Your Landmark Albums - How your music taste evolved...
It's Darwin Day today, and I thought it might be interesting to find out which albums you feel have helped to evolve your music taste to what it is today. Real landmark, life-changing albums - especially the ones you didn't really realise at the time would be so important to you.
Mine are probably...
Oasis - Definitely Maybe (first time I loved an album that wasn't one of my Mum's Cure records or my Dad's Motown)
Deftones - Around the Fur (although White Pony is probably my favourite of theirs, this is the first 'heavy' album that truly blew my mind)
Weezer - Pinkerton (first album I felt truly uncomfortable with on first listen and really perserved with and remains one of my favourite albums to this day. Totally changed my palette for music.)
The Longpigs - The Sun is Often Out (the first album I bought after doing my own research and became obsessed with the words, Encouraged me to really explore.)
Tom Waits - Mule Variations (Muse used to play 'What's He Building in There?' when they went onstage, and although I'd heard 'Big in Japan' on a Punk-o-Rama compilation, I wasn't sure if he was for me. Of course he was, and a life without Tom Waits is no life at all. This album led to so much of my music taste, and Tom sets the bar for nearly everything I listen to and the sort of defines parameters of what I want from music.)
The Field - From Here We Go Sublime (has totally shape-shifted my taste over the past few years from a Elliott Smith loving Shins fan to increasingly 'getting' why people love 'dance'.)
Honourable mentions: Arab Strap - Elephant Shoe, Dead Prez - Let's Get Free and David Bowie - Low. And obviously stuff that I released, Jeniferever especially.
- Relevant artist taggings:
- Tom Waits »[x]
- Weezer »[x]
- Longpigs »[x]
- The Field »[x]
- Oasis »[x]
- Deftones »[x]
- News Mixtape: August 2012 ft. Kate Bush, Pussy Riot, Tom Waits, Flying Lotus, Talk Talk, Kanye West
- Weekend Listening: LCD Soundsystem, Radiohead, Tom Waits, New Look, Cat Power + more!
- 101 Minutes of Bliss #2: A DiS YouTube Playlist
- 5 For Fri: Tom Waits, J.Dilla, Japandroids, Yeasayer, Poolside
- St. Vincent talks Tom Waits, technology and Strange Mercy
- Win: Sonos PLAY:3 Wireless HiFi + Deezer Premium+
- DiS' Favourite Albums of 2011: 20-6
- DiS Albums of the Year 2011: All Our Staff Number 1s
Thread not appearing correctly? Click here to rebuild | Report this


Weezer
Longpigs
Oasis
also posted this on facebook
http://www.facebook.com/permalink.php?story_fbid=10150577195113145&id=19343183144
Right...
Stereophonics- 'You Gotta Go There To Come Back- my first 'favourite' album, aged about 10. I still have it, and still play it now and again.
Franz Ferdinand- 'Franz Ferdinand'- I got this because the popular guy in my form at school liked them and... well. fucking wow. I'd never heard anything as tight and taut before, never heard anything that made me think 'this is actually art... this is how music should be'. It was their image, the fact they all looked so fucking cool, their referencing of what seemed to me to be a world of artists I'd never heard, the ambiguous lyrics, everything. Blew my little world right open.
Belle & Sebastian- 'Dear Catastrophe Waitress'- heard this the same summer as FF- 11 going on 12. It's not their best album, but it changed me. It was the first time I'd heard "indie" (derivative term)and it seemed so meaningful, yet still really fun, and you could tell he was just enjoying himself playing around with words and with feelings. I think it was the first 'adult' record I had, which dealt with love and loss in a grownup way, and for me transitioning to secondary school, it felt as if I was already fully grown and ready to face anything. I knew all the words to all the songs, played it nonstop along with FF... that was a huge summer.
Radiohead- 'OK Computer'- bought aged around 15, when I was going through the usual teen anxieties and stresses and strains. The musicianship, for a rock record, was so good, and it just tapped in perfectly to the sense of isolation and panic I was feeling at the time, whilst showing me sounds and ways of playing I'd never known before.
Battles- 'Mirrored'- a total chance buy. I didn't like anything "dancey" beforehand, but it hooked me in and was brutally impossible to ignore. There was a regimented, savage beauty to it, and I wanted more.
Los Campesinos!- 'Hold On Now, Youngster'- this was, and still is, innocent (or not-so-innocent) teen fun, and made me feel very very indie and cool because nobody else liked them. Jumpup fun and heartbreak on the heart of a Saturday night- exactly what my adolesence was about.
Being only 18, I can't choose many, and these are very 'DiS-typical' picks. But I do wish I'd been more exploratory and adventurous when I was younger, because I'm discovering a lot of stuff now that enthuses me technically but leaves me emotionally cold- and I know it would have had so much impact and resonance aged 15/16.
Keep looking
If it leaves you cold, its not because you're 18 - I'm 28 and there's still so much stuff that turns that light on for me. You're not dead yet!
I know!
I discovered Dylan earlier this year and got the shockwaves and the cold chills for the first time in years.
I think they're still good.
Certainly more interesting than the bands they came up alongside.
So very many...
Radiohead - Kid A
Before I heard this, I thought electronic music was all about trance and throwing shapes. I know it wasn't the first record to sound like this, but it was the first one I heard.
Primal Scream - XTRMNTR
Because you can be heavy without being metal.
Leonard Cohen - The Future
I've been obsessed with at least three of the tracks on here since I first heard them on the NBK soundtrack when I was 16
Deftones - White Pony
Kept intelligent metal alive for me in a teen-angst world of nu-metal bullshit
Pink Floyd - Wish You Were Here (although I could pick almost any album of theirs)
My Dad took me to see them at Earl's Court when I was ten. All good things flowed from there.
Age 14. Mr Scruff - Keep it Unreal
15. DJ Shadow - Endtroducing
16. Captain Beefheart & His Magic Band
17. Radiohead - Kid A
18. Ricardo Villalobos - Fabric 36
19. The Fall - Hex Enduction Hour
20. Peaking Lights - 936
I'll keep the reasons to myself, cos noone likes to show they're dirty linen in public.
you were a tasteful teenager!
I used to play like Captain Beef, Neu!, Faust, Richie Hawtin etc
In my 6th form common room. I wasn't very popular after that! It was worth it though.
that would be so worth it
already disappearing posts
Here goes...
Pet Shop Boys - Actually
The first album I ever chose for myself, still listen to it fairly regularly
Pink Floyd - Wish You Were Here/Dark Side of the Moon
Got these two around the same time, became instantly obsessed with them and had them on near-constant rotation for years (adding variety as I acquired other Pink Floyd albums). My permanent love for 'spacey' music begins here.
Bjork - Debut/The Best Mixes from the Album Debut for All the People Who Don't Buy White Labels
The first time I got heavily into music by a female artist, and the first time I listened seriously to dance music.
Then came 1995, which was an absolute explosion in my music taste, including:
---
Radiohead - The Bends
The soundtrack to a great deal of my teenage angst, I fell hard and fast for this album. Any subsequent guitar band had this to measure up to, which set the bar pretty high.
PJ Harvey - To Bring You My Love
Brooding, bluesy, sexual, almost mythical, this album enraptured me even as all my friends laughed and told me it was shit.
Leftfield
Somewhat unbelievably, I bought this album by accident. Can't even remember what I'd intended to buy instead, but possibly the best mistake I ever made. Solidified my interest in dance music.
Tricky - Maxinquaye
An amazing album in its own right, also opened me up to several new genres including dub and hip-hop.
Sparklehorse - Vivadixiesubmarinetransmissionplot
This was my foothold into Americana
---
Mogwai - Young Team
At the time, this was simply a great album that was interesting for being almost entirely instrumental. What I didn't realise was that following the links to/from this would profoundly shape my music taste right up to the present day.
Kathryn Williams - Dog Leap Stairs
Opened me up to folk music and the whole singer-songwriter thing.
I could go on plenty more, but these are probably the ones that shaped me most.
Well I'm only 20 so I can relate
Um let's see...
12: Korn - Issues
Yeah I listened to nu-metal at one stage of my youth and loved it. I was only 12 and enjoyed the swearing. Issues was an otherwise catchy and amusing selection of songs that I still adore to this day. Ah the nostalgia, felt like such a rebel listening to 'Falling Away From Me' on my discman on the way to school in the morning.
15 - Unknown Pleasures
I know, I know, how does a 15 year old enjoy JD? I'd listened to Substance already and really enjoyed their punkier moments (Kamakino, Digital, Transmission etc). I hadn't delved into any of their more album oriented work though, so I ventured one day after school to the local independent record store and picked it up on CD for 10 bucks. I didn't really know what to think when I first listened to it but something just kept attracting me to Unknown Pleasures. To this day, 'Day of the Lords' remains one of my favourite tracks of all time. I was also beginning to learn bass (Peter Hook being one of my first influences along with Colin Greenwood) so many of the basslines became my first learnt.
