sartana
Comments
Whatever..
The Ponys are great. The albums doesn't rock quite as hard as the last two, but the next one will rock doubly harder to make up for it.
One of my favourite bands.
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As a Sylvian completest....
I'll probably buy this.
It's great to see a version of European Son readily available at last on a major release.
Might there have been room for Sons of Pioneers or Still Life in Mobile Homes? Two of my favourite Japan tracks.
I'll be there next year...
When I've set up my label, and I'm a big cheese honcho.
Lets be honest...
Sure, the Ordinary Boys may not cut the mustard with us hard-edged muso snobs - but I always thought they were a band that could possibly become a half-decent chart act.
There may not be room in my heart, but it seems plenty of room in the top twenty, so fair play to em.
Josh T Pearson: Tour to Experience
The Lift to Experience album is one of a handful of "truly amazing" records released in the past five years.
I've been waiting for John Pearson to raise his head again - and will definitely be at the London gig.
I've been waiting for John Pearson to raise his head again - and will definitely be at the London gig.
The Libertines - The Libertines
I've read worse reviews, and heard shittier albums.
How old was Julie Burchill when she started writing for NME?
"The man who would be king" is pretty corking though, right?
How old was Julie Burchill when she started writing for NME?
"The man who would be king" is pretty corking though, right?
The Stills - "This is actually the end of the line. We’re gonna call it quits"
I just don't hear it.
Sounds pretty like pretty generic indie posturing to me.
They are this year's The Leaves. All PR cock and no balls.
Sounds pretty like pretty generic indie posturing to me.
They are this year's The Leaves. All PR cock and no balls.

In Photos: White Lies @ Brixton Academy, London
In Photos: Monotonix @ Hector's House, Brighton
In Photos: The Specials @ Hammersmith Apollo, London
In Photos: Camden Crawl Launch Event @ The Blues Kitchen, London
Wikipedia tells us...
Whereas most rock music uses a basic 4/4 beat (however accented or syncopated), math rock frequently uses asymmetrical time signatures such as 7/8, 11/8, or 13/8, or features constantly changing meters based on various groupings of 2 and 3. This rhythmic complexity, seen as "mathematical" in character by many listeners and critics, is what gives the genre its name.
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Which I could have probably told you myself in another, more angular way - but couldn't be bothered!