DiScussion: Does poverty inspire great art?
- Artists:
- Sonic Youth »
- Grandmaster Flash »
- Minor Threat »
- Public Enemy »
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- Teenage Jesus and the Jerks »
With the country’s collective heads fully in the brace position as we hit a recession and witness the emergence of a hell-bent, hockey mom as potential vice president of the USA, there may still be hope on the horizon.
Historically, during dismal financial and social conditions also comes the most potent, exciting and inspiring art. It could even be said that without the tight budgets, lack of food or housing, we might not have some of the musical genres, movements and bands we celebrate today.
One of this writer’s favourite quotes of all time comes from a New Orleans musician – part of the Hot 8 Brass Band on the topic of playing music after surviving Hurricane Katrina: “Music is our distraction from destruction”. That’s pretty poetic. With this ray of sunshine peeking out from the cloud with its diminished silver lining, let’s start this debate by looking at a few past examples of just why we should perhaps be so excited, even grateful that we're on the verge of recession.

As much inspired by poverty as by the wish to be wildly creative, it was based around a particularly dangerous, decrepit part of downtown New York, the Lower East Side, if you will. With police intervention unlikely, the reputation of the neighbourhood far from savoury, punk-inspired bands and maverick artists were allowed to run amok. This led to shows at New York’s Artist Space, a non profit art gallery, for a number of bitter, nihilistic underachievers. Brian Eno, as a result, recorded the influential No New York_ compilation, which documented and highlighted the sonic adventurism being attempted by people barely able to afford to eat. Lydia Lunch got her name because she’d steal food for her artist friends. Let’s be honest, these social misfits simply oozed menace, desperation and ominous intentions, so it really is no stretch of the imagination to believe that their penniless ambition could not have been replaced by anything else and reap the same results.
_Key Artists: Teenage Jesus and the Jerks, Sonic Youth, DNA _

Hip hop is easily one of the most important, and obvious, musical genres to have arisen from low income and social conditions. The reason for its sudden widespread prevalence in the late 70s was down to this: you could be poor and rap. All you really needed was a voice and your own words. You’d entertain entire house parties and there were no expensive instruments to learn. How this now relates to the multi-billion dollar industry we all know, and some love, is neither here nor there. For something so pure to come from such a desolate background and conquer the sales of pretty much every other genre going is inspiring. It’s a style that arose from necessity and circumstances, and it could be argued that with prosperity and acceptance the art-form (and its propelling anger at injustice) lost its way. It certainly wouldn’t have found itself without the artists needing to resort to basics.
Key Artists: Grandmaster Flash, Eric B & Rakim, KRS One, Public Enemy

Whether inspired by punk’s ethos or its pace and expression, the message of hardcore was clear: do it yourself, in your own way because no one else is going to do it for you. If you subscribe to the Dischord Records school of thought – and you really should – then this means not only will all recordings, record sleeves, distribution and releases rely on your own hard work, but also you wouldn’t charge more than is necessary to keep everything running. So, rather than profiteering, these bands – Minor Threat, DOA, Rites of Spring, Fugazi**, pick your favourite – were practically wallowing in poverty. They charged minimal amounts for all-ages shows and made sure the music could be enjoyed by EVERYONE. Even now, local musical communities survive this way. Most of the bands you love wouldn’t exist without this ethos. Thank the poor.
Key Artists: Black Flag, Minor Threat, The Teen Idles
So, them's our suggestions but we're far from complete. What bands, or even classic albums, that you adore wouldn’t exist if they were middle class and wealthy? Do you really think that economic downturns provide a boost in creativity? Can we blame all the rich people for making shit music? What about the incentive to better your position by making music and getting out of the ghetto? Can you see the current problems hitting hard enough to reveal talent hitherto not seen; a new Sonic Youth or the equivalent of Marvin Gaye’s What’s Going On? Were Crass responding to the times so dramatically because they could afford to do so?
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oasis
are an obvious example of hard time yielding great work and subsequent riches yielding shite.