16 - OK Computer
Was properly getting into Radiohead and just could not help but tearing up over 'Let Down' or 'Lucky'. Beautiful melancholic music for any teenager. I just couldn't believe how cohesive the album was as well.
17 - Cut Copy - In Ghost Colours
A gorgeous album from start to finish. In Ghost Colours filled me to the brim happiness and sadness at the same time. Killer production by Goldsworthy and an album to be enjoyed in your room or on the dancefloor. Memories (not necessarily fond) of year 11 and people using me for my car...
18 - The Horrors - Primary Colours
I originally dismissed them as a novelty 'horror punk' band when Strange House came out in 07 and I was so surprised by 'Mirror's Image' - thought the MP3 tagging was messed up and another band was infact playing through my headphones. Primarily misery but also anger resonate from this record for me and it was my first taste of anything resembling shoegaze which I am thankful for in the last two years.
19: The National - High Violet
20: Skying
Couldn't be bother with the rest :D
OK Computer is perfect at that age
Radiohead & Catcher in the Rye... OK so I was a miserable bastard but there's something to be said for that combination.
Yeah it's a killer that's for sure
I didn't read Catcher in the Rye until I was 20 though. Really enjoyed it too... dang.
I think we're all miserable here really.
let's see (ages are approximate)
6/7 The Beatles - White Album
8 - School of Rock OST
10 - The Go! Team - Thunder, Lightning, Strike
11 - Sparklehorse - Dreamt For Light Years In The Belly Of a Mountain
12 - Deerhoof - Friend Opportunity / Deerhoof - Reveille
13 - The Unicorns - WWCOHWWG?
14 - Dirty Projectors - Bitte Orca
15 - Ariel Pink's Haunted Graffiti - Scared Famous
I'm 16 now. who knows what will define this year.
p. precocious, ammirite?
not bad for a lad
you sound like a bit of a knob tbf
^great posting
i think that too
I wouldn't have been able to handle Deerhoof when I was 12
This used to be a pub chat of mine, but I asked 'what were the four cornerstones of your musical taste'
Ie, what did you like that everything else was built on? Huh. Mine may be;
Blondie 'parallel lines' the first album I ever bought in 1979. Guitar pop.
Adam & the Ants 'kings of the wild frontier' the drums, oh the drums. 1981.
Cocteau Twins 'Treasure' 1985 alternative bias.
Beastie Boys 'Check Your Head' 1992. Hiphop and everything in one pot.
oh I'd say
Nirvana and The Beatles when I was wee
then Deftones
then Refused
then At the Drive-in
then hardcore/screamo stuff; Circle takes the Square had the biggest effect
then Kid A by Radiohead and Ten by cLOUDDEAD
Turn on the Bright Lights by Interpol
then The Argument by Fugazi and Hidden World by Fucked Up
then everything else, or something
oh wait, Converge are obviously far more important to me that CTTS
stupid adam
Green Day were pretty important too
at around the same time as Deftones
A weird and wonderful journey
Michael Jackson - Bad - Was dangerously obsessed with this album when I was a nipper. Actually cried when the tape machine in my dad's car chewed up the tape. My brother repaired it with sellotape. Took me years to realise that there was not a song on here about a girl that worked in a library.
Metallica - Master of Puppets - This was very much a part of my brief flirtation with heavy metal. Lasted a few years. Dabbled in a bit of everything - Iron Maiden, first Rage Against the Machine album, Megadeth, Soundgarden - Kind of came to an end when I saw Metallica at the Barrowlands on the Load tour; shite. I think it was then that I realised that they only had one good song.
Nirvana - Nevermind - Heard/Saw Lithium numerous times on MTV Europe while on a trip to Holland - I was 13 or 14. Annoyed my parents all the way home by singing it over and over. Deep down I knew there was something very different about this band compared to the other heavy rock/metal stuff I was into.
Oasis - Definitely Maybe - Listened to that one on my headphones a lot when I was 14 or 15. See also Different Class and Shine Too. Totally fell out with Oasis when people played What's the Story every day/all day in the common room.
Supergrass - I should Coco/ Weezer - Blue album - Inextricably linked in my head. First time I'd ever bought two CD's at the same time. 2 for £22 in John Menzies. Played them both to death. Supergrass led me to a lot of other fringe britpop bands and Weezer started my love affair with American music - Americana and lo-fi followed.
Pavement - Brighten the Corners / Pixies - Bossanova - Bought them at different times but the pair of them were albums that took a while for me to 'get'. Especially Pavement. Once they got their claws in though they opened many doors and I started buying all sorts of things - Fountains of Wayne debut, Wilco and so on.
Wilco - Summerteeth - Prompted to buy it by a 5 star review in a music magazine. This took me a while but soon it was my most listened to album. I played that fucker to death. I remember it soundtracking a lot of direct modem-to-modem 1v1 games of Duke Nukem 3d - that were destroyed as soon as my mum picked up the phone.
Radiohead - Pablo Honey/The Bends/Ok Computer - Heard 'Creep' on some shite driving compilation CD thing that we got sent as part of Britannia music club. Bought Pablo Honey, took a while but eventually I liked it. The Bends reminds me of playing Tomb Raider on the first Playstation and Ok Computer of reading Lord of the Rings finally after having owned the book since I was about 9 or 10.
Jeff Buckley - Sketches... - Famously bought this on the way home from losing my virginity. The melancholy of the album suited my weird feeling of emptiness that accompanied this milestone.
Many more I could mention but I won't. You're bored already. I really can't think of the album that got me into dancey/electro stuff but I've always loved 'You got the love' from the first moment I heard it. Probably helped a bit. Also the first Otis Redding compilation I bought, after seeing him on telly in the Montreal Pop Festival I think, led me on to a lot of different stuff.
You're famous
for buying Jeff Buckley after you lost your virginity?
Come on, be fair
It was Sketches rather than Grace.
Landmark Albums
Sean's seems like a good template so...
Blur - Parklife (first time I loved an album that wasn't one of my Mum's MOTOWN/CARPENTERS records or my Dad's BEATLES/BEACH BOYS/ZEPPELIN)
A Tribe Called Quest - Beats, Rhymes & Life (although BEATS, RHYMES & LIFE is probably my favourite of theirs, this is the first 'heavy' album that truly blew my mind)
Primal Scream - XTRMNTR (first album I felt truly uncomfortable with on first listen and really perserved with and remains one of my favourite albums to this day. Totally changed my palette for music.)
Wire - Chairs Missing (the first album I bought after doing my own research and became obsessed with the BREVITY OF THE STRUCTURES, Encouraged me to really explore.)
Sonic Youth - Washing Machine (A life without SY is no life at all. This album led to so much of my music taste, and SY set the bar for nearly everything I listen to and the sort of defines parameters of what I want from music. THE COMBINATION OF ODDNESS AND WARMTH BUT, YEAH, WHAT HE SAID)
Squarepusher - Music Is Rotted One Note (has totally shape-shifted my taste over the past few years from a Elliott Smith loving Shins fan to increasingly 'getting' why people love 'dance'.)
Honourable mentions: Arab Strap -THE WEEK NEVER STARTS ROUND HERE, TORTOISE - STANDARDS, DO MAKE SAY THINK - & YET & YET and David Bowie - Low. And obviously stuff that I released, Coopers especially.
And...
The Kinks - Something Else, The Delgados - The Great Eastern, Super Furry Animals - Rings Around The World, Aphex Twin - Druqks, Aretha Franklin - Young, Gifted & Black...
you a fan of Autechre - Confield?
We don't get avant-indie royalty much round these parts and I'm very curious to know what kind of an influence that record has on musicians these days
would agree that Washing Machine is pretty much the zenith of all things SY and that RATW is the same for SFA, a monumental and truly ambitious art-pop record - am very cheered to see Wire in there too - interestingly their 00's material is as good, IMO, as their 70's stuff
Here are mine...
Age 6, 1980: The Beatles - Revolver. My Dad had 3 Beatles albums on vinyl and I'm grateful he had this one. My Mum told me to ask her to turn the record over when a side finished because I wasn't trusted with my Dad's stylus! My bro and I called Tomorrow Never Knows "the one with the seagulls"
14, 1988: New Order - Substance. My mates and I all went mad for Blue Monday 1988, the original having passed us by because we were too young. They were the first band I truly loved and are my favourite to this day. Making my way through the back catalogue over the next couple of years was amazing.
15, 1989: Pixies - Doolittle. I'd heard Monkey Gone To Heaven on ITV's The Chart Show and thought they were a goth band. So glad my friend lent me a copy of this. By now I realised that I love bands with great bassists...
