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surprisingly good, wasn't it? first half seemed really cliche, but it got better and better as it went on. fairly true to the original, and the ambiguity was lovely. 8/10
but i thought it really really worked. i guess having The Innocents as a more or less unimprove-able adaptation means they have to do SOMETHING new. the ambiguity was lovely, but i think they maybe ramped up the Freudian interpretation of it a little too much.
i wanna marry the girl who played the governess too <3