I think this is the worst article I've seen in the whole history of Drowned in Sound
Poverty does not generate great art, in the same way that riches do not stagnate it. This article is geniunely abysmal.
Re: key artists Minor Threat, Fugazi and Dischord?! Ian Mackaye's father was a White House reporter for the Washington Post. Most of Sonic Youth are University Educated Middle Class kids... This is the biggest pile of bollocks I've seen on this site.
that's not entirely the point
the scenes listed were generally made up, artists and audiences, of the young and poor. that several of the key artists involved had upbringings that weren't poor is neither here nor there.
still, your hyperbole aside i agree that lines like "let’s start this debate by looking at a few past examples of just why we should perhaps be so excited, even grateful that we're on the verge of recession" are very silly indeed. in fact they're so silly i'd guess they were included primarily to generate responses like yours, and mine. ;)
Interesting point
I think there's some truth to it: just look at UB40.
Class is linked to art. And that doesn't mean that if you're wealthy you can't produce great art.
I think what this article should be getting at, is that being financially less well off gives you a different drive, and language that doesn't exist to the financially secure.
just realised didn't bother to address the actual point either
i'd say that poverty doesn't generate great art, but great art is something that people will pursue in spite of poverty, and that people who choose to make music and all else be damned will usually be pretty poor, as statistically speaking music is a rubbish way to make a living.
but then i guess sensible, balanced claims don't generate DiScussion, amirite?
i think youd have been better off mentioning how alienation and being treated like shit
led to the hardcore scene being what it was.. yeah they often lived in pretty shitty conditions, but the main inspiration for the music was being beaten up for how they dressed, being outsiders and shit like that.
Perhaps poverty does produce a different ethos and music style,
but I wouldn't suggest that it provokes a better one, if only for the reason that it's a completlely limiting definition that denies so much. Many of my favourite artists are aristocrats - Lord Byron, Vladimir Nabokov, and they didn't need to live on the breadline to produce worthwhile art.
I think linking artistic creativity to wealth is extremely dubious
For me, art in whatever form is likely to come from a situation where somebody is struggling. The art is a reaction to such a struggle. Yes, wealth may be part of this but to view it as the sole motivator is rather simplistic.
Basically...what Herbert Read said.
I'd be tempted to say no.
Escapism inspires, i'm not sure that's something specific to the poor, look at Nick Drake.
Plus, i'm not sure i'd consider music to be art, really.
Animal Collective
aren't poor or in difficult circumstances and I'm pretty sure they've been making some of the most forward-thinking "art" for a while now.
Emotional issues
are usually much more of a drive to create great art than social or financial ones (though of course they can be related).
are you actually
serious with that last sentence
isn't
being broke and hating the establishment, feeling that both things have to change, quite a big emotional issue? or if anything doesn't being skint and in collapsing world just make being dumped or feeling alienated (usually because of tabloid reading idiots who are looking to blame scroungers or "coming over here, taking our jobs") feel that bit more intense?
err, re-read the title mate.
it's a discussion.
What about The Enemy
and all of their "If you're rich, you'd write a song about a casle, and no one wants to hear a song about a casle" bollocks
They're from a working class background and they make the most appaling shite imaginable
pretty dubious of this
whole romanticism of the starving artist kick you've got going on here.
How many poor bands have made rubbish albums? Lots.
How many middle class comfortable living bands have made good music? Plenty.
Absolutely
To say I welcome recession, financial struggle and everyone's misery for the sake of the possibility of a few decent records would be lunacy.
this article is pretty much spot on
except it naturally, for our musical times, focusses mostly on what was happening in New York at the end of the 70s and start of the 80s.
as to whether poverty = better art, from a european and american perspective, you only have to look at the fact that almost all of the most important musical pioneers of the 20th century (robert johnston, miles davis, james brown - inventing blues, jazz, r'n'b, rock 'n' roll, soul, funk, hip-hop and house) were black. It's not co-incidence all these people are American. Obviously black guys in America have had a fairly rough time in the last hundred years. Almost without exception, these musicians came from very humble backgrounds.
