Sign In:

The Weekly DiScussion: a talent contest too far?

Every year a new batch, like evil puss-popping Gremlins bubbling in a public pool, are unleashed into the public’s eyes and ears: made-by-television pop-stars in their embryonic stages, could-bes dressed up as gonna-bes, and lads-mag pin-ups touting Cathy Dennis-penned numbers destined for chart dominance, are flaunted about like new must-have designer heels on the painted toes of some own-it-today, chuck-it-tomorrow Barbie Doll with a gaping hole where their grey matter should be by industry schemers and shakers keen on capitalising on any projected 15 minutes within the first ten. Takes breath: and, these plucked-from-Burger-King kids and last-ditch pub-singer single mothers, who tug at a nation’s heartstrings like puppy dog-eyed beggars on the streets of war-torn foreign climes on the nightly news, are pulled tight to a collective bosom like national heroes, like they’re the ghost of Bobby Moore popping up at the back post to nod a Shaun Wright-Phillips cross in two seconds before the final whistle to earn a 1-1 draw away in Liechtenstein. Fucking hell… Well NO MORE. Kinda.

mobileAct unsigned is on Channel 4’s T4 magazine every Sunday, after Hollyoaks has finished its seventeen-hour omnibus slog-a-thon. (Did the gas leak actually kill anyone in the end? I got bored of watching comatose actors acting comatose badly and made beans on toast.) It’s another talent show, but – get this – it focuses on REAL BANDS, not manufactured pop pap like that Will Gates fellow, or Gals Abroad With Their Footballer Hubbies. These bands have put all the hard work in already – one has even toured with The Harrisons, which must be like being ram-raided in the arse by the Devil’s own rolling pin on a bed of red-hot nails located at the eleventh level of anyone’s personal hell. Seriously, The Harrisons. Someone give the unsigned act in question, Beatles-influenced jangle-pop types Gilkicker, medals all round.

Rather that than the actual prize: a one-album record deal including a pair of singles – wow – and a potentially crippling £60,000 advance. Why has not one of the remaining bands – we’re down to either six or seven (the mobileAct unsigned website’s a little crap, stating seven on one page but listing six on another) from an original audition-level shortlist of 50 – clocked that this is Not Actually A Great Deal. “Here you are, boys and girls with no experience whatsoever of the recording process: 60 grand to spend on your first album.” Brilliant! Only, I guess jobs will need to be quit, and rent paid, and food purchased, and bills signed off, and tour managers acquired, and studio tea boys to pay before you get a penny. And there’s three or four, or five or six of you. And you’ll want to go out every once in a while, get your face in Victoria Newton’s double-page spread. Face it: you’re in serious debt here.

Which, if you are the next Coldplay / Oasis / Radiohead, is not a problem: Jo Whiley (best bit of t’other day’s show: the shots of her upset ‘cause the band she told hadn’t made it were upset… fucking hell Whiley, did you expect them to jump for joy, slap their thighs and herald the brand new dawn of their failure with a good ol’ sing-song about looking on the bright side of life? Up yours Whiley, up yours and your rubbish voice-overs for rubbish albums that no rubbish cretin save Tesco Metro shoppers actually wants to call their own) will fight your corner on daytime radio; that Simon Gavin fellow – from A&M, so it’s him you’re gonna have to pay that £60,000 back to one way or another – will ensure that your two singles are forced down the throats of people like, um, me, actually (as the Evil Genius and/or Shitweasel behind Bedingfield, D, he knows how to choke his victims into ballad-bombast submission); and Alex James, floppy-haired former bass player in a band whose best songs have dated terribly, will go make some cheese somewhere. I’d demand the opinion of Rowntree, me.

However, if you’re the next Northern Uproar, you’re fucked.

