Christian rock has developed somewhat since the days when Stryper strapped on tiger-printed spandex in the name of the lord, Delirious? told us 'It's OK' to sound like U2 and recite the bible at the same time even if we didn't believe them, and Lifehouse made the likes of Nickelback seem dangerous and innovative in comparison with their overwrought sludge.
Philadelphia foursome mewithoutYou sound unlike anything you'd expect from a band with such a tag. In fact it's only when you listen closely and delve into some of their lyrical concepts that it becomes apparent that they're obviously well-read on the written chapter and verse of the Old Testament.
Predominantly based around the Weiss brothers Aaron (vocals) and Michael (guitars), Brother, Sister is actually their third long-player stateside but first album to be properly marketed in the UK. Initially released at the back end of last year, the critical acclaim bestowed on Brother, Sister from all and sundry - not least the likes of Rock Sound and Kerrang! - has given mewithoutYou new impetus, not only in terms of reaching a new audience but actually carrying the flag for a much-maligned subject matter that most commentators would argue has no place in rock and roll.
Nevertheless, listen to 'The Dryness And The Rain', with its nascent guitar riff still nagging away as Aaron Weiss retells the feeding of the 5000 myth, albeit in a slightly different context, or 'A Glass Can Only Spill What It Contains' where the singer's piercing screams punctuate his brother's visceral strums incessantly, and they aren't exactly a million miles away from the the Pixies’ output around Surfer Rosa or, more recently, Les Savy Fav's discordant racket.
Minus the Moses references, of course. Still, Brother, Sister isn't exactly 'Kumbaya' and should place mewithoutYou on the map for the right reasons in this neck of the woods.
A pleasant surprise.
hee hee hee
glad you liked it - but were you honestly expecting the sound of middle-aged quiche-devouring church-dwellers playing pan-pipes? Christian music is hugely diverse and the three bands mentioned aren't exactly representative of this - and as for the use of the word 'myth' - can you disprove that the feeding of the 5000 did not take place?
(now where did I leave my sandals?)
It takes place every other Sunday
in my back garden when my good lady's rabbit welfare group meet up but...yeah, I take your point. I guess my ignorance has turned out to be quite blissful on this occasion.
Interesting
record. It contains some great really exciting riffs and great music and occasionally is also incredibly cheesy...
had this for a while
dont care about the bible bashing, the music's great
this is an excellent record
i now prefer it to catch for us the foxes, really great. the voice is so stunning and the religious aspects don't get in the way at all
Lovely stuff
Can't help thinking that everyone who would like this record might have already heard it though
Yeah, I forgot this was only just about to be 'released' here
I've had it for at least a year now I'm sure. I love the way the UK Bonus Tracks are just January 1979 and something else (as far as I remember). Absolutely fucking brilliant band though, despite my being in no way religious I still count them in my top 5.
10/10
mwY's third LP has been out in the US for nearly a year. It's had such a late release here to develop a new fanbase and I even saw a pleasant NME review not so long ago. I've always found the music scene horribly ironic in promoting freedom and acceptance in lifestyle and belief when Christian bands in particular get so much grief. Good Les Savy Fav comparisons, although I'd also say there's a Fugazi and Moss Icon influence.
Brother, Sister is the most reserved of their albums. Their activist stance remains intact and their restlessness gives them a chance to keep piercing through scenes that pride themselves on opposing 'teams'.
Which would be best for a beginner?
Considering that I've only mostly heard "Gentlemen" (which is incredible) and a couple of other tracks.
Catch For Us The Foxes
because it's not as heavy and shouty as A-B Life, but not as reserved as Brother, Sister. And it's easily a 10/10 album.
Son of a widow...
Oooh. Tune.