Lookout Mountain, Lookout Sea is the logical next chapter in Silver Jews' manuscript, one penned by David Berman which has had many of us hooked since its opening lines over ten years ago…
Not unlike Why?’s Alopecia Subtle's latest is an album to discover over time - it could take weeks, or more, to excavate its bulging musical trajectory…
For all its accomplishments Anywhere I Lay My Head is too safe, too respectable a record to do justice to an artist who remains forever mid-topple from the bar stool in the popular consciousness…
There’s a sexy understatedness about From The Valley To The Stars that's undeniably appealing, but parts are less substantial than a guff of Glade and overstep the line between the restrained and the sedentary…
Islands' Arm’s Way, their second album, is as fascinating as it is unsettling, as unexpected as it is rewarding…
The Ting Tings come unstuck on their debut album, treading a dull middle ground between toxic pop and dirty indie…
Canadians should on paper present some kind of hidden treasure, a combination of the goodtime feel of the Beach Boys, or maybe Fountains of Wayne without the odd bouts of nausea…
If you're playing Cut Copy catch-up: it’s indie, but it’s dance. It’s dance, but it’s indie. Things have changed since The Chemical Brothers; In Ghost Colours is a Technicolor pool of New Orderly drums and Depeche Mode-ish digital-slurping…
Santogold’s agenda doesn’t extend to pushing envelopes or pushing any agenda other than her own…
Only nine songs long, Bon Iver's For Emma, Forever Ago is one of the most captivating collections these ears have heard…
That toe’s not tapping itself, y’know – Stapleton, somehow, truly do have a hold on the listener that no critic can absolutely explain…
The musical equivalent of a stream-of-consciousness amateur dramatics play where the emphasis is on twists and turns without being trapped by the confines of having to make sense - in short, it's a mess…