- Artists:
- Charlotte Hatherley »
- Label:
- Little Sister Records »
For anyone flicking to the bottom of the page expecting a four out of ten or something, prepare yourself: Charlotte Hatherley's new record is not shit! It's pretty alright, actually! There are weird and interesting songs on there that are better than most of the cock-rock swill Ash seem to have been producing after Free All Angels! Wow!
Leaving her companions in Ash to get on with spoiling their first three albums by dancing soullessly between irony and inappropriate histrionics, Hatherley stands a fair chance of becoming as much of a critical darling as Tim Wheeler ever was, thanks to this much more considered approach to songwriting. From the John Barry-esque opening mooch-along of 'Cousteau', we are privy to sensibly constructed, sweetly honed and slightly sinister pop music. While the melodies may not be quite as strong as they should be, leaving corners unturned and furrows unploughed somewhat, the sheer irresistibility of the conjured atmospheres are clever enough to hold the interest.
She seems just as happy doing the pretty soundscaping thing as she is doing Toyah Wilcox mini pop-punk on 'I Want You To Know', which Avril Lavigne will hopefully hear and decide not to challenge. But it is the slower, prettier, more thoughtful tunes where we get see Hatherley stretch her legs a little. Oddly enough, it sounds rather close to the maligned experiment/meltdown Ash record Nu-Clear Sounds, but done properly. 'Wounded Sky' potters around with bongos and calypso guitars before seeping out into full on wooze and luxuriant horn swells. It's quite lovely, actually.
The Deep Blue never fully takes off, some songs are a little dull and lacking in charm, and it needs a fucking great single, but for now Hatherley is proving that she learnt some lessons in Ash about writing good pop music, and picked up some techniques along the way that Steven Drozd might claim for his own. Swampy instrumentals and big-thinking space ballads are entertainment enough 'til someone inevitably hails her the female Brian Wilson and she has to prove it.
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"Full on wooze"
LOL! Nice review, although the generally positive tone makes the album sound more like a 7? I've not heard this, but couldn't get into her first solo effort at all.
6 out of 10
isn't THAT much better than a 4.
The rating still screams painfully average.
A review at last!
Not one I remotely agree with, but at least there is one now.
I reckon it's great.
That album cover
She is quite blatantly sucking cock
can't help but notice
her mouth is resolutely closed.
and, in fact, she doesn't look like she's sucking cock at all.
the songwriting
is pretty boring and her voice is just too fucking squeaky and irritating.
its good
not up to grey will fade standards in terms of song quality.
if she can develop the style found on this album however, there is certainly potential.
judging by ash's recent tour, their new album is destined for (relatively) big things.
'in hell' is their new girl from mars.
I predicted
this in the I Want You To Know review! I should be a writer!
It's an album that certainly grows. There's nothing stand-out for the first few listens (apart form Behave), but when you're walking home from Temple Meads at 1am past an abnormal amount of cars, it becomes incredible.
"i'm sure this would be
bumped to a 7/8 if the reviewer was to re-review it in a few weeks"
Are you suggesting the reviewer has not done their job?
ack...
... i never do my job.
...
i honestly think she's shit......
also now that she has left ash they sound a bit better....
I picked this up at the weekend
I haven't listened to the full thing yet but so far it's outstanding. A big progression since GWF and totally for the better. Again is by far my fave so far but I'll give it another few spins when I get home.



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