time saying that he is a long standing fan, and I don't have a problem with that, it just seems off to me to have the review of a major release that a lot of people will want a balanced idea of covered in a such a starry eyed way.
He says the songs have soundtracked the last few months of his life, which is all well and good, but to my mind a review of a new release needs to be the impressions of the first few listens, or it's not a new release review, it's an overview of the artist's career to date.
Yes, reviews are just that, reviews that reflect the writers opinions, but when the writer is so clearly affected by the material in question (and has lived with it for a long time), a fresh pair of ears is needed. I'm sure you'll now go on to pick holes in my phraseology or grammar, but the point remains.
And I like Jamie T as it goes.
hmmmm
it's a tad biased considering he knew the songs 15 months prior to release..
I think he blows goats.
Fucking broadsheet fodder. On the plus side though he has a massive syphilis gap.
Id actually much rather
read this informed and, yes, enthused review of Kevs than one by someone who was less familiar with Jamie - Especially as this site has been by and large following him for a long time now. To ask that we then revert to pretending otherwise is silly.
There's not a writer at DiS who is 'closer to the ground' than Kev on this one, and Im afraid that like it or not that made him the natural choice to review it.
Remember the fawning articles on Oasis or The Libertines? Sometimes people really do have their fingers on the pulse, whether or not you agree with what they like on the other hand...
see that button at the top?
the one which says "Post User Review"
????
Get on it - it'd be nice to see if anyone can do better. Kev's review is very well written, in my opinion, and whilst I personally couldn't give two shits for Jamie T, it's nice to read someone writing eloquently about something which they so obviously believe in.
So in short - don't like what you read? Write your own review. Isn't that what this site is supposed to be about anyways?
the responses to
this review are, for the most part, pure comedy.
good one, kev!
An alternative viewpoint
Can be found here:
http://playlouder.com/review/+panic-prevention/
I don't understand.
10/10?
Really?
I just don't get it.
I'm not cool anymore.
good
is a 10/10 album for me.
That bit where he goes...
..."She wants monny monny monny monny monny" drives me bats. As does the whole of "Stella". Liked "Salvador". 10/10 though? Really?
In my opinion, a 8.
He'll get better with age.
Whether it holds up as a classic is another thing. Forget his voice, in songwriter terms he's best thing out of the South.
Poor DiS
I bet Colin Roberts wouldn't have allowed a perfect score for something as pointless as Jamie T. Aside from how the writer namechecks Pete Doherty against Weller, Bowie, Strummer and (presumably Robert, though it needs to be made clear) Smith, this really isn't music for a generation.
There's whole paragraphs of this review which are utterly meaningless. Such as:
<i>"I know them inside out, through the layers of the lining, and I have done since I first laid ears on them - the music, which stumbles drunkenly through wicked and un-cool revival punk like Rancid and into the drive-by-night, shot-eyed thrills of hip-hop and jungle, spilling out across the doomed, sepia-tinged English love affair that was The Libertines, maps my obsessions from nothingness 'til the present day."</i>
It's a shame, because the Explosions in the Sky article is really good.
Appreciation accepted
And comment proffered: "I bet Colin Roberts wouldn't..." is totally incorrect.
Colin loves Jamie T more than anyone else.
Even Kev.
Maybe.
Mx
Are The Numbers?
Really supposed to be pink at the bottom? Mine look more reddish.
Writers should be allowed to give whatever they want
but if I were one, I'd definately save 10/10 for classics.
I personally think Jamie T is gashwank and this makes DiS look a bit Observer Music Monthly-ish, but I guess it's up to the reviewer...
Though agreed that perhaps it would have been better giving the review to someone else with fresher ears on this occasion.
I'm in between
sorry...
haha
9/10, but 10 is a bit too far
...
i LOVE this album......
Jamie T is awsome.........
(",)
???
what's a syphilis gap?????????
...
Let me first say i quite like the persona that jamie t radiates. Really like "Calm down dearest" a lot one of my fav releases of this year so far. So you can imagine eagerness to listen to this LP. I have and to say I'm a little disappointed. Panic Prevention is negatively dreadfull and samey. An album is in no way justified here. Would have of being better off putting out an EP and worked his way to an album once he gathered more feathers to his talented bow i.e better songs with more hooks and maybe some collabs thus to give an album release the neccessary roundness and depth.
Definite 10!!
this is the best debut album ive heard since the arctic monkeys, absolutly amayzing, you havn't lived until youv'e seen jamie t live, one word, unreal!!! if you dont like him give the album another listen, then get back to me....
Yawn
It's not a 10/10 it's a 9.64/10.
But you're all right about Kev being a bit of tit. Not as much as me though.
Hurrah!
x
objectivity.
music is a subjective, personal thing.
i dont get why people would come on here expecting to read a load of technical stuff about how credible or musically skilled the album is because after all, regardless of all that; if something sounds good to this reviewer, then it can be deserving of a 10 out of 10 cant it?
you can only judge it by listening yourself to be honest.
Well..
10/10? Can't say i agree. I find this to be a really average record. He has such an annoying and whiney voice. None of the songs stand out as good...
Maybe he is just one of those artists that only English people could enjoy. Down here in Australia, he has a few fans but i think for the most part, this doesn't appeal to me or anybody who wants something both catchy and enjoyable.
4/10 is more like what i got from it... each to their own though.
RE Post scarfo 7 Feb '07, 03:17
anybody who uses 'garbage' in a sentence cannot be taken seriously.
Brilliant album. Deserves the 10.
under-rated
I just think Jamie T is one of the best musicians around at the moment. Seen him only a couple times live but he's a highly under-rated songwriter for his young age. Clever boy.
For me its A Classic
2 years after its release and I still love this album, personally I tink its one of the best debut albums Ive ever heard. I dont know why everyone else doesnt get it, I think people hear the voice and just instantly switch off. Listen to the Lyrics he paints such a vivd picture of his youth and his environment in an honest and raw way. Great review and a Great album and this is from some one whose other great albums are 'the Queen is Dead', 'OK Computer', 'Holy Bible'


Jamie T
In Photos: Royksopp @ Shepherds Bush Empire, London
In Photos: Grizzly Bear @ Leeds Metropolitan University
In Photos: Sinner's Day @ Ethias Arena, Belgium
In Photos: The Wave Pictures @ The Garage, London
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