One band sure to get booted before the final few go on a ‘tour’ – dates around the country will see our short-short-shortlisted few play second or third fiddle to Kate Nash, some other band, and We’ll do anything, us, to remind people we did that Intel advertisement Mercury nominees New Young Pony Club – is the brilliant (comparatively) but hideously named (seriously) Hijack Oscar. Their husky blues had these toes a tap-tapping back on show number three, and they’re to be ‘mentored’ by Maximo Park’s Paul Smith in upcoming shows. Presumably they were pointed in Smith’s direction due to their predilection for wearing hats, as I am yet to witness one of the grizzly six-piece execute a convincingly muscle-pulling star jump. Shame, as they’re clearly the best band left in this competition.

Who will win it? Probably obnoxious up-themselves and self-congratulatory wannabe-maverick all-girl ‘punks’ The Mentalists (pictured). It’s set up, can’t you see: they’re through to the last six/seven by the skin of their teeth, nobody on the judging panel – sorry, that’s Whiley, James and Gavin in case a couple of paragraphs ago that wasn’t made clear – particularly liked ‘em when face-to-face, and I hate them and their “you’ve never heard anything like this” Garbage-cum-Blondie-recalling pop-rock toss. Its is drama! It is destiny! And they are getting extra advice from Bedingfield, N, about being girls in the music industry. While I am yet to understand why anything the baby-demanding freak touches turns to chart-raping gold, I live in hope that one day all the cats she imitates being run down by tractors so well will come calling at her door and claw the gobby wench to pieces.

Actually, I want them to win, these Mentalist girls. Of all the acts that have made it this far they’re the ones I’d most like to see break down mid-gig, suddenly horrified by the massive black hole they’ve slipped into as a result of winning a life’s worth of residence in the red. In with a bang at 38 goes single number one: it’s One True Voice all over again, and really not so dissimilar from Pop Idol et al when stripped to its basics. Acts play. Judges judge. Public votes. World keeps turning. We all get into a steam over something really quite easy to ignore.

Except in this case we are dealing with REAL BANDS, and it’s unlikely the winners will be releasing Cliff-beating Christmas singles and stinking up breakfast television with day-of-release promo jaunts around GM:TV and The Big Breakfast. What? Got axed years ago? Chris Evans married Billie “why you wanna play that song so loud” Piper? But she’s getting her bits out on ITV2 these days! Amazing…

DiScuss: While there’s no doubt that shows like mobileAct unsigned make for decent hangover viewing on a Sunday, just how many bands do you suppose benefit from the exposure? Bad Sandwich were certainly brought to my attention through the show; granted, they’re the worst band in the history of amplified music, but still, name known. Are The Bad Robots and The Ginger Bread Men gonna be okay regardless of if they’re pipped to the post by four gobby girls with delusions of grandeur? Oh, to see them fail…

BASICALLY: why hasn’t this reality TV talent contest bubble popped yet, and why are so many ‘proper’ bands suckered into losing any established credibility for a few seconds with Alex Zane? I mean, he’s a good looking man, but…

Check out the mobileAct unsigned website here for more on the televsion show and links/songs for all participating bands.

ah haha

I know the Ginger Bread Men. They were local to Muswell Hill/Friern Barnet where I used to live. Utterly, indefensibly shit. They were one of the main bands that bought into the Archway Tavern's criminally dumb 'Monopoly' scheme. Clearly they'll swallow any old crap.

i love this show

i really do, its pretty rank but it's enjoyable.

Jo Whiley is so objective rather than market incentive i want to kill her.

Billies Boobs

Terribly DiSappointing.

Turned over and WHAMMO its Billies boobies, but the chick next to her had much better ones.

Speaking of Boobs, the chick from 'Hustle' has rocked up in 'Dexter' Season 2 (currently on in the states, its fucking AMAZING) and had got her tits out on multiple occasions, also her ares, and everthing else. Who'd have thunk it!

^ report this ^

;o)

Is this true about the Gingerbread men?

They deserve failure if thats the case. Silly boys!