17, 1991: Primal Scream - Screamadelica. It really was, and is, as good as the hype. Having said, that, I made a car tape with the single versions of Loaded and Come Together on it, as well as the American Spring remix of Higher Than The Sun, which is one of the best remixes I've ever heard.
18, 1992: David Bowie - Low. Because Bowie had a poor 1980s, I'd never really paid him much attention but decided to give the ChangesBowie compilation a go and started getting into his back catalogue through the Sound+Vision reissues. Low blew me away, completely. I had no idea this kind of music was possible in 1977, and it was my introduction to Eno, too.
19, 1993: Aphex Twin - Selected Ambient Works 85-92, Black Dog Productions - Bytes. I can't split these two. Equally brilliant but very different, at least to my ears. This started my addiction to what was then called 'intelligent techno', later IDM.
From that point I was listening to so much stuff and although I like plenty of albums more than the ones above, they were the real landmarks in shaping what I like.
SAW 1 and Bytes are both quality. I'm suprised Black Dog don't get name checked more often
I think that you favourite album crystalises
when you are in your early twenties. After that, although there can be plenty of stuff you really like, it is rare for a new record to go into favourite album of all time contention.
My musical journey turned on a couple of weekends. Having loved Wings 'Venus And Mars' I couldn't wait for their follow up 'At The Speed Of Sound'. I bought it as soon as it came out. It was crap and I was crushed. The next week I bought the first Stranglers album and I never looked back.
My favourite album is always one of Robert Lloyd and the New Four Seasons 'Me and My Mouth', Scraping Foetus Off The Wheel 'Hole', Joy Division 'Unknown Pleasures' or Associates 'Sulk'.
though I am in that age bracket
I feel I would be surprised now if anything came along and totally blew me away/made me change my whole way of approaching music
'Hole'!!
You are a sick man and a hero.
OK
13, Matthew Good Band - Underdogs
14. Radiohead - OK Computer
18. Broken Social Scene - You Forgot It In People
21. The Dismemberment Plan - Emergency & I
24. Wisp - The Shimmering Hour
Barring the first one, I still love all these records and are probably a fair reflection of my music taste.
I'm only 20 as well
So I guess this is more sort of formative albums for me? Well anyway
12 System of a Down - Toxicity
Played this a lot when I was young, I can't remember if I liked it before Tony Hawks 4 (which had Shimmy on the soundtrack), or not. As far as I can remember I'd just skip all the songs apart from Chop Suey and Toxicity until that game came out. The first time I properly actually listened to something as an album
14 Arctic Monkeys - Whatever People Say I Am.../Bloc Party - Silent Alarm
These two kind of changed the way I looked at music, and turned it into something that I'd actually seek out. I'll only really listen to Silent Alarm now days though, still a fantastic album.
16 Kanye West - Graduation/Radiohead - In Rainbows
Graduation was maybe the first time I listened to a hip-hop album in full I reckon, definitely the first time I had one on repeat. When I was 14/15 I thought anything that wasn't bands with guitars wasn't PROPER MUSIC so I hadn't really given it a chance as a genre before. It's my least favourite of his albums now though. In Rainbows was just fucking brilliant, I hadn't really listened to Radiohead beyond Creep/Just/Karma Police etc. before I heard this, it's still up there with my favourite all time albums.
17 Animal Collective - Merriweather Post Pavilion
This was when I first fell in love with an album that didn't have any mainstream roots, or rather the first time I fell in love with an album that I knew about solely due to the internet. So this kind of changed everything in that sense, since that's how I find out about nearly all the music I listen to now. Was also the first time I really liked something that sounded so 'weird' to me.
there was a time before I found the pixies
and then everything after...
oh sorry, doolittle I guess
before then the best album I was listening too was probably Queens of the Stone Age - Songs for the Deaf. Listened to that album everyday doing the paper round. System of a Down's Toxicity before that, during my troubled teen mosh years. Still a fucking good album.
Good thread
I'm rubbish with remembering this sort of stuff, so i'll try my best with last.fm to help.
12- System of a Down. No particular album, I'd just watch a lot of videos during the sparse time I was allowed on our dial-up internet. They gave me a great love of catchy songs, and laid the groundwork for me rediscovering heavy music later on.
15- Muse. Sound crap now, but at the time sounded so ambitious and vast. They've got some really good influences, and feed them to you in easily digestible chunks.
15- Joy Division, Unknown Pleasures. As someone above said, I didn't really "get" this record as I do now for a while, but it still have a profound effect on me, especially during those depressed/angsty teenage days.
16- Sonic Youth, Daydream Nation. A friend showed me these on the way back from a geology field trip, where I could barely hear them over the sound of the minibus and the single crappy earphone. I pretended to like them, but decided to give them a proper listen when back at home. Again, although I didn't appreciate it as I do now, it began my love with noise and dissonance, and opened up so many doors of new music due to how influential they are.
17- Elliott Smith. I don't really know how I became obsessed with him, it just sort of happened. His songs carried me through many bad times, and also gave me more appreciation for the general skill of songwriting, chord progressions etc, which led to me "getting" bands like pavement.
Others include Loveless by MBV (taught me to learn drone-y music, that induce a drugged mood), Mogwai (long sprawling songs that are in no rush, also led to my recent dabble in classical) and others I can't remember.
Meat Loaf - Bat out of Hell
Iron Maiden - Number of the Beast
Alice in Chains - Dirt
Radiohead - OK Computer
Aphex Twin - Richard D James Album
Saul Williams - Amethyst Rockstar
Fantomas - Suspended Animation (Mike Patton phase in general)
Sunn O))) - Black One
Not really sure whether these were the most influential albums (Despite them looking like a fairly standard evolution for a white kid that started with rock music) but they definitely seemed important to opening up a lot of sonic doors once they clicked.
Must admit I never really 'got' hip-hop until Big Bois set at ATP last year, since then my appreciation has blown up. I think in general ATP (since the Mike Patton one in '08) has been a constant influence on diversifying my taste.
The musical equivilent of gateway drugs
Interesting list since many of favourite bands and albums don't qualify. I love more music now than but as I've got older, they've become less 'landmarks'- they don't represent changes in my outlook or taste anymore, but these were the game-changers.
1984 / Wham! make it big
no-point trying to re-write history. I was 8 and fell in love with pop music
1989 / The Wonder Stuff - The Eight Legged Groove Machine
when music went from being a pastime to something more.
1992 / Beastie Boys - Check Your Head
when I realised music could be felt below the waist.
1994 / Prodigy - Jilted Generation
and so my love affair with dance music began
2000 / QOTSA - Rated R
after ignoring britpop in favour of breaks, guitars started to sound interesting again
2007 / Future of the Left - Curses
just when i thought i was getting too old to be a fan, rather than just a music enthusiast along came The Best Band in the World right now and (whisper it) even better than McLusky.
Something like
System of a Down - Toxicity
Muse - OOS
Joy Division - Unknown Pleasures (led to discovering Interpol)
Interpol - TOTBL
Radiohead - OK Computer/Kid A
Iron and Wine - Our Endless Numbered Days
Mogwai - Young Team
GY!BE - F#A#
Low - Things We Lost in the Fire
In terms of "landmarks", relatively few.
Depeche Mode - Violator, first album I ever bought and started my musical journey.
My Bloody Valentine - Loveless, first album that blew me away entirely and taught me that immediacy isn't a necessary attribute for a good album (I thought the tape was warped).
Black Dog - Bytes, this and SAW 85-92 by Aphex Twin introduced me to electronic music which I've loved since.
Tom Waits - Bone Machine, tangentially got me into blues, and through his back catalogue, jazz.
Monsters, Robots and Bugmen - awesome post-rock primer that shaped much of my listening habits of the past 15 years.
And that's it for landmarks. Nothing really from the last 10 years.
great thread
6. Neil Diamond - The Jazz Singer
11. GN'R - Appetite For Destruction
13. Nirvana - Nevermind
14. Lemonheads - It's A Shame About Ray/Primal Scream - Screamadelica/Sonic Youth - Washing Machine
15. Blur - Parklife
20. GY!BE - F#A#
21. Tom Waits - Rain Dogs
22. The Strokes - Is This It
23. Wilco - YHF
26. Ali Farke Toure & Toumani Diabete - In The Heart Of The Moon/Glenn Gould - The Goldberg Variations
just realised that i'm really fucking old.
ham
12 - Incubus - Make Yourself
14 - TooL - Lateralus
16 - Sigur Ros - Agaetis Bryjun
17 - GYBE - F#A#
Kind of
Police - Regatta de Blanc
Rush - 2112
Journey - Escape
Green on Red - Gravity Talks
REM - Life's Rich Pagaent
Husker Du - Zen Arcade
American Music Club - United Kingdom
Yo La Tengo - May I Sing with Me
Dismemberment Plan - Emergency and I
Good thread!
