Pop Eats Itself: EMI Loses £180m But Stares At Warner Music
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EMI attributed the massive drop in profits to the completion of debt restructuring programme, in addition to 'unprecedented levels of retailer de-stocking in Japan and a reorganisation in EMI Music Publishing'.
EMI is the parent of record labels such as Parlophone in the UK (Coldplay, Radiohead, Blur [through Food Records] ) and Capitol in the United States (Coldplay, Radiohead, Blur). Top of the EMI publishing division tree this year were Pink, Pharrell Williams, Alan Jackson, Sean Paul, Robbie Williams and Evanescence.
The company once again reiterated that: 'Both physical and online piracy continue to be a major problem for the industry. A flood of blank CDRs, mainly coming from Asia, has fuelled physical piracy in many parts of the world and is contributing to industry declines. In the online world, even though the US industry has shown a small decline in illegal file sharing as a result of industry action, online piracy continues to do massive damage.'
Whilst bemoaning the financial plight of the industry, the company confirmed that it had made a 'firm offer' for Warners. EMI Chairman, Eric Nicoli, added that discussions with Time Warner had 'progressed well' and were 'at an advanced stage'.
"We have made a firm proposal to Time Warner which, we believe, would create
substantial value for the shareholders of both companies," he added.
The private offer is expected to value the whole of Warner Music - including
its Warner Chappell music publishing arm - at about $2.5bn, reports added.
The move follows merger plans announced by Sony and BMG earlier this month.
To secure the deal, it is thought that EMI will have to offer Warners £1bn in cash.
We are aware that this story has nothing to do with music.
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HORRAY! The Death of The Music Industry Continues.
In the shadows, brave things are happening....
DiScuss: What was the last truly exciting thing to happen in the corporate music world? What was the last event to burn a significant mark in the history books? Spicemania? 'Song 2'? 'Creep'?
Re: HORRAY! The Death of The Music Industry Continues.
That'll teach 'em to give £80m to an ageing overweight pantomime dame with a blown voice and *no* writing skills.
We'll win yet brothers! We're detuning our guitars and coming after you Cowell!
Mwah-hahaha!
i hope the lot folds
why do the suits have err such nice expensive suits? Looks like someone makes alot of 'dollar' innit.
Looks like M & S all the way now fat cats.
La la la
Re: La la la
Tarka Daal the otter
Uhuh. And MP3s destroy the world, were responsible for SARS, shot JFK and probably rape elderly citizens too. Fucking record company arse. Simply put: if you market your entire singles market at young people, with the majority of records aimed at the crowd who've just developed pubic hair, and you throw hideous amounts of money at short-term crap like the Pop Idol crowd, you lose money. Maybe you could look at the album buying crowd, y'know, the market that you actually make your profit on becuse you don't waste all dat cash on bullshit promotional work and shitty videos for MTV. If the music industry were running an Indian takeaway, they'd spend all their money on poppadums, give the curry and rice lip service and never, ever have any mango chutney. Fer sho'.
good words
I blame the clocks going back
Rape and pillage.
Spock says '
Uhuh, and there are plans for the whole Pop Idol shite to get even bigger... hello enormous cash cow, goodbye all remaining sanity. Did anyone see this article on the BBC website?
http://news.bbc.co.uk/2/hi/entertainment/3280429.stm
Now, what type of bands/groups do y' reckon release the greatest amount of filler? (Points for anyone who mentions Sonic Youth's 'A Thousand Leaves' LP). And what do most singles have? One song, a couple of remixes... and what market does the record industry aim at? So singles full of filler=don't sell=pretty shitty investment you'd think. The record industry clearly thinks differently.
I love the article though. Comparing Speakerboxxx to Springsteen... guffaw. Give me the future 'Napalm Death versus Wynonna Judd' article before i sneeze vermicelli everywhere.
YOUR TALKING SHIT!
Re: YOUR TALKING SHIT!
maybe they didn't pay Robbie Williams £80 millon - but then to be honest, paying him 80p is too much.
fact is, the most exciting music around is on independent labels. i'd take the rosters of Domino, Secretly Canadian and Kill Rock Stars over EMI, Parlophone & Virgin or whatever anyday. sorry...


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