I believe that a bit like the shock of driving past

a motor accident - people are just glued to these shows despite complaining about them constantly and enjoying something to talk about in their otherwise bore-infested lives. Would the British office be the same without the dullard section rattling on about how they want so and so to win or how x was out of tune last week? People derive pleasure from the melodrama too and like to see the workings of a programme that claims to make stars. Some viewers are still taken in by the idea that if they go on these shows they can quit that dead end job, stop going to school and be all famous without realising that the realities of being a successful musician or artists yep even a pop one are alot tougher and require more effort than things like the x factor, Idol, fame academy, musicool and now this show.

There are also the ghoulish viewers who drop out after the audition stages and perpetuate reality tv while condeming it in the same breath. They enjoy laughing it up with friends in front of the idiot box before going out on a Saturday and making fun of the hapless 'weirdos and deadbeats' who turn up to be humiliated by Cowell but they add to the viewing figures anyway and are as much a part of the whole circus as the devotees who turn up to the finals with images of their favourites emblazoned on cheap cotton t-shirts and one finger pressed on send text to that easily memorable 883322 etc number.

Point being, it still makes watchable tv even if you hate its empty hearted, robotic guts because people are still tuning in, because on Saturday there are no alternatives unless Strictly come prancing suits your tastes, granny can't go out, many young kids deluded into thinking they can be popstars instead of hold real ambitions can't go out, couples don't want to go out and the rest are just killing time and the producers make it so easy for people to VOTE NOW, flashing those numbers constantly on the screen but reiterating that your 50p will be lost if you vote before the lines open and you've seen all the ACTS.There's money to be made and people like Cowell and Fuller and the 'judges' are the ones making it. That's why Sharon Osbourne walks out of the show then comes crawling back the week later, she gets her money, viewing figures rise. All.so.cynical. It is lucrative for the judging panel, I'd argue one or two can't afford to not be a part of the hideous machine. Minogue for example is being offered more things than she can shake a stick at now because of her appearance. she's releasing a new single with Jason Nevins (remember him?)and FHM would quite like some pictures of her.

Those 'bands' in the channel 4v branches of realmusicitytv are not PROPER as you say, they're a mix of naive fledglings who just want their band heard and stage school precocious brats who aren't used to hearing the phrases 'no' and 'you can't' They want fame now and their arrogant enough to believe what they're doing is true, unique and worth subjecting the general public to. The reason their on the show is that they know nothing about the music industry or have gone through every possible audition in the Stage and decided they may as well dance with a more powerful devil than some chancer who's setting up a new gimmicky all-girl band to rival Girls Aloud.

Reality tv is still biting everyone in the arse and people still feel satisfied and repulsed by it in equal measure but not enough to press the off button because isn't that that girl who happy slapped some other girl and it got posted on youtube, my god what can she have to say for herself? The watching continues.

I caught a few seconds of this at the weekend

and one of the first shortlist bands appeared to be Envy And Other Sins. Haven't they been possible-next-big-thing-in-a-crosswind for several years now?

^This could all end^

If they'd only bring back The Equalizer and Land of the Giants to reclaim their rightful respective Saturday night and Sunday morning slots.

Truly

Hijack Oscar, despite having an awful moniker are pretty decent.

The real problem here is that it's a show that continues to perpetuate the myth that signing a record deal is the be-all and end-all of being a successful band. The industry is changing now and rapidly. The idea that signing a deal means you're set up for success is bollocks.

A 60-grand advance is actually rather large for a one-album deal in the current industry climate and assuming that it is _all_ advance and the label are still picking up the recording, marketing and manufacture tabs.

The successful band will never have to repay the label if they don't break even and they'll get a shot at success with the backing of a major record label - regardless of whether or not we think they're worth it.

The real problem is that this programme is so stuck in the past in terms of the way in which it approaches the music industry as a whole, that those who continue to plug along in Band X in Small Town Y will continue to believe that signing with a major label is the route to a safe future and lengthy career. It really isn't.

Appointing clever management that are au fait with the changing nature of the music industry and who have the financial backing to support a band through the first two years of their development should now be 'the dream'.

The sooner people realise this, the better.