7: The Beatles - Magical Mystery Tour
11: Nirvana - Nevermind
12: Oasis - (What's the Story) Morning Glory?
13: Manic Street Preachers - Generation Terrorists
14: Blur - Parklife
15: the Smiths - The Queen Is Dead
16: Joy Division - Unknown Pleasures
17: Jesus & Mary Chain - Psychocandy
18: Suede - Suede
20: Pulp - This Is Hardcore
Somewhere in college, I just got sucked into the postpunk/Britpop hole and I have yet to reemerge. I had periods of wearing out current albums in college (the Pipettes - We Are the Pipettes, Klaxons - Myths of the Near Future, for example) but I don't think they really shaped my musical tastes. I just listen to them now when I want to feel like I'm back in the dorms.
A rough order
The Prodigy - Experience
Altern 8 - Full On Mask Hysteria
Orbital - Brown album
The Future Sound Of London - Lifeforms
Autechre - Amber & Tri Repetae
The Verve - A Northern Soul & A Storm In Heaven
Can - Tago Mago
Jah Wobble & Bill Lasswell - Radioaxiom: A Dub Transmission
Bjork - Vespertine
Sigur Ros - ( )
Bardo Pond - On The Ellipse
The Mars Volta - De -loused In The Comatorium
The Necks - Drive By
Talk Talk - Spirit Of Eden
Steve Roach - Structures From Silence
The way this list builds up really makes me want to hear Steve Roach
The reason it`s there is because I really started getting into deep and immersive Ambient a few years back and for me Roach is the king of Ambient and Structures From Silence is a minimal, beautiful, evocative and timeless Ambient classic.
Sorry could you just summarise that
but leaving out all the stuff about how great The Doors are
Wow, you REALLY like The Doors huh?
I have them in my landmarks below, but I suspect you might be a slightly bigger fan than me.
there are a lot of words in this thread
Is This It
My older brothers made me U2, R.E.M. & Nirvana tapes which WERE devoured, but the most treasured TDK-90 of all was of (What's the Story) Morning Glory with Oasis b-sides to fill up the 2nd side. Magic. Oasis led to listening to Beatles LP's proper, not just listening to the Red and Blue compilations in my Mum and Dad's car. Blur, Bluetones & Supergrass were my immediate Walkmen companions but it was The Bends/OK Computer that were the main event. Hairs would stand up on the back of my neck. When I finally saw them play Climbing Up the Walls years later I was an uncontrollable mess...this music literally shook me. I had a few flings after that; Gomez's Bring It On, Ziggy Stardust, Hatful of Hollow...but praise Science for Is This It. So, so perfect. Could've been stuck with Stereophonics & Travis but no, The Strokes came along and opened my eyes. (Blondie/Velvets?? The first time I evervfelt cool.) Is This It then bled into The Libertines and Up the Bracket and well, now I'm 28 and all that excitement's long since over, I realised I was a Blur fan all along, well, and Radiohead...and The Beatles.
My first landmark album was Blur's Think Tank when I was 13
Before that I'd mainly been listening to really pop Britpop stuff, I'd never heard anything like Think Tank, but I absolutely loved it. I think it mainly changed my opinion of what song structures had to be like- stuff like Jets didn't follow verse-chorus structures and I'd never heard anything like that before.
I think after that, probably Elvis Costello's My Aim Is True when I was 16. This was the point where I realised that great lyricism wasn't exclusive to dirgey acoustic singer songwriters, and didn't have to have "poetic" aspirations- it could be direct, cruel and very funny.
1991-2 Drummers Of Burundi/Marching Band Music
1993 The Beatles - Sergeant Pepper's Lonely Hearts Club Band/Abbey Road
1997 Aqua - Aquarium
2000 Eminem - The Marshall Mathers LP
2002 Coldplay - A Rush Of Blood To The Head
2003 Radiohead - Hail To The Thief
2004 Regina Spektor - Soviet Kitsch
2005 Mew - Frengers
2006- John Lee Hooker - Too Much Boogie/Public Enemy - It takes a nation of millions...
2008- Burial - Untrue
I am quite old, so this is quite long...
Early teens:
Brief flirtation with metal:
-Blue Oyster Cult - Tyranny and Mutation
Discover glam rock:
-David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders From Mars
Discover indie (via Top of the Pops, then John Peel):
-The Smiths - Hatful of Hollow
-Billy Bragg - Life's a Riot with Spy vs Spy
-James - Stutter
Discover folk:
-Bob Dylan - The Times They Are A-Changin'
Late teens:
Discover folk-rock:
-The Byrds - Fifth Dimension
Discover country rock:
-Neil Young - After the Gold Rush
Discover US indie:
-REM - Life's Rich Pageant
-The Pixies - Dolittle
-Dinosaur Jr - You're Living All Over Me
-Husker Du - Warehouse Songs and Stories
Discover new wave:
-Magazine - The Correct Use of Soap
Madchester occurs:
-The Stone Roses - The Stone Roses
-The Happy Mondays - Bummed
Token hip-hop:
-Public Enemy - It Takes A Nation of Millions to Hold Us Back
Anticipate post-rock :P :
-Talk Talk - Spirit of Eden
Early 20s:
More indie:
-Teenage Fanclub - Grand Prix
-Sonic Youth - Goo
-Pavement - Crooked Rain, Crooked Rain
-My Bloody Valentine - Loveless
Unavoidably 'larging' it:
-Chemical Brothers - Dig Your Own Hole
-Massive Attack - Blue Lines
-Basement Jaxx - Rooty
Australian phase:
-Nick Cave and The Bad Seeds - The Good Son
Late 20s:
Indie goes mainstream (but I don't care):
-Radiohead - The Bends
-Elliott Smith - XO
But I can still find stuff no-one's heard of:
-Sigur Rós - Agaetis Byjun
-Wilco - Being There
Thereafter:
Discover alt-country:
-The Jayhawks - Tomorrow the Green Grass
Decent music becomes popular again:
-The Strokes - Is This It?
Discover contemporary composed music:
-Max Richter - The Blue Notebooks
My indie renaissance:
-The National - Alligator
-The Decemberists - The Crane Wife
-Sufjan Stevens - Illinois
-Arcade Fire - Funeral
Errr... that's it. Sure I've missed some.
Great, great thread:
12: Ocean Colour Scene - Mosley Shoals: Second album I bought with my own money (The first was Eternal), loved it because it sounded like the music my Dad liked, but it was mine.
13: Blur - Blur: After buying the last one, I fell for Britpop in a big, big way, but 'Blur' was the first album that made me think about music. One of my early favourite bands making a record influenced by a load of music I'd never even heard of before, a lot of the early 90's American stuff, and it killed Britpop stone dead for me. I suspect it did for a lot of people.
16: Radiohead - Kid A: OK, OK, it's a massive cliche, but it's true. I'd never heard music like this before, and it changed my listening habits in a way no record really has since. Light years away from anything else I was listening to, I suspect I'd have 'got' electronic music (something that now occupies about 1/3 of my collection) a lot, lot later without it.
17: Ghostface Killah - Supreme Clientele/ Jay Z - The Blueprint: The only hip-hop I'd paid any attention to before these were 'It's Like That' and Eminem, but these two came to me at about the same time and absolutely changed my perspective of hip-hop. Clever, modern (with a classic twinge), and they just sounded so GREAT, they not only opened my eyes to rap, but production too. Oh, and the latter made me aware of a guy called Kanye West...
18: The Streets - Original Pirate Material: Right place, right time. I thought it was a joke at first, now it's the most played album of my lifetime. It could've been about me, and I doubt I'm the only one who thinks that...
22: MIA - Arular: Pure ear candy, released about the same time I moved to London. In those first few months, it's all I listened too. Still sounds like the start of my adult life, and every time I get tired of packed tubes or expensive beer I listen to it and it reminds me how amazing this place is.
23: The Field - From Here We Go Sublime: I'd dipped in and out of 'electronic' since Kid A, but this was the record that floored me. I became obsessed with the loops, I'd think about them on the way to work, they'd stay in my head for days. It still sounds perfect.
23: The National - Boxer: "Ada I can here the sound of your life through the walls". Summed up my life at that point. Just come out of a relationship, played it incessantly.
26: Kanye West - My Beautiful Dark Twisted Fantasy: Pitchfork gave it a 10 blah, blah, blah, overhyped, blah, blah, blah, guy's a jackass, blah, blah, blah. Couldn't give a shit, for me it's the complete record where production, words, guests, sequencing, samples, the lot come together to create something that transcends pop. It's not a hip-hop album, but it bangs like one, it's not a pop album but shorn of a few minutes here and there it'd be a perfect one. But instead, Kanye refuses to do any of those things and believes 100% in his convictions to make something a bit like modern art.
Honourable mentions to:
LCD - Sound of Silver & Burial - Unture. 2007 was a BIG year.
