Hove Festival 2008: DiS diary, day three
Day three of DiS's Norwegian fest of choice finds White Denim and Foals getting the party started but Beck failing to finish it with a flourish»
JSkins has written the following articles:
The tail end of a fine evening sees Diane Cluck jovially field requests, the fluidity and grace absent earlier now well and truly apparent»
Day three of DiS's Norwegian fest of choice finds White Denim and Foals getting the party started but Beck failing to finish it with a flourish»
Although overlong, when this album hits its stride it’s far better than any collection of (ahem) dynamite East London bluegrass has any right to be»
Quietly pulsating and frequently intoxicating, Windsor For The Derby's eighth ebbs and surges in all the right directions»
The Dodos deliver not quite a perfect show – the nuance and subtlety of their quieter moments on record not entirely present – but it’s a very fine one nonetheless»
Sweden's Wildbirds & Peacedrums on their history, some confusion at being labelled an electronica outfit, and what, exactly, a ‘zither’ is»
Joan As Police Woman's latest, while never quite surpassing the evocative beauty of the band’s debut, matches it with a keen flourish»
This is an album by a young (24-year-old) musician with obvious talent, marred by a few key, grating errors. It takes itself too seriously, it’s one-dimensional and it certainly doesn’t get away with its title. But for all this»
NYC's Effi Briest peddle the kind of bizarre, gothic drone-folk (yep, drone-folk, folks) that enraptures many present, presumably baffling others»
The winsome charm Cut Copy exemplify is laudable, and as the evening wears on the surrounding swirl becomes ever-more kaleidoscopic»
Islands' Arm’s Way, their second album, is as fascinating as it is unsettling, as unexpected as it is rewarding»
Where Adem's first two solo albums established him as a singer-songwriter to be reckoned with, Takes - a collection of cover versions dressed as a third LP - never truly shakes the initial notion of a missed opportunity»
The atmosphere is hushed and reverent in this intimate studio offshoot of The Roundhouse this evening, as you imagine it would be given tonight's Joan As Police Woman show sold out within eight hours»
Formerly of drone-rockers Pelt, Jack Rose is kind enough to let listeners know almost exactly what they’re in for with this: from the artwork to the titles, it's clear the shattering of musical boundaries isn't a concern»
DiS scrambles through London's murk and drizzle to locate Swedish singer Lykke Li, currently the talk of A&R Town following her excellent 'Little Bit' single. We find out why she's such a talent to take notice of»
dEUS take to the stage to exactly the kind of heartening reception reserved for long-absent heroes, and while this is not a perfect show the Belgians offer a timely reminder of their unbridled power»
Headlights have created an effective celebration of some of the finest gentle guitar-slinging acts of the last decade. It is pretty, breezy and undemanding, boding extremely well for future material»
It’s difficult to communicate how much Wildbirds & Peacedrums impress without descending into twittering hyperbole, but gasps of astonishment honestly resonate throughout this cellar»
Tonight finds Williams and MacColl halfway through their tour, warm repartee resonating through understated songcraft. Acoustic guitars and soft drums provide the set's foundation»
A six-headed beast of a band replete with delirious smiles and gloriously infectious stage presence, Glasgow's Dananananaykroyd display the sort of gusto and verve DiS hasn’t seen in, well, forever»
The ethos behind Norway’s by:Larm (that’s “bee-larm”) is admirable. Essentially a roving festival / conference designed to promote Scandinavian acts and assist improving links within the industry, it also highlights the fruitful nature of the local scene»
The Bar and Grill is bustling – bustling! – and DiS is pumped – pumped! – to see Islands this evening. Having enjoyed debut album Return To The Sea immensely, DiS wonders how the band's songs translate live»
Instruments trade in such a technically precise, youthfully exuberant form of rock music – seemingly unrestricted by genre-snobbery – that they surely must be counted as one of 2008’s great hopes»
Possibly named after what seems to be an obscure children’s book involving supernaturally gifted detectives, The Eye The Ear and The Arm's debut sadly doesn’t quite match Nancy Farmer (her what wrote it) in terms of originality»
Opening with ‘The President’s Dead’ (the very same they closed with prior), Okkervil River's Will Sheff warmly informs the crowd how happy they are to be in town, cueing a fist-pumping roar of approval»
Trying to write about Black Kids without taking into account the hype (hype!) currently surrounding them is… well, it’s a bit of an elephant in the room scenario, so let’s be done with it nice and quick. Yes? Yes. Their 30-minute set is impressive; no means perfect, but a small victory»
Mixed Up is indeed a whole lot of fun. Love Is All emerged from Sweden’s rich musical scene in 2006 with debut album Nine Times That Same Song, a delirious rush of inventive, noisy pop. Its reappearance some two years later in new threads is welcome then, as are its talented cast of performers»
Lupen Crook's second offering Iscariot The Ladder weighs in at a lean 28 minutes, presumably eager to build upon the possibilities explored on his debut. Fans of said record certainly won’t be disappointed, as what's cooked up here is very much more of the same»
If one thing is immediately apparent, it’s Chan Marshall’s innate, tremendous ability as a singer. Shimmying relentlessly across the stage, her face undulates, contorts in every inflection of delivery, making for a captivating performance»