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It's been eight years since 'Twilight Of The Innocents', the album Ash vowed would be their last. The ensuing years saw the band embark on the ambitious A- Z singles series and its accompanying A-Z tour taking them from Aldershot to Zennor. The decision to put the album format to one side allowed Ash to explore a different dynamic to their sound across 26 tracks released over a year. On 'Kablammo!', they set out to capture the live essence of Ash, the closest sonic predecessor being 2004's 'Meltdown'. 'Kablammo!' - sums up the excitement Ash felt "to be in a room together making new music. You can hear that on every song." This renewed enthusiasm for playing together is writ large over the album's 12 tracks, the 'in your face' quality" which has made Ash one of the UK's best -loved bands. 'Free' and 'Moondust' provide two of the album's most anthemic moments. "In the pool of half remembered dreams," Tim Wheeler laments on 'Free'. "How long have I been submerged in sleep?", his soaring falsetto echoing above an impatient chug of guitars, a cry to cutting loose replete with an achingly emotive guitar solo. 'Moondust' captivates hearts with sweet pattering keys and the mournful grace of a string section, building to a mighty crescendo, Wheeler's star -gazing broken heart lifted to the skies, "When you come home, will you stay for good?" It's not all sky-high calls and midnight falls, 'Shutdown' takes us back to the trio's roots. Its scrappy, teenage punk spirit sprinting hand in hand with a sweet '90s nostalgia and a three-line chorus destined to raise your pint into the air. Elsewhere, 'Dispatch' rides a college rock wave. Wah-oos and guitar dips that explode into a head-crashing power-chord shred, all the while bumping up to hooks so big we're singing along before we know all the words. "We've finally bridged the gap between our live show and the recording" the band say. "Kablammo!' is the proof."
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