Here goes...
1997 - Ocean Colour Scene - Moseley Shoals: My first album. Bought it cos it was the favourite album of my older sister's boyfriend and I thought he was really cool.
1998 - The Offspring - Smash: My brother and I loved it. I remember sitting in the back of my uncle's car singing along to every single word, obscenities and all.
1999 - Eminem - Slim Shady LP: Heard 'My name is" on the radio. Loved it, couldn't find the single in shops, but I bought the album as soon as it came out. Started my love affair with rap music.
2001 - Linkin Park - Hybrid Theory: Well, it seemed to matter a lot to me at the time...
2001 - Daft Punk - Discovery: The first album that me and my closest friends all loved. We used to camp out in the garden and listen to it on a cheap CD player. I learned how to play the Aerodynamic guitar solo on keyboard. Still one of my favourite albums.
2004 - The Strokes - Is This It: I was pretty late getting into indie music, but this marked a change in my taste. I bought this along with two albums that haven't endured quite so well (Razorlight - Up All Night, Keane - Hopes And Fears).
2006 - The Black Keys - Magic Potion: A friend had introduced me to the band just before I left for Uni and this was the first album I bought when I got there. It was probably the first album I owned that was slightly removed from albums with broad commercial appeal. I remember thinking it was totally raw.
2007 - Kings Of Leon - Because Of The Times: A landmark because I considered them my favourite band at the time and I HATED this album. It's probably largely responsible for me actively seeking out new music, such as...
2008 - The National - Alligator: Discovering The National really opened up a while new sphere of music to me. Buying this album got me excited about music again.
2009 - The Walkmen - You & Me: Got this a week before graduating and it really defined that whole transition. It's now among my favourite albums.
2010 - Women - Public Strain: Not sure if it's a landmark or just my most recent favourite album. I suppose it helped me better understand (and love) dissonance/noisy elements in music. Even at this early stage I'm fairly confident it will be my album of the decade.
Honourable mention: Red Hot Chili Peppers - Californication: Another album that played a large part during my early teenage years. Listening to it reminds me of hot summer days when I was young.
Queen was the first band I truly loved
6: Automatic for the People - R.E.M.
8: Everything Queen
13: Nevermind/In Utero - Nirvana
Surfer Rosa - Pixies
The Downward Spiral - NIN
14: The Bends - Radiohead
QOTSA
15: OK Computer/Kid A/Amnesiac etc. - Radiohead
In the Aeroplane Over the Sea - Neutral Milk Hotel
16: Selected Ambient Sounds I & II - Aphex Twin
Tri Repetae - Autechre
Loveless - My Bloody Valentine
17: Loveless - My Bloody Valentine
18: Loveless - My Bloody Valentine
19: Loveless - My Bloody Valentine
Loveless - My Bloody Valentine
Loveless - My Bloody Valentine
Loveless - My Bloody Valentine
Loveless - My Bloody Valentine
I can't get enough of them
Now starting to put Isn't Anything through the paces, though it didn't connect as quickly as Loveless did initially. They sure are, though I struggle to listen to them anymore. A bit like Nirvana, I appreciate them, but I've run their music to the ground so much that I don't feel it anymore. Luckily the same doesn't apply to Surfer Rosa :)
Isn't Anything is fantastic
I think the reason Loveless became so revered is because Isn't Anything came before it, and at the time, hearing tracks like "Lose My Breath" or "All I Need" would've sounded like little else. so for them to then start and album with "Only Shallow"...you can see why Loveless can overshadow Isn't Anything and as you say, connect as quickly.
that said, Isn't Anything covers ground which Loveless doesn't...it's far heavier in a more tradtional sense...I almost prefer some of it's finer moments to those found on Loveless because you can hear how hard they played their instruments...the middle section of "You Never Should" for example tears my ears to pieces in the most blissful way...
MBV are so good...
These were the most influential albums since I was about 12
The Offspring - Americana
Limp Bizkit- Significant other
Arctic Monkeys- demo
Bob Dylan- Freewheelin
Two gallants- What the Toll Tells
Talking Heads- Remain in Light.
These all led me to other similar bands that I am not bothered listing.
I'd say I have just 6 REAL landmarks which have shaped everything I've listened to since...
1980 - Adam & The Ants - Kings of the Wild Frontier
The moment when I graduated from singles to albums. To a 12-yr old, those heavy drums & all the red indian stuff were just unspeakably exciting and a line in the sand was drawn in our classroom between those who liked this & those who didn't!
1982 - Depeche Mode - A Broken Frame
My dad was really into electronic music, but mostly instrumental stuff like Jarre, Tangerine Dream, Perrey & Kingsley etc, & it left me pretty cold. But the Mode made it all sound more human & poppy & I played this record to death.
1985 - New Order - Low Life
Probably THE landmark album of my life. In the 80s you defined yourself by the music you liked and, more importantly, by the music you didn't like, so as a synthpop fine I was anti-guitars (it sounds strange now but that's how it was back then). Then along come New Order, mixing the two like it's the most natural thing in the world, and Low Life becomes my entry point to the Cure, and, most importantly The Smiths.
1987 - Nick Cave - Kicking Against the Pricks
Only listened to because he shared a label with Depeche Mode. But it warped my fragile little mind. It's got blues...it's got country...but I actually really liked it, and I'd say this album more than any other broadened my tastes & stopped me being a narrow-minded little elitist.
1988 - Pixies - Surfer Rosa
OK I'm REALLY into guitars now and this album turns me onto the loud stuff - one sniff of Pixies & I'm swiftly moving onto Replacements, Dinosaur Jr, MBV, World Domination Enterprises & the like.
1989 - De La Soul - 3ft High & Rising
I'd already dipped a toe into the waters of hip-hop with Run DMC & LL Cool J, but this was more varied, more fun, and totally damn entertaining. Along with The Stone Roses & Bummed, this was the party soundtrack to my last year at university & loosened me up a lot.
OK, I'm going to keep this to 'favourite albums ever'
When I was 8 or 9, my favourite album ever was The Cure - Pornography. Rather than the harrowing, depressing trip through solitude and fire everyone thinks it is, my impressionable young mind interpreted the whole thing as a magical, intensely psychedelic experience, a playground of dreams. Which is, of course, what it is.
Alongside (at points) Pornography was XTC - Nonsuch, which may seem an odd choice, but while The Cure opened up my brain to surreal soundscapes and sonic poetry, XTC were my melodic grounding, way more than The Beatles ever could be. That happened to be their most recent album, and for some reason whenever my dad played it for me, it brought me intense joy.
After that, Talk Talk - Spirit Of Eden took hold, probably when I was 11 or 12. I credit its presence in my mind at such an age for a large proportion of my music taste. No more need be said about that album.
My next favourite album of all time, weirdly enough, was Mutations by Beck, which I discovered aged about 15 or 16. I think this was the case pretty much as soon as the opening track, Cold Brains, had finished - it contained the sort of dizzy, multi-faceted sonic rainbow I craved, all wrapped up in a big silly pop song. The rest of the album was both tuneful and contemplative, dark and psychedelic, and I couldn't get enough of it. Obviously it's still his best record by a zillion miles.
Next up...well, some confusing stuff happened when I was 17 and discovered Yes - Close To The Edge and The Fiery Furnaces - Blueberry Boat almost simultaneously - suffice it to say that both were serious contenders for the #1 slot, and my tastes were now fully geared towards extravagant progressive songwriting or what I would go on to term 'compelling musical narrative'.
Only two remain, but they've held fast, and they're consistent with all of the above. The first, bought on a whim when I was 18, was Mansun - Six. Once more, there is nothing that needs to be added (or taken away).
The next, and once that's just about held on to be current champion, is Cardiacs - Sing To God, discovered at age 19, which is the most developed, thrilling and completely overwhelming popular music experience I think the world's produced thus far. Its nearest challengers? Cardiacs' other albums (and the Spratleys Japs album, their glorious side-project). And maybe Ulver - Blood Inside, although I did promise to keep this to champions only, so
I call bs
8 or 9 Pornography?
My dad was playing me that shit when I was 7
see also: 21st Century Schizoid Man and Pink Floyd's Ummagumma Live record
tbh (and thanks to him) I was also into stuff like The Byrds, Prefab Sprout, Garbage etc - the legacy of ten thousand car journeys with a cassette player
Pornography itself was known as 'PY' the whole time - my dad's explanation being that the real title was 'rude'
NO FINE YOU'VE RUMBLED ME
My actual favourite album when I was 8 was John Zorn's Naked City, and had been since I was 4
I think it's because my parents have shit taste
So I consider my formative years to be from the ages 14 to present.
8 or 9? Bandwagon jumper.
My dad's sperm were listening to Pornography as they swam down my mum's fallopian tubes.
