- Artists:
- Wild Beasts »
- Label:
- Bad Sneakers »
“Hold me, hold me, through dark night”
Whether or not you choose to open your arms to embrace Wild Beasts’ Hayden Thorpe, whose peculiar nasal delivery is something of an acquired taste, will divide opinion. However, through the beguiling falsetto croon, these Cumbrians have an understated depth.
Though many of the 1950s references are apt - suitable, perhaps, for post-war church fete celebration bookings - they sound equally in debt to the delirious pop sensibilities Orange Juice applied. In the same way that Edwyn Collins dulled the impact of his cutting lyrics with his odd vocals, it is difficult to distinguish Thorpe’s contribution. These happen to be remarkable: “Like a limp hand raised from a hospital bed, don’t be silly and squander what you are obliged to accept,” advices the lead track.
In the same vein as fellow Kendall townsmen British Sea Power, Wild Beasts have a bewildering ability to cite and summon unusual themes. Thorpe turns his shrill attentions to detailing school-ground developments on b-side ‘Please, Sir’. “But I only winded that lad, before he bolted,” bemoans this confessional before pleading forgiveness for its protagonist’s wrongdoings. Though it bears a concerning resemblance to popular karaoke croon ‘Without You’, it is feverishly distorted by their choirboy melodies.
Though this single fails to surpass the eccentric brilliance of ‘Brave Bulging Buoyant Clairvoyants’, this is relentlessly engaging. Whether or not you choose to open those arms is quite another matter.
- Watch: Wild Beasts live at Hoxton Hall
- Spotifriday #19: This Week on DiS as a playlist
- This Week's Singles: 05/10/2009
- Wild Beasts, Blue Roses at Bodega Social, Nottingham, Fri 02 Oct
- Offset 2009: The DiS review
- Spotifriday #14 - This Week on DiS as a playlist
- A Month In Records: August 2009
- Watch: Wild Beasts - 'All The Kings Men'
yep
really into this, although i think his voice sounds a little forced at times
i really like this band
they are quite unique. i brought a couple of my mates to a gig recently and they thought it was the most horrific thing they have ever heard. but i love it.
sounds interesting
but the artwork makes me sad. tis shiiiite.
oh god no..no...no...NO
this is simply horrid and i am dumbfounded that people are impressed. musically its mid '80's plodding lite funk (the kind orange juice did when they were going down the drain), vocally a hideous gravelly squawk. like a plumbers mate trying to do an impression of russel mael after seeing sparks on top of the pops in 1976. if these become popular theres nothing else for it - i'm chopping off my ears.
Quality in depth
This single is a fine effort, and is full of nice chord changes as seems to be their trademark. For me it's the B-Side that catches the eye (or ear) and I think it's a brilliant piece of disconcerting pop. Lyrically there's alot going on too; I can see though Hayden's voice polarising the listener though I remember a certain Mozzer doing the same in his youth, time will tell...Basically Wild Beasts are for me the best new group I have heard since the mid 90's.



Wild Beasts
In Photos: White Lies @ Brixton Academy, London
In Photos: Monotonix @ Hector's House, Brighton
In Photos: The Specials @ Hammersmith Apollo, London
In Photos: Camden Crawl Launch Event @ The Blues Kitchen, London
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