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- Label:
- Dogbox Records »
LUXEMBOURG, TOP OF THE POPS!
LUXEMBOURG, TOP OF THE POPS!
By which of course I mean that Luxembourg ought to be on Top of The Pops this week. They ought to be riding by the seat of their drainpipe trousers towards the upper regions of the charts and all those who witness it should regard it as a very significant thing. Heck, by rights they ought to be on the front of Melody Maker and Smash Hits and be appearing on The White Room, with each one resurrected by the power of the band’s overwhelming popularity and potential to give all who hear them belief that this time it can be done, that a single curl of the singer’s lip can bring people together. Even if it is for one week, Luxembourg ought to be hailed as the new hopefuls, as victors and as kings. Because, as simple a reason as this is, they’ve created this week’s greatest pop song.
As a band that have been associated with the years-old New Wave Of New Cross scene, and hence long slotted between the shambolic urchins crawling forthwith since such a tense spotlight was set on their rock and roll scene, it would be saddening to see Luxembourg fumble their way out of town blending in with everyone else, thrashing their tinny instruments and baring their yellow teeth in faux-rebellion. But as ‘We Only Stayed Together For The Kids’ proves, they’ve escaped the zeitgeist with their wondrous melancholy, crooning voices and astute narrative-weaving skills intact. “You must think me very naïve, baby”…the words fly from their knife-edged tongues, as synths prick away underneath the listener’s skin and the guitars bolster the harsh tale of stale domestic life to something resembling the grandiose and, for as much as a four-minute swoon-along can be, the epic. It fills us with despair, in a good way. (And yes, I suspect they’ve heard a few Pulp records before.)
Of course, this might all be fluke. The scathing, brass-infused B-side ‘A Secret Public’ suggests not, but if they sink into the festering pits of indie obscurity by Monday morning then at least they’ve left 251 seconds of sublime drama behind them. As a legacy, they could have done a lot worse.
- twentysixfeet hardly Immune to touring
- Luxembourg - We Only Stayed Together For The Kids
- Luxembourg - We Only Stayed Together For The Kids
- Luxembourg at Islington Academy, Islington, Tue 23 Nov
- Luxembourg at Islington Academy, Islington, Tue 23 Nov
- Various, Luxembourg, The Vichy Government, The Boyfriends - Rip Off Your Labels: More Angular Produc
- Various, Luxembourg, The Vichy Government, The Boyfriends - Rip Off Your Labels: More Angular Produc
- Luxembourg - We Only Stayed Together For The Kids
More Luxembourg
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Various, Luxembourg, The Vichy Government, The Boyfriends - Rip Off Your Labels: More Angular Produc
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Luxembourg at Islington Academy, Islington, Tue 23 Nov
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twentysixfeet hardly Immune to touring
Underrated.
No fluke. This is one of the most underrated bands in the UK at the moment IMO. If you lot don't want them, send 'em over here to the USA - we love them!
over-rated surely.
i've seen them a few times, and they've always struck me as a dreary god awful derivative pile of cr**. maybe this single will be different? or maybe it'll just be a band desperatley wanting to be the smiths.
ooooh
how exiting. i love this band, not heard this yet but if their album thats not actually an album, 'best kept secret', is anything to go by, this should not disappoint. so good live too.
the world
Luxembourg seriously deserve to conquer the world. They have one of the best lyricists and singers in Britain, one of the best guitarists and many of the best songs. I saw them in Brighton and the crowd were screaming for more. Hopefully the world will wake up to them soon.
The Smiths???
Dear me, I really doubt you have seen them a few times if you think they want to be The Smiths. Sounds like you've read reviews of people that don't like em, and cobbled together an opinion of them from that.
Just because the singer sometimes has similar lyrical stylings to Mozzer... can't see The Smiths sounding like Gina G, or any of the other pop stylings the band have got in their work. And they have intelligent, dark witty lyrics - is that something that only The Smiths were allowed? Bloody hell, something to be applauded, surely?
Now much as I like The Boyfriends (and I do) they sound much more like The Smiths than Luxembourg do.
Listen to Close-Cropped, listen to Success Is Never Enough try Luxembourg vs Great Britain. The Smiths??? I don't bloody think so. Great pop, oh yes.
But I always wanted to be Kenickie!
Ah well, at least no-one said 'jangly' this time...
*wanders back off to his smiths-free record collection with a sigh*


Luxembourg
In Photos: Decemberists @ The Forum, London
In Photos: Dean & Britta @ St. Giles in the Fields, London
In Photos: Wolf Gang @ Hoxton Bar and Kitchen, London
In Photos: Gay For Johnny Depp @ The Engine Rooms, Brighton
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