Different kind of pornography though.
my eldest sister went off to Uni in '92 and came back a goth after first year
exposed me to The Cure when I was four.
loved 'em. I figure it's Bob's voice...there's something wild, feral and a little bit childlike about it, no?
The music relies on big, playful, often crazy melodies and emotional extroversion
It's great childhood fare!
this is impossible for me
at least in terms of albums alone. all kinds of individual tunes, not all of which I can recall, have influenced me in addition to records. and when I was 16/17, things splintered and diversified in all directions.
One notable tune/moment is hearing 'To Here Knows When' aged 16...boundary between noise and music erased.
the most important factor in my musical evolution
is radio. our TV broke when I was five; we were poor, we didn't get a new one until I was nearly nine. as such, me and my sister listened to the radio non-stop. I remember when 'Higher State of Consciousness' by Josh Wink hit the charts...mind = blown.
plus I didn't even have a CD player of my own til I was fifteen and a half. and I couldn't afford to buy CDs until college. ended up going round to my eldest sister's, reading about music and getting odd tunes off Limewire, clutches of tunes by Boards of Canada, Godspeed, Autechre, Smog, Neutral Milk Hotel, Godspeed, MBV, Tindersticks, The Microphones, Boredoms, Converge, Kevin Drumm, The Dismemberment Plan, Sigur Ros, Deerhoof, Pavement, etc, that I'd burn onto CD-Rs and take home, and rinse. in addition to branching out in radio, taking in all kinds of specialist shows.
I mean, yeah, my sis bought me OK Computer, The Bends, Grace, White Pony, and some other typical DiSer developmental albums when I was fifteen, and I rinsed my other sister's copies of Origin of Symmetry, The Fragile, Without You I'm Nothing + Sleeping With Ghosts before that, and after I had breakthrough moments with Ege Bamyasi, Remain in Light, Spiderland, Creature Comforts, Sung Tongs, Guerrilla, This Nation's Saving Grace, Homogenic/Post, Tilt, Rain Dogs, Chaos A.D., Midnight Marauders, but it's way more complex than that.
I will say that stuff like Ricardo Villalobos, The Art Bears,The Dead C, Sun City Girls, Arthur Russell, Hecker and Pan Sonic have been important in recent years, but the mental breakthroughs that lead to my appreciation of more outré music occured in my teens.
when i was about 10 - linkin park hybrid theory
when i was about 15 - Brand New Devil and God
i'm still in that Brand New phase tbh
When i was 16 the whole madchester thing was kicking off
and i kinda pretended to like it for the sake of seeming fashionable and attractive to girls, i even had a floppy haircut and flares but the roses and the mondays just seemed 'ok' to me rather than great, but previously i'd been listening to hard rock like AC/DC and The Cult with a little bit of hair metal thrown in for good measure so anything was better than that really. But then i saw this video clip of a band on some random tv show i had taped and could'nt beleive how otherwordly they sounded..and that girls voice...wow! I wrote down the name of the band and about a week later left my local record emporium clutching my copy of the COCTEAU TWINS - HEAVEN OR LAS VEGAS...bye bye madchester and hello shoegaze and dream pop! This record changed it all for me and led me to discover stuff like Curve and Ride and MBV and Slowdive. To date its still my favourite album and the only record which can still send those shivers down my spine whenever liz hits those high notes. A landmark album indeed and one which changed my whole taste in music. Coincidentally my roses loving mates all hated it, and funnily enough now they listen to stuff like coldplay and james blunt. Go figure!
24 now - indie/alternative/pop
13 - Urban Hymns - The Verve - Massive Anthems
15 - Feeder - Comfort in Sound. First album I truly loved, pretty much defined my music taste. Still appreciate it now.
16- Manics - The Holy Bible - Darker, appreciation of lyrics.
17 - Radiohead - OK Computer. Gave me an appreciation of 'depth' to an album.
18 - Weezer - Pinkerton. Same reasons as stated by others.
Girls Aloud - Chemistry - Actually bought this on the same day as 'Mesmerise' by System of a Down. Lost the notion of having any guilt in my musical pleasures with this and there's a lot of electropop (Robyn, Annie, Britney Spears - Blackout) in my collection now (and female vocalists).
18 - Pixies - Doolittle . Had Surfer Rosa for a while but this album got me hooked, after lectures I would head off and get another Pixies album from HMV for £5 until there were no more left :(. Led me on to more heavy/abrasive music.
19 - Justice - Cross - Led me on to more dance/instrumental/electro
Those are probably the albums that laid the foundations for my music taste now. If you look at my top lastfm artists over the last year (Warpaint, PJ Harvey, Lykke L, Throwing Muses and The Antlers ) you can probably see they came from me going further down a musical path or looking to the influences of bands I like.
this is dead interesting...makes me wish I'd listened to more Deftones...
there're a bunch of artists whom I loved between the ages of 9 and 15, but the most notable ones are probably:
- Innocent Man by Billy Joel which gave me the first of "those feelings"...y'know the ones which make you involuntarily do thinhs such as smile/cry/run around for no real reason. yeah, Billy did that to the child in me.
- Harmony No Harmony by Million Dead was what I wanted from Biffy Clyro all along, if that makes sense? I was so in love with that era of British music, and HNH became my album for everything I felt in my teenage years. I believe my love for this album was enhanced as soon as Frank Turner sold his soul to Simon Cowell. now I listen and seethe and it feels amazing every time.
- Come On Die Young by Mogwai showed me the way. like the true way...I've not heard anything like it before or since really. from that chilling spoken introduction to the bombardment of Christmas Steps, I'm just a slave to their craft. I love everything about this album; the sparseness and the bareness combining to create such a powerful sound places them so far above the other bands of the time/period(Explosions In The Sky's prettyness or GSY!BE mysterious allure for example). i think the amount I've just bleated on about this one in comparison to the others says more than I could.
- Loveless by MBV. just because. it single handedly managed to shift my perspective on guitar music, electronic music, production and the power of volume.
- Richard D. James by Aphex Twin. I knew of his enigma before hearing any of his music which made me a little reticent because I was thinking "how could could he be?". I think i must've been around 15/16 when I first heard it and on first liten it blew my puny mind. I'm crawling through my 20's now and just last month I heard a new a refreshing angle to this album. if Logon Rock Witch wasn't there, it'd be unchangeable.
so that's me from then to now in a small nutshell. currently, I'm discovering the life changing attributes of roots music....I haven't listened to much else other than roots Dub for about a year. here's to another 20 years of taste everyone!
I'll try not to be too boring here
Tom Waits - Rain Dogs: The first album I remember pulling out of my dad's collection to listen to. I was probably about 9 so it's doubtful I really knew what was going on there. The weird thing is, I know he's really good and everything but I don't even listen to the guy now.
Green Day - Dookie: aged 12, started me liking the whole 'rock music' thing. I was into basically all the well known pop-punk/nu-metal bands at this point, and I find the music I listened to around the ages of 12-15 hard to stomach, I can't even really feel nostalgic about them, except for:
System Of A Down - Toxicity: My start in metal, this is still a fucking fantastic album.
One day when I was 16 I think I must have read some reviews that intrigued me, I had quite a bit of money, so I bought Tool's Lateralus, Oceanic by Isis and Sleep & Release by Aereogramme on the same day after school. These were a massive leap forward, allowing me to make inroads into indie, post-rock, math-rock, prog.... I could never really talk about music with my school friends after buying these. Probably the most important albums I own.
The only truly relevatory albums I ever bought since were Sing To God by Cardiacs (when it was available) and Kayo Dot - Choirs Of The Eye.
Choirs... is definitely my favourite album. I can still remember hearing Marathon for the first time, not believing what I was hearing. It was my gateway into both extreme metal and modern composition, and it's still the one I reach for when I'm high and in an escapist mood.
Sing to God is just really really bloody good.
Rain Dogs was another one my dad used to play me in the car at a very early age
I kinda owe the guy one tbh
I tried to post hours ago, mobile Internet failed me
1. Wolf parade - Apologies to the Queen Mary. On first listen, thought it was beautiful. After further inspection, it proved raucous and weird. Which has come to define how I see 'beauty' in music...
M83 - Dead Cities...
The first album (suprisingly not Loveless) that made me able to zone out ro really loud music.
Okkervil River - Down the River of Golden Dreams
Rekindled my desire for discovering back catelogues of prolific bands. Have become my favourite artists since.
Radiohead - The Bends
Have found a taste for more upbeat music recently, but my earlier preference for melancholy derives from this record. Natutally.
The Microphones -The Glow Pt II.
So many things, but main reason how lyrics only resonate if they are importsnt to the writer themselves.
Also...
if you dont listen to crap music when you're a teenager, you are a precocious twat. End of. Hence I hold Coldplay, Keane and Embrace close to my heart.
what's wrong with coldplay, keane and embrace?
they're all good, good people.
