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and hitting the low E string as well so it resonates.
THE SEX. THE (melancholy) SEX.
Though when I do foray into tuning experiments, I always seem to go with Bs and Es, it just sounds lovely to my ears, and piss easy to get a nice sound out of
You can get some really nice soundscapey stuff too by gently strumming the strings with tonnes of amp gain..
Most of the tunings i piss about with involve 2 strings tuned together in a couplet, get a nice resonance with them, a bit like wonky chorusing.
One of my favez
B - x
B - 0
E - 7
B - 7
my favourite chord shape to move up and down the frets.
(It's the Crash/Ride [1 cymbal], thanks.)
the chord sequence of the first song i ever did write. transistioning from the 4th to 1st chord doesnt sound that nice though
I like playing chords like this when the note that makes it major or minor (in this case minor) is lower than it would be in a bar chord, makes it sound deeper
think it is some kind of diminished chord except the g should be 4 really, diminished chords are underated, they sound bad by themsleves but make progressions sound somehow more musical or something