Boards
ATP night in Nottm - F**k Buttons, Alexander Tucker
An ATP Recordings night...
FUCK BUTTONS
ALEXANDER TUCKER
THE HORSE LOOM
Wednesday 6th February, 8pm
The Maze, Nottingham
£4 adv from http://www.wegottickets.com/event/25580
FUCK BUTTONS
Fuck Buttons was conceived by Andrew Hung & Benjamin John Power in the winter of 2004, Bristol UK. Initially the group was born as an outlet for their nihilistic-noise tendencies but quickly, the two Fuck Buttons realised they could harness the use of noise as a tool to immerse and evoke. No longer afraid of melody or rhythm, the group started fusing all these elements to the point when drone becomes melody becomes rhythm. With their electric live performances sealing the notion that the two Fuck Buttons are attempting some kind of transcendence between the listener and the Universe itself, one could easily envisage one’s psyches being shaken by the very rumbles of the earth’s motions. Tribal beats and subtle beautiful melodies weave amongst contorting Technicolor drone-scapes while preaching distorted-vocals scream for dear hope herself…
Fuck Buttons straddle you between the wall of sound that lies between the beginning of destruction and the end of birth. This grand noise will fondle you into a state of immersed euphoria. http://www.myspace.com/fuckbuttons
ALEXANDER TUCKER
Alexander Tucker began as the vocalist in post-rock hardcore 5-piece 'Unhome' who released one album "A Short History of Houses" (Unlabel) and a split single with Papa M. Unhome split in late 1999 and Tucker went on to tour with Detroit space-rockers 'Fuxa'. Simultaneously, Tucker had been developing his interest in improvisation using detuned guitars, tape loops, mini disc player and fx pedals. In early 2000 Tucker recorded a solo self-titled album of acoustic finger-picking, experimental electronics, field recordings and spooked vocals, which was picked up by Tom Greenwood of Jackie-O-Motherfucker and released under his U-Sound Archives label. Tuckers' ability to combine compositional song structures, drones, layered vocals and improvisations culminated on his 2005 album "Old Fog" (ATP/R), a collection of spectral moods, eerie landscapes and fragile emotions. His commanding live performance has led to collaborations which include working with Stephen O'Malley (SunnO))), Khanate) on his Ginnungagap side project (Southern Records limited Latitudes series), providing the soundtrack to Lali Chetwynd's performance piece at Tate Britain and playing as a part of JOMF, Duke Garwood, and Little Wet Horse. Tucker completed his next studio album "Furrowed Brow" (ATP/R) in 2006 and combined harmonised vocal patterns, layered instrumentation and heavy sonic bliss riffs to create a cross-between David Crosby, doom metal and Terry Riley. http://www.myspace.com/alexanderdtucker
THE HORSE LOOM
Delicately coaxed guitar in the style of Ali Farka Toure splattered with roared confessionals.