Embrace are alright
don't know why you grouped them with Coldplay and Keane, though.
*whistles*
say what?
it's okay, as long as you're 15/16 when you jettison the crap.
like I was.
any younger and fuck you, guy.
How is 17?
:D
totally acceptable
not like these kids buying La Monte Young's 'The Well-Tuned Piano' with their pocket money...who's 'first gig' is a Keith Fullerton Whitman surround sound deal...a Wire subscription before they can even read...
cool thread
got really into music around 10 so we"ll go from there
10: Bob Dylan - Bringing It All Back Home, Beatles - Rubber Soul, Leonard Cohen - Songs Of LC, Beach Boys - Pet Sounds, The Band - Music from big pink. nice stuff
12..16: lets get deeper - Radiohead - Ok Computer/Kid A/Amnesiac/HTTT, NMH - Aeroplane Over The Sea, Silver Jews - Natural Bridge/American Water, Smog - Knock Knock, Wilco - YHF, Arcade Fire - Funeral
16 - 19(present) - Joanna Newsom - Ys, Bill Callahan - Sometimes i wish we were an eagle, Radiohead - In Rainbows, The National - Boxer, Sufjan Stevens - Michigan/Illinoise, Okkervil River - Black Sheep Boy, Panda Bear - Person Pitch, Deerhunter - Microcastle
This is a fun exercise.
In 5 moves, from 14 - 23 yrs old:
1. Pump Up the Valuum - NOFX
2. London Calling - The Clash
3. The Devil And God Are Raging Inside Me - Brand New
4. Logic Will Break Your Heart - The Stills
5. Saturday's = Youth - M83
Yeah when you boil it down to the albums that actually made you listen to/think about music differently, there are surprisingly few
Not in chronological order:
The Beatles - Abbey Rd
Neil Young - Tonight's the Night
The Ramones - first album
The Birthday Party - Prayers On Fire
The Residents - Meet the Residents
Throbbing Gristle - Second Annual Report
:zoviet-france: - Mohnomishe
Hank Williams - Greatest Hits
Kraftwerk - Trans Europe Express
Good thread
For me, the first album where I really became aware of music being by artists putting a collection of songs together as a cohesive piece of work was THRILLER by MICHAEL JACKSON. My mum was aware that the release was a pretty big deal so bought me a cassette copy when I was a wee nipper at primary school. I played that tape literally to its death. By the time Bad was released as the follow up I was even savvy enough to realise that it was a bit of a pale imitation.
Next big turning point was APPETITE FOR DESTRUCTION by GUNS N ROSES. Not having any money to actually buy albums, I visited the local library in order to borrow vinyl and copy it to tape. God knows what a copy of this was doing in my sleepy village library, but the original cover of this album just looked so deliberately threatening that I had to know what kind of music was inside. The opening 20 seconds or so of Welcome To The Jungle perfectly matched the aggro of the album cover and this was the point where I decided that loud guitar music was probably for me. Axl Rose's voice sounded like nothing else I'd ever heard, and I remember consulting the photo of the band on the back cover and trying to discern if he was a bloke or a woman - neither appearance nor voice really nailed it down for me at the time.
Having dipped into heavy metal for a couple of years, the next big thing for me was a visual/audio combo. Somehow a group of us from school managed to sneak into a showing of the 18 rated film THE DOORS. Altho these days the film may seem a little hackneyed, the romanticism of the band on screen was a done deal for me and the OST album was played constantly by me for about 12 months, as was my bootleg VHS copy of the film (which to this day reamins one of the two films, along with Star Wars, that I've probably seen the most times).
Maybe the biggest musical flashbulb that went off in my head however was NEVERMIND by NIRVANA. As a few people in this thread have highlighted, there's a certain point in your teenage years where albums just click and this was it for me. Seeing them at The Reading Festival in 92 cemented this as it was my first festival. This was totally a gateway album for me, and was followed quite quickly in my affections by HONEY'S DEAD by THE JESUS & MARY CHAIN, WISH by THE CURE and PRETTY HATE MACHINE by NINE INCH NAILS, all hugely influential albums on my musical tastes to this day.
Having been an accolyte of guitar music for several years at this stage, in the mid 90s I travelled up to Leeds to visit an older mate at university. He played me a three-CD collection he'd recently picked up called RENAISSANCE by SASHA & JOHN DIGWEED which blew my mind - previously I'd thought that dance music was just massive, rapid beats and tuneless electronic noise but this made me realise that it could be as beautifully crafted and immersing as all those guitar bands I loved. The same weekend we visited Back To Basics and my love affair with electronic/dance music replaced guitar music as foremost in my affections for several years.
Probably the last album to really impact on my tastes was FOREVER by THE WU-TANG CLAN. I'd dipped in and out of hip-hop over the years, and was already a big fan of Public Enemy and The Beastie Boys, but The Wu-Tang felt like a game changer. Forever is clearly not their best album, but it was my first entry into the astonishing cannon that they were building at the time. From Forever it became apparent that the various members were releasing incredible albums on almost a monthly basis it seemed - from this period Method Man, Raekwon, RZA, Genius, Ghostface, ODB, Gravediggaz and of course 36 Chambers still get regular spins from me.
Since then, there have been various albums that I have been obsessed with, but I think those massive albums in your formative years will always shape your tastes to come. Who know what is round the corner tho :)
Really good thread
Before the age of 15 I wasn't really into music, I listened to Oasis and that was about it. It makes my stomach turn to think that's all I listened to. When I was 15 some friends started feeding me some new stuff (new to me anyway)
15. Green Day - Dookie and Nirvana - Nevermind
16. Muse - Origin of Symmetry / Weezer - Green Album / Smashing Pumpkins - Mellon Collie
17. Got lumped in a Physics class with a few guys who were in to a lot of music, the introduced me to GY!BE - Lift Yr Skinny Fists, Weezer's Blue Album and loads of other good stuff
18. Biffy Clyro - Vertigo of Bliss / Hell is for Heroes - The Neon Handshake
19. Biffy Clyro - Infinity Land
20. Franz Ferdinand, Bloc Party and Interpol
21. LCD Soundsystem and Bright Eyes (both Wide Awake and Digital Ash)
22. Arcade Fire
23. the year the Twilight Sad and Frightened Rabbit were pretty much never off the stereo
24. got heavy into Mogwai and other instrumental post rock stuff
25. Robyn's Body Talk, Deerhunter and Flying Lotus
26. Kanye's Beautiful Dark Twisted Fantasy
... I turn 27 in a few weeks, I've had C'mon by Low on repeat for about a week. Look forward to more good shit throughout the year, hopefully something life changing will come along.
It’s quite interesting looking at musical progression and sometimes digression (I’m looking at you MGMT). These aren’t necessarily albums of the year for me (many of them weren’t released the year I got into them) and I don’t even listen to half of this stuff any more. I can remember who I was friends with, what I was doing, girlfriends, where I was living, what my hair/clothes style was etc. just by thinking about the album.
Nirvana – Nevermind (age 11)
Dr Dre – 2001 (age 12)
Wu-Tang Clan – …36 Chambers (age 13)
Oasis – Definitely Maybe (age 14)
Radiohead – Ok Computer (age 15)
The Libertines – Up The Racket (age 16)
At The Drive-In – Relationship of Command (age 17)
Les Savy Fav – Inches (age 18)
Battles - Mirrored (age 19)
MGMT – Oracular Spectacular (age 20)
Animal Collective - Merryweather (age 21)
Dirty Projectors – Bitte Orca (age 22)
Wild Beasts – Smother (age 23)
Tim Hecker - Ravedeath (age 24)
5+ - Dad's Beatles, Beach Boys tapes.
9 - Queen. A friend had Greatest Hits, I copied it and loved it. A group of us also loved Queen and between us had all their studio albums, Queen II and Sheer Heart Attack I still listen to occasionally now. This along with Beatles, Beach Boys really grounded me in a love of guitar based music and listening to and buying full albums rather than singles.
11 - Oasis - Definitely Maybe. I started high school just as this record and Britpop in general was all blowing up. I absolutely loved Oasis, this was the first CD I owned, everything before was on tape.
14 - Green Day - Nimrod. I had Basket Case on single, but never bought Dookie. I heard Time of Your Life and decided I liked it so much I would get the whole record. This really kicked off my teenage love of poppy punk, I bought their other records and stuff by Blink 182, Rancid, Propagandhi etc. Again, this was a perfect time as there were a load of other bands around at the same time, plus Britpop had crawled up its own arse and dissappeared. I had some great carefree summers with Green Day records as the soundtrack.
16 - 18 - A lot more punk / hardcore records, I listened to little else. Stuff like Minor Threat, Black Flag, Operation Ivy, Sick of It All, Converge. Started listening to a small local band by the name of McLusky also. Do Dallas made me get a bass and a distortion pedal.
