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Type: Album Release date: 18/06/2012
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Lucifer is the third album. The artwork isn’t as good as on the second album, but that isn’t an issue. At least not for you.

Peaking Lights' latest offering is a sprawling, unpredictable musical odyssey. Not one of those dangerous ten year journeys home via Troy, rather a more sedate and bloodless affair. Swapping swords and sandals for a curious, psychedelic, red-eyed boat ride spent chasing the horizon.

Essentially, Aaron Doyes and Indra Dunis – the most positive advert for inner-band marriage since Donny and Marie - have continued from where they left off on 936. Prolonged rhythmical jams derived from their shared love of krautrock spliced with interesting electronic flourishes, various genre-bothering ventures through dub and dance music, and there’s even brief flashes of pop convention when the mood takes them. Designed for slow absorption rather than instant ingestion, it’s the kind of album you listen to from start to finish and then leave on repeat for the rest of the day as you stare out a window waiting for your stubble to grow back.

You could probably have guessed as much from the eight song track-listing and seven-minute-long lead single that it wasn’t designed for anyone with a pressing schedule. You don’t need to be on drugs to enjoy this album, but it probably helps. Yes, yes, yes, that old cliché, the inevitable un-anonymous narcotic reference thrown at Peaking Lights every time they cross the street. It pains me to use it here purely because it is so blatantly obvious. Yet, despite concerted efforts, every time I get to the end of the record I come to the same conclusion – 'It’s pretty good, but I bet fashionable kids on drugs will love this even more'.

Truth be told, even though I enjoy the record, I do find myself drifting off at times. It is also hard to truly connect with the material for it can be a bit cold and distant. It’s a puzzling and frustrating dilemma, because there’s so much that I do like here, but it just isn’t clicking enough to retain my unwavering attention and crawl into my heart. Maybe it’s the hayfever, maybe it’s the negative urine sample, who knows? It feels more like my problem than that of the band. Lucifer is definitely not for everyone, but for some it will be their album of the year. Who knew music could be so subjective?

Too watered down!

I don't get it! What bullshit are the people at weird world/domino feeding these two. 936 was an absolutely ace album perhaps my favourite from last year, proper jam packed full of dubby magic. I had high hopes for this maybe they should have taken there time a bit as it's pretty hot on the heels of 936 and isn't without it's 'nice' moments but thats the problem right there ... I didn't want 'nice'

*their

Just read a good point somebody made on The Quietus board

saying that 'once you've seen the trick it's never as exciting the second time round' which i guess is true in a sense. This was probably my most anticipated release of 2012 so i'm gonna take that into consideration and give it chance to sink in a bit and hopefully get over my initial dissapointment and find some depth to the record that i've missed an my first half dozen plays

I do have tendency to over-react

new release rage or something or pre England tension, having calmed somewhat 'dream beat' and 'lo hi' are hitting the right buttons hopefully this will continue. I also think this has something to do with the sun being out tonight

first listen and I really like it

I wrote a massive reply to this review earlier but wasn't logged in. bah. Probably just as well though, it was mostly a bit of a rant about how Peaking Lights consist of about 1% krautrock - at most - 50% dub and 49% Reed Ghazala. In a nutshell. So, lucky that hasn't been commited to ther web.

I don't think it's watered down at all. has a breezier momentum than 936, that was totally baked and soporific but there's a few tracks on this that really rush. Dream Beat is really dense first go round too, I can tell (hope) there's going to be a lot to get out of it. Same goes for the whole album. 936 was my album of the year, but that took a couple of weeks to really warm up on me.

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