** DUE TO PHENOMENAL DEMAND, WE HAVE MANAGED TO SECURE A SECOND DATE FOR THIS SHOW **
** SATURDAY 7th NOVEMBER **
TICKETS ONSALE THIS MORNING
Very special show.... at a very intimate venue.... only 350 tickets available.
Brudenell and Jonny Strangeways present...
plus very special guest support
Brudenell Social Club, Leeds
FRIDAY 6th NOVEMBER - SOLD OUT! (this sold out in 2 days!)
SATURDAY 7th NOVEMBER - ** NEW DATE ADDED **
Tickets £17.50 advance.
Available now from:
Jumbo Records: 0113 2455570 - http://www.jumborecords.co.uk/tickets.asp?sort=&event_id=8952
Crash Records: 0113 2436743 - http://crashrecords.co.uk/online/product.php?xProd=7996&xSec=25
Daniel Johnston info:
Daniel Johnston has spent the last 20 or so years exposing his
heartrending tales of unrequited love, cosmic mishaps, and existential
torment to an ever-growing international cult audience. Initiates,
including a healthy number of discerning musicians and critics, have
hailed him as an American original in the style of bluesman Robert
Johnson and country legend Hank Williams. A number of artists -- among
them the Dead Milkmen, Yo La Tengo, the Velvet Underground's songs.
And he as collaborated with the likes of Jad Fair (a founding member of
Half Japanese, who've also done Daniel's songs), the Butthole Surfers,
Bongwater/Shimmydisc guru Kramer, and members of Sonic Youth.
Daniel gained his widest public exposure to date when, at the 1992 MTV
Music Awards, Nirvana leader Kurt Cobain (who constantly touted Daniel
in interviews) wore a Johnston T-shirt.
Surprisingly, the bulk of his considerable acclaim snowballed from a
series of homemade, lo-fi cassettes which Daniel started recording and
handing out to fans and friends alike in the early 80s. Eventually, the
independent label Homestead re-issued some of these tapes on CD, and
Johnston recorded a few new albums in almost-proper studios.
Daniel was born in 1961 in Sacramento, California, the youngest of five
children in a Christian fundamentalist household> He and his family soon
moved to New Cumberland, West Virginia, where his father, an engineer
and World War II fighter pilot, landed a job with Quaker State. Drawing for
a long time before he took up music, Daniel grew to appreciate such
artists John Lennon, Yoko Ono, Bob Dylan, David Bromberg, Queen, Neil
Young, the Sex Pistols, and especially the Beatles. "When I was 19, I
wanted to be the Beatles. I was disappointed when I found out I couldn't
sing." That Liverpudlian quartet continues to inspire Daniel today, who
sings, "My heart looked to art and I found the Beatles/Oh God I was and
am a true disciple on Rock 'n' roll/EGA."
While it would be years before Daniel committed his first songs to tape,
he began composing at an early age. "When I was a kid, probably nine, I
used to bang around on the piano, making up horror movie themes.
When I got a bit older, I'd be mowing my lawn and I'd make up songs and
sing them. No one could hear me 'cause of the lawn mower." As a
teenager, Daniel and his friends began to record their own tapes and
trade them among themselves. After high school, he attended an art
program at a branch of Ken State near his family's home. This was a
prolific period of his life. Unemployed, and attending classes sporadically,
he began to spend most of his time in his family's cellar, writing and
recording. The tapes he made there included "Songs of Pain" and "More
Songs of Pain," which both centered around his unrequited love for a
woman named Laurie who ended up marrying an undertaker.
The aspiring cartoonist -- whose playful, symbol-heavy sketches have
graced the covers of may of his releases, including "Fun" -- moved to
Texas in 1983. FIrst he went to Houston, living with his brother and
working at Astro World, while also recording the seminal tapes "Yip/Jump
Music" and "Hi, How Are You?" on a $59.00 Sanyo mono boom box. These
recordings featured such classics as "Speeding Motorcycle," "Sorry
Entertainer," and odes to everyone from "Casper the Friendly Ghost" and
"King Kong" to "The Beatles." From there he moved to San Marcos, TX, and
even joined a traveling carnival show for a spell, selling corndogs. "It was
like a movie all the time. Everybody around me was a great story that
never stopped, and for the first time, I realized how much freedom you
have to do what you want."
Throughout his career, Daniel's songs and drawings have been informed
to some degree by his ongoing struggle with manic depression -- lending
an added poignancy to his soul-searching times. His five-month stint
with the carney left him in Austin, where he decided to stay. In the midst
of that city's mid-eighties music scene, Johnston was a definite
iconoclast. While he continued to hand out his tapes for free, Austin
record stores started selling them; in fact, the became best-selling local
releases. Soon, a camera crew from MTV's seminal "Cutting Edge" show
came to town and all the Austin bands suggested they feature Daniel.
His appearance on the show made him a minor celebrity. Recognizing the
quality of his songs and the purity of his vision, the American
underground began to embrace Daniel. The Dead Milkmen recorded his
song "Rocket Shop," and Sonic Youth and noted Minutemen/FIREHOSE
bassist Mike Watt made plans to record some of his material, as did The
Butthole Surfers and other Austin bands. The music press both here and
abroad began to weigh in with lofty pronouncements of Daniel's artistry.
In the spring of 1992, the Lyon Opera Ballet commissioned a piece from
New York-based choreographer Bill T. Jones. He delivered "Love Defined"
- a 25-minute piece set to six songs from Johnston's Yip/Jump Music. In
October of that same year, the Bill T. Jones/Arnie Zane combo performed
"Love Defined" at New York's Joyce Theatre. The reviews in the New York
Times and the Village Voice each cited Johnston's songs favorably. Over
the years, Daniel's paintings and drawings have been exhibited in Los
Angeles, Zurich, and Berlin. The cover of a recent edition of music writer
Richard Meltzer's "The Aesthetics of Rock" was drawn by Johnston.
The 90's were difficult for Daniel, but will probably be regarded as the
years that medical relief was achieved. Modern medications eventually
He signed with Atlantic Records in 1992 and released "FUN" which sold
12,000 copies. But his mental stability and productivity didn't produce
another album until 1999 with Brian Beatties production "Rejected
Mark Linkous of Sparklehorse collaborated with Daniel in the 2003
release "Fear Yourself" on Gammon Records, making what many regard as
an "accessible" contemporary sound to Daniel's music ideas.
In November of 2004, Gammon records released a cover tribute album
with covers from eighteen artists on one CD and Daniel's originals on the
second CD. This work, "Discovered Covered - The Late Great Daniel
Johnston" gave Daniel new exposure to fans of Beck, Clem Snide, Gordan
Gano, Eels, Calvin Johnson, Tom Waits and others.
In January, 2005, the feature-length documentary "The Devil and Daniel
Johnston" premiered at Sundance Film Festival and at film festivals around
the world that year. The movie was distributed in North America by Sony
Pictures Classic and by Tartan Films in the United Kingdom on March 31,
Daniel's music and artwork are available for sale in the Hi, How Are You
Storefront, along with t-shirts and memorabilia.