Boards

It's shit, because it's Radiohead.

the track with the Ja Rule guest verse was probably the best

of thinly veiled Counting Crows covers. Not bad.

that they finally would go back to 'The Bends' sound?

obv.

then i assume there isn't a urban cookie collective cover, no ja rule guest appearence, no counting crows soundalikes and no 2 minutes of silence at the start...fucking waste of fucking £40...i want my money back...

oh and i don't have to pretend that i have heard it because this morning i walked through a door into the future and decided i might as well listen to radiohed. so i did.

People wont be happy with the overall "12 bar blues" feel of the album, but they'll come round to it eventually. They always do.

on that cover of Mr Wendell

free jazz breakdown on the first track. Not enough saxophones for my liking though.
Oh and the free jazz breakdowns on tracks two, three, five, six, seven, eight etc. are really abstract and ethereal and intergalactically good.
Not too sure about the free jazz breakdown on track four though, too much saxophone from Johnny.

start of the opening track.

"It's Radiohead bitch"

Morrissey would be ok with only doing backing vocals.

Selway should have restricted his human beatboxing to just the six tracks

Never thought I'd be saying this, but I'd prefer it if they found a time signature and stuck to it. All this ultra-technical spazzing out everywhere is really tiring.

to discover that all of the tracks consisted of Thom Yorke informing us that the release was a hoax and the real album was coming out on Parlaphone, with the covers made my Darfurian refugee children and it would be given away free in the Daily Mail.

The promise of a Richard Littlejohn collaboration, however, did excite me somewhat.

but does will.i.am really have to sing everything?

17min Drowning Pool medley but it kinda worked well in the context of the album.

but it works, especially the Rollin' cover.

"hard living mixed with kystal sipping" is blatantly plagiarism.