I'm kind of dissapointed that more bands haven't dropped out by choice.

I watched Nemo's singer say that he simply couldn't bring himself to play the first round of auditions. They were of course ridiculed by the show and said to have 'bottled' it, but when he realised what it was I'm not surprised he refused to do it.

I've seen Nemo supporting Imogen Heap and while I didn't really like them, I did think they were a good band in that they did what they do very well. To be turned down (or in many cases to be picked up) by one of these shows can for a lot of bands mean the beginning of the end. I don't blame them for pulling out at all. They recognised that this show is a crock of shit.

I was also dissapointed to see This City being on there as well, but was pleased when they dropped out. Good on them for realising that it was all total bollocks.

I have to admit though I do enjoy watching some of the acts like Hijack Oscar. I would definitely go see them play live. It is just a shame they haven't gone the 'hard way' and just gigged LOTS. They most certainly would've found success if they had worked at bit harder at building a national fanbase. By going for this shortcut to success, they may end up on the scrap heap far sooner than they should. Which is a shame....cause they're actually good.

Rant over.

This City didn't realise what they had

got themselves into. As soon as they realised they were signing their lives away they quickly jumped ship

oh good

i didn't know about this until now. good for them!

we also only have 25 copies left of their single here at fandango hq if anyone wants one :-P

Part of me questions

the people taking part - if you're genuinely keen on making your band successful and not something that will see you in a financial black hole forever, why wouldn't you have checked to see that what was being offered was such a poisoned chalice?

Oh did you release that?

I made the video

yeah

*high fives*

yeah, i saw

that bit with nemo. 'twas a bit humiliating for them. good on them for dropping out but come on, surely you should have known before you rocked up what it was exactly you'd have to do.

there's literally nothing wrong with this really

like Crablin says, they aren't going to be put too out of pocket by the whole experience, and the bands (particularly the ones who reach the later stages) will certainly get some sort of leg up. Jo Whiley is on the panel after all, and i doubt it would go against her strict morals to play one of these bands on her show. And for the people involved in the bands, i'm sure they don't recognise or care about any lost credibility from appearing on the show, much in the same way that their supposed demographic public won't see it as damaging to credibility either (unlike X Factor "stars" these guys write their own songs and play instruments. LIKE WOAH! Better than that uncredible X Factor crapola blahdeblah etc.)

The main point of interest for this program is the depressing insight into how the bands are judged and weeded out. Image is everything: will they sell? Do they fall within the zeitgeist movements? How good do they look on stage? Do they have a marketable attitude? I mean, these criteria are hardly news to anyone, but to have it plonked in front of you eyes like this is quite revealing

p.s. i must admit to being a pop music talent show whore in general (such is the pain of being fascinated by lcd music in all its lowbrow glory)

Report this where Mike?

Dexter S02E07

Torrent it!

I enjoyed reading this

Mr Diver has clearly been reading a lot of Charlie Brooker's stuff.

Aren't Hijak Oscar

just Gomez mark 2?

great article :D

I still have no idea

why Jo Whiley is a judge on this. She's got fucking horrible taste for a start, doesn't seem to understand the rules ('oh you got voted out? Not to worry, come back next week') and insists getting herself into a huff about something every week.

The other week she kicked out a band because "there's nothing i hate more than a guitar solo".

I just took that to mean that she's soft on paedophiles.

shitty wine

Jo Whiley is a shit eating bitch, I fucking hate her with all my mite!

mobileact unsigned

is just really really funny to be honest

The one on the left is hot

The acoustic segment

was concrete proof of how out of touch everyone involved in this farago of a programme truly is. A band having to prove the 'quality' of their songwriting skills and musical ability by adapting their material to a completely different style, is reactionary and anti-punk in the extreme. All the bands should have told CH4 to fuck off at this point - wankers!

i completely agree

my two favourite moments so far have been :