That's not to say of course that only poverty can bring good art. The whole point though is that White westerners have just fucking loved 'black' music and have aped and assimilated it into their cultures. Over the last hundred years, Britian for example has gone from a musical culture that relied on live music only (no record players remember), sitting round a piano, folk songs, and classical performances.
It's impossible to answer the question because we currently enjoy a mixture of these two cultural forces. Who's to say Bob Dylan is more or less important than James Brown...
the whole of the DCHC scene
was made up of middle class washington civil servant's children - that's why it is so famous - all the kids could afford decent cameras, so theres lots of pictures, so we can lookback on it.
some great music though, and they may have espoused a DIY ethic, but nothing to do with poverty at all
Hmm...
I don't think it's a case of poverty inspiring great art as such, but you will find when most scenes that explode kick off it has happened in poorer areas in recent times.
The reason why that happens though is because people move to those areas because of the cheap rent, thus the artists can spend more time working on art rather then paying rent/bills.
Manchester and Brighton are two key examples of this in the last decade. The problem is that the second an area becomes cool and gets exposure, everyone moves there and rent sky rockets. Brighton is producing nothing like it was about six or seven years ago, because it's so expensive to live there since it became cool.
Even in America you've had areas like East Village and the Meatpacking districts in NY which became cool and then horrificly expensive and in LA Silverlake went from a semi-ghetto artists haven to land of those who earn $100k a year.
It's never so much poverty as living oppressed which inspires great art. Of course poverty is part of that, but it's not the defining factor. People listen when you have an interesting story or a different twist on things. The vast majority of full time artists I know are living in virtual poverty anyway.
I thought...
heartbreak and personal turmoil were key factors to good lyrics etc?
This is weird....
I was having this conversation with a mate the other day. Apparently all the art that comes out of San Franscisco is shite because everyone there is so happy!!! (He's well into art). To which I commented thats why Glasgow and Manchester have made such great music - there's a high degree of poverty. And thats why all you wannabe music stars out there should gimme your money. Get in contact for the bank details.
It rains alot...
in Manchester and Glasgow (and Sheffield, too). That has a bearing on the state of play re: Music in those cities. Not entirely defining on it's own, granted. But but it sets the tone and colurs the attitudes. Birmingham, on the other hand, has an entirely different thing going on.
Source: Having lived in each of the four cities.
Also, what was said about Oasis. Although as time passes, it's becoming apparent that Oasis' high points weren't actually that high, and, in any case, seem to get much much fewer and farther between.
THIS IS FOR THE POOR
NOT YOU RICH KIDS
no
and my gcse music teacher taught the brass section how to play their instruments.
irrelevant i know but on the issue of poverty inspiring great movements, all things great, like great art, are born in misery and nurtured through suffering. one fine example id use is bukowski. only he could have wrote what he wrote and how he wrote it and only because of what life dealt him. abusive father, living on the poverty line, being undesirable and all his others faults which poetically make him beautiful to me and anyone else who adores him and his work.
theres countless more examples of this but that isnt to say having money and being comfortable doesn't mean you cant make good art. great art is very different though and what i would consider great would have come out of poverty or a harsh enviroment.
hmmmm
I think you could argue equally on the side of both. I'm sure great art has been made by those in poverty and those perhaps a little more well off than the others.
Chances are though most "great" art is made by average joes with a bit of escapism instilled in them. That doesn't require any particularly difficult circumstances, but probably an average job, an average life and a dream.
Sometimes though it's easy to get the impression some artists plead poverty to appear more real. The guy from the Enemy sings songs about having a shit job and having to work all day etc etc. I'm pretty sure that guy is still young enough to not know what the prospect of a career at Grim Towers is like, as he has been propelled fully into the world of rock stardom. What's his next album going to be about?
I quote the Ben of Folds
"Y'all don't know what it's like, being male middle class and white."


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