Some really good nuggets of advice in here from the guy who runs Topspin, the company that has heaps of tool for artists/managers and is used by likes of Dandy Warhols, Metric, etc
how much of this kinda stuff has or hasn't worked for your band? what advice is missing in there that as a band or as a fan of music, that you would suggest. which areas are still massively confusing?
still planning to do a whole week on this in 2010