Lily Allen commenting on The Mentalists (named after the branch of 18th century magicians which gave way to the modern day psychics) " Good music but terrible name, we can see you're a bit wacky on stage we don't need your name shouting about it"

Jo Whiley on some screamo band " yeah i like you guys, screamo is getting really big now with Enter Shakari and The Gallows"

gah

am torn in the whiley debate, she used to be a part of one of the greatest double acts that powered radio 1 when she did the evening session with steve lamacq, and I've watched for years as she becomes more and more ingrained in everything that is wrong with that station... she went from barely disguising her contempt for daniel bedingfield when he was hurriedly ushered onto the show when his firsat single was going to be number one, asking him quiestions not far off 'what's your favourite colour' in a disinterested voice - to pandering the egos of puddle of mudd and david gray without blinking an eyelid. I feel betrayed...

oh and this T4 thing is just fucking cringeful just for the haircuts involved.

The Mentalists

are a great band! They were doing well before this competition and if you drop by their Myspace you'll find they have opinions that go way beyond the highly edited shitstorm of "we're the best" that got pasted all over their televised performances. Musically I like them a lot, but I don't have much in common with the DiS crowd in general so each to their own. Their self produced video is also well worth watching as it looks anything but self produced...

I believe

the program refers to wiley as being 'possibly one of the most powerful women in british music'. Possibly, sure. But not. Not at all.

Why???????

Igot to watch it stateside on the net once. then I see all you all lambasting it. Come on, thanks for making mention of a few good bands,but lets be real(unless this is all there is to watch, or be forced to put up with)why bother looking at all if, say the bands drummer is any less the equivalent of perhaps, Jason Bonham for instance. Who I recently sawe live and blew the place away with his mates. Garbage is always out there. Let it rot like it should.

Real Music

come on guys - surely we should appreciate that finally someone has the guts on telly to champion real music instead of all the plastic pop sh*te there is out there.

yeah ok, they may have been asked to write songs that aren't their usual style, but these bands all write their own music and play their own stuff - there's not a cover version in sight

that surely is pure bliss

how were the mentalists

'doing well'?

"that surely is pure bliss"

you've heard their songs, right?

Not sure i'd call it 'guts'

...most of it's pure car crash television. Giving that floppy haired tosser from Blur his platform to slag off funk bands ain't gutsy.

wow mike....

im not supporting this very bad program with braindead judges, no doubt.

but this article is not really an article, its a rant.

its funny i dont usually come to DiS for the rants,

you realise you will make more people watch this piece of shit program now?

Do you know for sure

that the advance is not subject to cross-collateralization?

Everything about this show screams Cuntdome

It is 100% yes 100% an indefensible sprawling fuckswamp of the very shittest stinkyest thing that could whoreprostitutedly happen in a semen-and-faeces-eating dead-nazi-bumming way to music.

Everything in it's genetic makeup loudly and primally shrieks "KILL YOURSELF"

And everyone else is wrong

and I'm right.

£60grand!?!?!

is nothing these days, as you rightly said; to 'work' the album properly they're not going to be able to have normal jobs anymore and unless they have some massive songs they are going to be back on the dole in about a year

A record deal is never a prize

A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize A record deal is never a prize YOU CUNTS

"£60,000 is nothing these days"

and herein lies the problem.

£60k is a massive advance considering the state the industry is in at the moment. The problem is that this show continues to make those who are naïve about the music industry think they know more when they speak out against it.

?????????

Every year a new batch, like evil puss-popping Gremlins bubbling in a public pool, are unleashed into the public’s eyes and ears: made-by-television pop-stars in their embryonic stages, could-bes dressed up as gonna-bes, and lads-mag pin-ups touting Cathy Dennis-penned numbers destined for chart dominance, are flaunted about like new must-have designer heels on the painted toes of some own-it-today, chuck-it-tomorrow Barbie Doll with a gaping hole where their grey matter should be by industry schemers and shakers keen on capitalising on any projected 15 minutes within the first ten. Takes breath: and, these plucked-from-Burger-King kids and last-ditch pub-singer single mothers, who tug at a nation’s heartstrings like puppy dog-eyed beggars on the streets of war-torn foreign climes on the nightly news, are pulled tight to a collective bosom like national heroes, like they’re the ghost of Bobby Moore popping up at the back post to nod a Shaun Wright-Phillips cross in two seconds before the final whistle to earn a 1-1 draw away in Liechtenstein. Fucking hell… Well NO MORE. Kinda.

