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14940
Type: Album Release date: 22/08/2006
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The Thermals aren’t boffin sorts: you don’t need a degree in astrophysics to get a firm grasp on their straightforward riffin’ and Sixties pop melodies, and nor do they make any bones about the situation. This is rock-it science, not rocket science, and The Body The Blood The Machine is but lesson three of this core curriculum course.

The follow-up to 2004’s much-acclaimed Fuckin’ A long-player, the band's second such release, this ten-tracker makes up for a lack of variety with a series of immediate songs that bore their way effortlessly into the listener’s skull; once in there, the messages hollered by singer-cum-guitarist Hutch Harris sink in slow, as if being consumed by the thickest quicksand. Musings on God and wider-reaching religion-orientated concerns, comments on global political matters and governmental actions’ effects on the layperson, and general doomsday grumblings comprise the album’s central themes. He repeats “The world is over”_ on closer ‘I Hold The Sound’, and suggests that, should the Earth not meet its end anytime soon, he’s had all he can take regardless on ‘Back To The Sea’: “I’m gonna crawl back to the sea”.

The usual comparisons still stick – the pop-inflected punk of Guided By Voices, Pixies, any high-tempo rock act popular with indie kids proper – but there’s something about The Thermals that doesn’t warrant absolute acclaim. On a personal note, I never wholly understood the cascade of commendations that followed the release of Fuckin’ A, and again the Portland trio leave me split with The Body…. Yes, it’s a well-realised punk record – scratchy yet punchily produced, gritty lyrically yet compositionally syrupy – but a distinct reluctance to step out of their well-worn mould ensures that The Thermals are unlikely to witness any audience growth in this record's wake. Only ‘A Pillar Of Salt’ truly shines here, its buzzing Mates Of State-like urgency a certainty to set fire to dancefloors worldwide, given the chance. The rest is a little too homogenous to warrant many a repeat listen.

You’d call The Body… a disappointment, but what, stylistically, were you expecting? Explosions In The Sky? Tortoise? The Thermals do what they do and do it well, but it’s 2006, not 1966 – compared to many a contemporary punk outfit, The Thermals sound positively stone age.

Still, history's not the toughest class to pass: a couple of listens' revision and you'll have learned everything there is to know about this particular punk-rock subject.

I quite like this album...

Although I'd agree with it's '6' tag. It's a good angry album, kind of like Origin Of Symmetry in that sense...

i'm gonna have to get this anyway

just to see what its like. everything from it i've heard has been sloooower.

More Parts Per Million was great though. really. Fuckin A less so, but still alright.

maybe its different cos there were only two of them for this album.

Geezzzz

Returning to the Gold and A Pillar of Salt have exactly the same chord progression, EXACTLY THE SAME, but one is slow and one is fast. How are they allowed to do that?

Yeah, I noticed that too.

Both songs are amazing...
I'd give it at least an 8/10

This album rules

why do people demand progress as some kind of shining beacon.

The Thermals are more about refinement.

And they've refined their sound into possibly THE most exuberant record i've heard in a long time.

9/10

I still stand by this

being a 10/10 record.

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