Boards
17 Sept @ The Lexington - Comet Gain + The Proper Ornaments + Evans The Death
Fortuna POP! presents a Labelled With Love night
In Association with Club Fandango & AIM
Comet Gain + The Proper Ornaments + Evans The Death
Wednesday 17th September, Doors 8pm
The Lexington 96-98 Pentonville Road, London N1 9JB
Nearest tubes : King's Cross / Angel
Tel : 020 7837 5387
Web: www.thelexington.co.uk
Advance: £8.50 from We Got Tickets / £10 Door
http://www.wegottickets.com/event/285748
COMET GAIN
Led by songwriter David Feck, Comet Gain have released a string of critically acclaimed records on Fortuna POP!, Kill Rock Stars, Track & Field and What’s Your Rupture? - albums such as Réalistes, City Fallen Leaves, 2008’s singles collection Broken Record Prayers and 2011’s Howl Of The Lonely Crowd establishing the band as one of the most fearlessly passionate and fiercely intelligent British bands around. The current line up comprises David Charlie Feck (vocals, guitar), ex-Clientele bassist James Hornsey (bass), Rachel Evans (vocals), ex-Morrissey/The Meteors drummer Woodie Taylor (percussion), Anne Laure Guillain (keyboards), and Ben Phillipson of The Eighteenth Day Of May (guitar).
Unapologetically literate and emotional, Comet Gain seek out inspiration as much in the music of girl-group era pop, heartfelt Americana, British post-punk, and 60s psychedelia, as in the words and images of the beat poets and in the cinema of both the British and French new-wave of the late 50 and early 60s. The aesthetic they have made their own has chimed with and galvanized a slew of iconic bands and musicians; from artists like The Make-Up, The Yummy Fur, Jens Lekman, and Herman Dune, to a younger generation of DIY musicians like The Cribs, Let’s Wrestle, Male Bonding, Love Is All, Veronica Falls, and Crystal Stilts, Comet Gain’s influence remains a traceable and tangible thing.
Their latest album “Paperback Ghosts”, released earlier this year on Fortuna POP!, has garnered some of the best reviews of the band’s twenty year anti-career.
“Three in the morning in someone's London apartment, unattached men and women not giving up on the night: At first you hear blithering, then the smartest blithering you've ever heard. Then shots in the dark: "There's no security in purity." Then anguish and hope, forgiveness and curses, and a heartbreaker from its title to the last note: "Why I Try to Look So Bad." By this point you're hearing people you'd like to meet.” (Greil Marcus)
https://www.facebook.com/thecometgain?fref=ts
THE PROPER ORNAMENTS
Mining the rich territories of The Velvet Underground and The Beach Boys, The Proper Ornaments are comprised of Argentinian Max Claps and James Hoare (also of Veronica Falls) – who both sing and write the songs – and joined by Daniel Nellis (bass) and Robert Syme (drums). The band have already shared stages with the likes of Real Estate, Woods, Crystal Stilts, Toy and Metronomy.
Bonding over a mutual love of the Velvets, Love, Felt and West Coast pop and Max and James took their name from a song by the pioneering soft psych band The Free Design. In 2010 they released their first single, "Recalling", following it up with a five-song EP for London label No Pain in Pop. In 2013 Lo Recordings released all their output to date on a collection titled "Waiting for the Summer", followed by the single “First Step Out” in February 2014.
Their debut album proper, “Wooden Head”, was released on Fortuna POP! earlier this year to considerable critical acclaim.
“The joint project of James and Max, through romantic drama that borders on that of The Libertines. And when you hear The Proper Ornaments you’ll see why it’s all worth it. It’s like they’re meant for each other, like Hugh Grant and Julia Roberts” - Loud & Quiet
http://theproperornaments.bandcamp.com
EVANS THE DEATH
Named after the undertaker in Dylan Thomas's Under Milk Wood, Evans the Death comprise of Dan Moss (guitar, vocals), Katherine Whitaker (vocals, keys), Olly Moss (guitar) and James Burkitt (drums). The band document and channel the exuberance of youth via the prism of five pop music obsessives, gleaning inspiration from all of the music with which they grew up. They draw as much from the lyrical dexterity of Morrissey and Jarvis Cocker, as to the scuzzed up melodic exuberance of early My Bloody Valentine and The Pixies.
Following the release of their instantly acclaimed debut single “Thread” / “I’m So Unclean” and the equally brilliant second and third singles “Telling Lies” and “Catch Your Cold”, Evans the Death have been given extensive airtime on BBC Radio 1 and BBC 6Music, as well being made John Kennedy’s ‘Xposure Big One’ on XFM. The release of their self-titled debut album saw the music press sit up and take interest, with great reviews in Q, The Fly and Uncut, plus support from This Is Fake DIY and Drowned In Sound.
Evans The Death’s second album, Expect Delays, is scheduled for release later this year.
"Smart and gutsy to: a clatter and pummel underscoring Katherine Whitaker's sweet, yet punchy vocals… Evans the Death make humdrum everyday existence sound quite magical." Q ****