19 - Various Artists - Punky Reggae Party. 2CD Trojan compilation of reggae from around the punk era, 75-80. Some absolute crackers on that, I started absorbing as much Reggae as I could from then on.
20+ - Broadband and downloading led to an explosion in my musical taste. Some discoveries were Sonic Youth, My Bloody Valentine, Kyuss that I never really bothered listening to properly before.
5-10-15-20-25
5 - Henry Hall & his Orchestra - Teddy Bear's Picnic
http://www.youtube.com/watch?v=dZANKFxrcKU
My nan and grandad used to have a stereo above their antiques shop. It was the size of a table, and had turntable and cassette. I used to demand they play this record all the time and I remember trying to force myself to be sick one day so I could have the day off school and go and listen to this at their house. I think it's possibly the first coherent thought I had about melody and words working in tandem.
10 - Michael Jackson - Bad
It was the first cassette album I ever bought and is essentially what I based all opinions of 'cool' on. We used to play Moonwalker in the playground at school, i'm not entirely sure how now. It's still a brilliant record to this day.
15 - Muse - Origins of Symmetry / System of a Down - Toxicity / The Beatles - Sgt. Peppers
Muse kind of shocked me. Before that guitar music to me had been Oasis/Blur/Cast/Kula Shaker/Dodgy etc. I think they were probably the first band I connected with that used guitars in different ways, that dared for bombast and made music that asked questions of how it was even made.
I was skateboarding around this time that scene in Blackpool was focussed on metal/nu-metal and pop-punk music. System were amongst my favourites. Toxicity just seemed so adventurous compared to most of the other stuff. It was filthy, unusual, loud and loads of other things which genuinely excited me.
Unlike most, we didn't have Beatles records in my house growing up, I used to have this idea that it was just because my mum and dad weren't fans. It was rubbish, they just had gotten rid of a load of older records in house moves etc. My mum decided to buy my dad a load on CD one christmas. Sgt. Pepper was the one that connected the most. I loved the stories in the songs, all of them were different musically and tried things that sounded both quaint and adventurous at the same time. Paul has always been my favourite. Even if it's like asking which of your parents you love more.
17/18 - Elliott Smith - Either/Or / Hope of the States - The Lost Riots
I'm going to cheat. These are the two most important. Out of anything I've ever heard.
I have never had a first listening experience like Either/Or. Not even close. I'd heard the tunes in Good Will Hunting and invested on that basis. Intimacy is a difficult thing to achieve in music I think. This record put me in the room with him. I can't really come up with other things to say about it. It has tracks which stand out from the rest but the album still works gloriously as a whole. I think if it's possible to have a musical soulmate, he is it for me. Still missed.
Hope of the States are my band. I don't think i'd listen to half of the things I listen to now if I hadn't been into them. I love the gigs, the people met, the memories made, the feeling of being part of something larger than myself. And I haven't even mentioned the songs!
20 - Sufjan Stevens - Illinois
I'm going for a 70-minute record, and the best travel book-on-tape never made... My first exposure to the magnificent Sufjan Stevens, blends, faith, whimsy, terminal illness, super-heroes, families, serial killers, geography, industry, trade unions and a million and one other things in one of the most perfectly formed albums these ears have ever heard.
That it has nearly as many instruments as it does ideas, and that most of them were played by Sufjan himself is something very special indeed.
25 - Joanna Newsom - Have One on Me
Not her best album (that would be Ys) but still a glorious collection of songs. It has more jaw-on-the-floor incredible tracks and moments than most other artists will achieve in their entire careers. And it also provided a very supportive arm round my shoulders during a really difficult time for me just raises it even higher in my opinion.
Beautiful girl too.
"You can take my hand in the darkness darling, like a length of rope."
Can't believe I did this without mentioning Amnesiac...
I'm 26, I think that matters in these things.
I can spot one of your posts
before I even see your username. is it possible to know someone's music taste too well?
I suppose it goes a little something like this..
0-5: The Modern Lovers 'Live!', Fat's Waller's 'Your Feets Too Big'
5-9: Talking Heads 'Stop Making Sense' and Peter Gabriel 3. My Mum's music on the school run.
9: Simon and Garfunkel 'Bridge Over Troubled Water' I start raiding my Dad's record collection
10: I get hold of a Q compilation and discover Pulp's 'This is Hardcore', Ian Brown's 'Corpses in her Mouth' and Blur's 'Song 2'.
12: Underworld 'Dubnobass', Fat Boy Slim 'YCALWB', Massive Attack 'Blue Lines'
13: Primal Scream 'XTRMNTR', Radiohead 'Kid A', Leftfield 'Rhythm and Stealth'
15: Interpol 'TOTBL', QOTSA ' Rated R', Frank Zappa 'Hot Rats'
17: Jesus and Mary Chain 'Psychocandy', MBV 'Loveless', Spiritualized 'Ladies and Gents...'
From then on it's just a blur until today. I suppose my most recent landmark album would be David Lynch's 'Crazy Clown Time'. I'm not convinced it'll be as much of a game changer as others I've mentioned though. Hindsight will tell me it's something completely different no doubt.
Not all in but...
Radiohead: Kid A - opened the door at 15 or 16 to music outside of what people at school were listening to.
Mogwai: Young Team - first introduction to instrumental rock.
Modest Mouse: The Moon and Antarctica - first real Indie darling album that I 'got'
NIN: Downward Spiral - Angst, loud music and a lot of gigs.
Mezzanine: the stuff that I liked from hip hop with less of the braggadocio.
The Cure: Disintegration - Door to the 80s.
Talking Heads: Remain in Light - Door to the 70s.
LCD Soundsystem: Sound of Silver - Non stupid dance stuff.
This Heat: This Heat: The experimental side of post-punk.
Can: Tago Mago - fucking Krautrock.
Television: Marquee Moon - admiration for the guitar virtuoso again.
Big Black: Songs about Fucking - Absolutely anything goes.
Those are the big ones, but I tend to jest get into a groove with a certain era or type of music and bleed it dry these days.
every day is darwindude day
loooooooooooooooooool
age 15/16
Isn't Anything - MBV
To Bring You My Love - PJ Harvey
HHLUABSOLSSGTCOOR - Silver Mt Zion
Bend Sinister - the Fall
Funeral - Arcade Fire
Xiu Xiu - Fabulous Muscles
age 17/18
Alien Lanes - Guided by Voices
You're Living All Over Me - Dinosaur Jr.
probably more that I will think of after posting this.
oh I've done this wrong
I meant more ones that made me go oh I want to listen to more music.
I'll get back to the social board
Fabulous Muscles...
that was a bit of a breakthrough album for me. the marriage of the hystrionics and avante garde noisey parts with electro pop was a good one...challenging but catchy.
The Remote Part
by Idlewild was one of my first big breakthroughs, when I was 12. Even though it was bought by him, it was instrumental in leading my tastes away from basically mimicking what my older brother was listening to. The was a period where listened to it several times a day for a while. Several things have evolved in the subsequent 10 years, but it's harder to pin down key parts.
Muse- lol
Bloc Party- Silent Alarm
Interpol- TOTBL
Sigur Ros- Takk (probably the main one tbh, made me understand the idea behind ART or whatever)
Mew- And The Glass-Handed Kites
Jonsi & Alex- S/T (got me into ambient)
Eluvium- Copia
Pantha Du Prince- Black Noise (got me into dance music)
Max Richter- Infra
65dos- WWEA
2010 was ace
I'm old, so...
Stones debut (11 yrs)
Highway 61 (12 yrs)
Rubber Soul (12 yrs)
Shadows Of Knight (13 yrs)
Velvet Underground & Nico (13 yrs)
13th Floor Elevators Easter Everywhere (13 yrs)
Love Forever Changes (14 yrs)
Buffalo Springfield Again (14 yrs)
Cream Disraeli Gears (15 yrs)
Peter Green's Fleetwood Mac (15 yrs)
Electric Ladyland (16 yrs)
MC5 (16 yrs)
Stooges (16 yrs)
Flamin' Groovies Flamingo (17 yrs)
Pharoah Sanders Karma (17 yrs)
T Rex Electric Warrior (18 yrs)
Ziggy Stardust (19 yrs)
NY Dolls (20 yrs)
Wizzard's Brew (20 yrs)
Sparks (21 yrs)
Dictators (22 yrs)
Low (23 yrs)
Pistols/Clash (24 yrs)
Devo (25 yrs)
BMW Kaya (25 yrs)
Elvis Get Happy (26 yrs)
2 Tone (26 yrs)
Gang Of 4 Entertainment (26 yrs)
Contortions (27 yrs)
- - switched over to 12" r&b/dance/funk singles for almost 10 yrs.
- - - that's enough. Now I'm a Fall fanatic.