Utter blah..is it me, or what? WTF are you saying?..Keep sentences short and concise, you'll give a clearer meaning to what you are trying to say.

It's you.

;)

Well at least you are taking it on board that's a start...

I disagree - you are obviously one of those people

- if they want to record an album, do videos, tour support, promote and market the album - £60grand is nothing. On average it will cost at least £20-£30k to record the album, at least £10k to pay for a months tour (if they're lucky) leaving them with around £20k to promote the album, a PR campaign will cost at least £10k, then there's radio pluggers etc. etc. and they haven't even done a video yet! The £60grand doesn't go in their pockets you know and it's recoupable too, so they would have to quit their jobs to make the album work, but would never be guaranteed any sort of return

"doing well"

In the past year they've played Glastonbury, supported Belle & Sebastian, Babyshambles and Dirty Pretty Things, played a high profile fashion aftershow in Paris, had their latest tracks produced by Andy Gill, headlined small London venues with consistently high turnouts, current single on green vinyl and iTunes...pretty good for a year's work I think.

shitweasel..

is a very good word.

i am officially adopting it and may even lay claim to having invented it - just to warn you, like.

I

caught a bit of this last Sunday and have to say I swore at the TV and turned it off when the band pictured said......we are the best unsigned band in Britian......PLEASE F*CK OFF.

I

caught a bit of this last Sunday and have to say I swore at the TV and turned it off when the said femail band pictured said (being ladies makes zero difference)....we are the best unsigned band in Britian......PLEASE F*CK OFF.

.

i really couldnt care less about the talent show or the bands involved, or indeed most mainstream "indie bands" period, but this was a very stylish and extremely accomplished piece of writing. props, mr. diver.

.

Jo whiley has to be the worst thing about this. That article about her a couple months ago pretty much covered it- however it never ceases to slay me the way that someone so insincere and uncaring about 'new music' can have a job that is considered prestigious. Constant relaying, back channeling and 'ooh i just don't know's' to the point of feigning a pensive looking stress-ache is just the absolute worst. bad bad bad.

.

also, what's this banner at the top of dis? some kind of drastic voodoo. Much better prize though.

The Gingerbread Men

Hi I know Ginger Bread Men, and I know Tim. Tim's a bitter bald old man who now dyes his hair (bless). GBM went into this crap to try their luck and raise their exposure. Simple as that. They're a great live band. Check them out.

They started playing gigs at the Archway Tavern as it was local to them and soon left. Isn't that where they met you Tim?

Get a life.

Calm down it's just telly

Dear Mike

Who pissed in your cornflakes?

Getting through "by the skin of our teeth" isn't a bloody conspiracy - can you really not see that the judges hate us for exactly the same reason you do - we are "too" confident. Y'all have that bitter disease born of self-loathing that confuses self belief with being a wanker.

We actually said loads more stuff besides "yea we're good" but the 2 dimensional telly producers clearly think that "over confident gobby girls" is the easiest story to tell.

What on earth is wrong with a rock band thinking they are good? I don't know how you get through life Mike but I couldn't get out of bed in the morning if I didn't believe in what I was doing.

And we're not deluded about the money either, but 60K is better than nothing. I'm working a fulltime job and a full time band whilst providing popcorn entertainment for you the armchair critics. I run this band on a shoestring and we are very DIY to save money: 60K would go a long way for us.

And yes Hijack Oscar are brilliant.

Best of luck to you and everything you want out of life.

Kim E. Leon

http://www.myspace.com/thementalists

Add your comment

Reply


 or Abandon