hip_young_gunslinger
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The Facebook comments on this are incredible.
How people can get so upset at one person's opinion of a band that divides opinion is beyond me.
I used to impress friends by playing the chords of Canon on guitar, then singing Basket Case over the top and BLOWING THEIR MINDS.
I'd never really twigged it was in so many other songs too.
^This.
Schoolboy error.
Wish I was going to that solo show.
Love that man.
San Andreas over Vice City?
Controversial.
I once saw him in Cardiff HMV.
We nodded at each other. Seemed like an alright guy.
...
It's a grainy of Lauren Laverne as the ceremony begins. 'A strong and diverse list,' says Lauren. That's not what I read in The Guardian
On a more serious note, cheers for the tix sean, we had a blast.
Also, I own 45 of that list.
So DiS.
Will that George Foreman thread NEVER die?
My DiS pick of the year would have to be sharp_yet_blunt's magnificent quizzes of sorts.
In for the win...
1. Bright Eyes - Little Drummer Boy
2. Queens of the Stone Age - Feel Good Hits of the Summer
3. Los Campesinos! - By Your Hand
I enjoyed this review.
Although I sort of wish you'd TRIED to say a bit more about the actual music.
I own their Greatest Hits, and I'm not ashamed of it.
Great record.
Scala Choir may have sounded magnifique from a distance,
but up close (well, closer), they were disturbingly like your average pub band backing a gaggle of amateur school girls dragged out of the nearest comp. It wasn't bad. It just wasn't exactly special.
Am slightly gutted now that I missed Caribou.
BUT I did see Bright Eyes instead, so, *blows raspberry*.
Point one: Tyler, the Creation? Is that some commentary on how his public identity is some sort of artificial media construction?
Or a typo?
Second point: I know this is DiS and it's your baby and all, and you don't have a staffed news editor or anything, but is this news (remember that?), or a comment piece? I realise they aren't always entirely exclusive, but it's an odd note to strike when you're describing this as a "a disgusting thing to wake up to and read in your Twitter feed of a Monday morning" in what is ostensibly a news story.
I'm interested in the issue, and I'm interested in your take on it, I'm just not sure this is the way to launch it.
Knowing the demographic that both Keane and most Guardian jounrnalists hail from,
I'd say it's pretty likely...
Needs more noise.
And less sounding like White Lies.
I am so excited for this, especially after hearing you say things like 10/10.
Bright Eyes is by a long stretch my favourite artist, and after what I thought were disappointing efforts with the MVB and Monsters of Folk, I'm frothing at the mouth over the idea of another classic.
I think I'm going to hold off listening to the stream until I can buy the record, turn off the lights, pour a drink and really listen to it.
I only just discovered Thunder, Lightning, Strike, and I absolutely love it.
It's nice to know there's more good stuff to get into.
Bright Eyes might have their first radio hit?
Because Lua and First Day of My Life had people switching off in their droves...
I must say,
I do like the description of Hurts as: "Essentially the band White Lies would be if they dressed as Nazis and were properly popular."
Well, A Heat Rash in the Shape of the Show-Me State (ie Missouri) was a track on Romance is Boring.
So a belated single/video release of that?
Too obvious?
I believe he was called the House of Lords because he was big,
and all decisions had to go through him.
It's not a very nice way to talk about Sean, though.
SAFETY WINK.
Super review by the way, Wendy.
Maybe it's because I spent my teenage years in Wales, or maybe because I bought WGA when it first came out:
probably both - but I think it's still a cracking album. I don't remember it being hackneyed and cliched, I remember it sounding miserable and bleak, exactly like the valleys they came from (how may of the songs are about suicides of people he's known? Three? Four?)
The title track itself on WGA is stunning. Always was, still is. They never did anything as good as that first album again, true. But that first album is pretty classic in my eyes.
I don't understand your first paragraph.
And I don't see how it at all links to what follows.
As regards EHH, I saw them at Latitude and thought their music sounded completely flighty and aimless, as you put it. They definitely had a buzz around them though...
This was the first album by Bright Eyes/Conor Oberst I bought, and I'd now say he was my favourite ever artist, full stop.
Some of the lyrics on this album are incredible ("The world's got me dizzy again - you think after 22 years, I'd be used to the spin") - you could take a couplet out of any of the tracks here and find something to marvel at.
Nothing he's done since has matched it.
The whole point is that the Neptune awards bands who specifically weren't nominated for the Mercury.
Hence the xx, Wild Beasts, Laura Marling et al were left out here.
Tarot Sport is a great album, but I still think it's a travesty Romance is Boring wasn't even nominated.
So your pyramid's balancing on it's point?
This is a structural catastrophe waiting to happen.
'Straight in at 101' was a highpoint of Romance is Boring for me,
so I'll be interested to see how it works here.
Lovely review Michael, really struck upon something here.
After finally seeing them live at Latitude this weekend, the contrast between the strength and vulnerability of Matt and the songs really comes to life.
Very nice.
Would read again.
Pretty magical live performer, but I always find his records a slog.
A "greatest hits" or somesuch would be beautiful.

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Really nicely written review.
Definitely want to hear the new record. I was one of those people who loved Takk and liked the last one, but has gradually forgotten about them... I'm ready to be inspired again.